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Antokoletz, Elliott / Albrecht, Michael von (eds.)
International Journal of Musicology
Vol. 9 - 2000
Bartók International Congress 2000
Journal: International Journal of Musicology - Volume 6
Year of Publication: 2006
Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2006. 458 pp.
ISBN 978-3-631-52508-1 br.
(Softcover)
Weight: 0.590 kg, 1.301 lbs
- Softcover:
- SFR 131.00
- €* 90.30
- €** 92.80
- € 84.40
- £ 76.00
- US$ 130.95
- Softcover
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** includes VAT - only valid for Austria
Discipline
About this journal
The International Journal of Musicology is an open forum for musicological research. The editors hope to further the dialogue between different fields of musicology as well as between musicology and neighboring disciplines. The Journal contains articles on: New historical material, analysis of musical texts, musical genres, style periods of musical history, musical theory, history of reception, and other related topics. Special emphasis is also laid on book reviews.
Das International Journal of Musicology ist ein freies Forum für musikwissenschaftliche Forschung. Die Herausgeber hoffen, den Dialog zwischen verschiedenen Gebieten der Musikwissenschaft und zwischen der Musikwissenschaft und ihren Nachbardisziplinen zu fördern. Die Zeitschrift veröffentlicht u.a. Beiträge über: Neues historisches Material, Analyse musikalischer Texte, musikalische Gattungen, Epochenstile, Musiktheorie und Rezeptionsgeschichte. Ein weiterer Schwerpunkt sind Buchbesprechungen.
Contents
Contents: Elliott Antokoletz: Preface - Lynn Hooker: Solving the Problem of Hungarian Music: Contexts for Bartók's Early Career - Mark Camann: The Cheremis Songs in Bartók's Hungarian Folk Music - Donna A. Buchanan: Bartók's Bulgaria: Folk Music Collecting and Balkan Social History - Raina Katsarova-Kukudova, translated by Donna A. Buchanan: Recollections of Béla Bartók - Michael von Albrecht: Béla Bartók. Georg von Albrecht, and Musical Folklore: A Comparative Approach - Bálint Sárosi: Investigation of Folkloristic Traces in Bartók's Non-Folkloristic Themes - David E. Schneider: 'Gypsies', Verbunkos, and Bartók's Debt to the Nineteenth Century - Kevin Clifton: Bartók's Ironic Response to His Critics: The Significance of Quotation in the Allegro Barbaro - Alan Anbari: Between Folk Music and Wagner: Sources of Inspiration in Bartók's First String Quartet - László Vikárius: Bartók and the Ideal of a «Sentimentalitäts-Mangel» - Klára Móricz: 'From Pure Sources Only': Bartók and The Modernist Quest for Purity - Judit Frigyesi: Bartók's Non-Classical Narrative: Sonata for Violin and Piano, No. 2 (1922) - Malcolm Gillies: Music for Strings, Percussion and Celesta: Bartók's Ultimate Masterwork? - Elliott Antokoletz: Diatonic Extension and Chromatic Compression as a Basic Unifying Principle in Bartók's Music for Strings, Percussion, and Celesta - Terry Klefastad: The Structural Function of Framework Themes in Bartók's String Quartets - Benjamin Suchoff: Background and Sources of Bartók's Concerto for Orchestra - Danielle Fosler-Lussier: Bartók's Concerto for Orchestra in Postwar Hungary: A Road Not Taken - László Somfai: Desiderata Bartókiana: A Survey of Missing Links in Bartók Studies - Victoria Fischer: Articulating Bartók: Interpretation of the Piano Notation.