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Feeney, David
Toward an Aesthetics of Blindness
An Interdisciplinary Response to Synge, Yeats, and Friel
Series: New Studies in Aesthetics - Volume 38
Year of Publication: 2007
New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2007. XVI, 331 pp.
ISBN 978-0-8204-8662-8 hardback
(Hardcover)
Weight: 0.720 kg, 1.587 lbs
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- €* 79.00
- €** 81.20
- € 73.80
- £ 59.00
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- Hardcover
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Book synopsis
Blindness has always fascinated those who can see. Although modern imaginative portrayals of the sightless experience are increasingly positive, the affirmative elements of these renderings are inevitably tempered and problematized by the visual predilections of the artists undertaking them. This book explores a variety of the (dis)continuities between depictions of the sightless experience of beauty by sighted artists and the lived aesthetic experiences of blind people. It does so by pressing a radical interdisciplinary reinterpretation of celebrated dramatic portrayals of blindness into service as a tool with which to probe the boundaries of the capacities of the sighted imagination while exploring the sensory detriment of our visually fixated notions of beauty. Works by J. M. Synge, W. B. Yeats, and Brian Friel are explored as a means of crafting a workable and innovative medium of theoretical and experiential exchange between the disciplines of literature, aesthetics, and disability studies. In addition to appraising previously unexamined aspects of the work of three of Ireland's most celebrated modern dramatists, this book considers the consequences for blind people of the exclusionary and prohibitive elements of traditional aesthetic theory and art education. The insights yielded will be of value to those with an interest in modern literature, differential aesthetics, visual culture, perception, and the experience of blindness.
About the author(s)/editor(s)
The Author: David Feeney received a B.A. in English and philosophy from Trinity College Dublin. After a year as a visiting researcher in the Aristotle University of Thessaloniki and a period as a disability scholar with the National Disability Authority of Ireland, Feeney completed a Ph.D. in the English Department at Trinity College Dublin focusing on English literature, disability studies, and aesthetics.
Reviews
«This brilliant study says many new things about the most eminent modern Irish playwrights while also challenging our visually fixated notions of beauty. David Feeney's keen literary and aesthetic analysis is complemented by a refreshing and receptive willingness to let the autobiographies of blind people speak poignantly for themselves.» (Declan Kiberd, Head of Combined Departments, National University of Ireland, Dublin)
Series
New Studies in Aesthetics. Vol. 38
General Editors: Robert Ginsberg, Victor Yelverton and Jo Ellen Jacobs