The book deals with the problems of media communication and its formation in the Slovak Republic in and after 1993. It focuses on the social function of the media in the sense of journalistic communication. The authors also address the problems of gender stereotypes presented through social networks and advertising in all kinds of media in Slovakia and abroad. This book also explores the question of forming a theoretical basis for the creation of mass media communication (print media, film, photography, literature, works in marketing communication, books). This book does not elaborate on all problems of the mass media in the Slovak Republic, but it attempts to examine the key issues.
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Le rappresentazioni del miracolo economico nella cultura italiana degli anni Cinquanta e Sessanta
Edited by Inge Lanslots, Lorella Martinelli, Fulvio Orsitto and Ugo Perolino
Cinquant’anni sono un segmento di tempo ragionevolmente collaudato per guardare indietro, nel tempo, senza il pericolo della nostalgia e senza il rischio di enfasi. Cinquant’anni ci separano dagli avvenimenti che gli autori di questo libro prendono in esame: il Sessantanove e poi, a ritroso, i fatti dell’anno precedente e quelli ancora prima, quando l’Italia si trova immersa dentro le trasformazioni della modernità. Nostalgia ed enfasi sono atteggiamenti nocivi allo sguardo dello studioso: la prima indulge verso un compiacimento emotivo che può finire nella retorica del come eravamo..., la seconda corre il pericolo di amplificare i dati, ingigantire gli esiti, falsificare la percezione. Entrambi i rischi si corrono quando si analizza un periodo felice e lo si mette soprattutto a confronto con un presente di minore spessore. Ma è un rischio da cui non sono stati toccati gli autori dei saggi radunati in questo volume. In nessuna pagina si avverte il sospetto del compiacimento e nemmeno l’ombra di una malinconica retrospettiva. Semmai è forte il tentativo di ricostruire un’epoca che ha i contorni del mito: ricostruirla settore per settore, dalla letteratura al cinema, dalla pubblicità alla comunicazione aziendale, dalla musica alla televisione, confermando una scelta di metodo che privilegia la dimensione politecnica del libro, il suo essere punto di convergenza di indagini sviluppate su forme e linguaggi diversi.
Journalism, Open Source Intelligence, and the Coming of the Civil War
Yankee Reporters and Southern Secrets: Journalism, Open Source Intelligence, and the Coming of the Civil War reveals the evidence of secessionist conspiracy that appeared in American newspapers from the end of the 1860 presidential campaign to just before the first major battle of the American Civil War. This book tells the story of the Yankee reporters who risked their lives by going undercover in hostile places that became the Confederate States of America. By observing the secession movement and sending reports for publication in Northern newspapers, they armed the Union with intelligence about the enemy that civil and military leaders used to inform their decisions in order to contain damage and answer the movement to break the Union apart and establish a separate slavery-based nation in the South.
A Critical Introduction to Media and Communication Theory
Lana F. Rakow
John Dewey: A Critical Introduction to Media and Communication Theory reintroduces John Dewey to scholars in communication studies by presenting new material and interpretations from his works, lectures, and correspondence. Dewey has been credited as being one of the giants of American philosophy, a key figure in the development of pragmatism. Going beyond Dewey’s reputation in received histories in communication, this book documents his role beginning at the University of Michigan in 1884 until his death in 1952 in establishing a view of communication as the means by which associated life and adaptation to the environment is possible. Communication enables the production of collective knowledge generated through experience and reproduced across time and space, subject to change and correction as those truths are applied and yield consequences. It is also subject to manipulation and misuse. So integral is communication to his philosophy that Dewey is best seen as having a philosophy with communication, not of it. By reviewing Dewey’s history of work relevant to communication, technology, and culture, previous assumptions by communication scholars are challenged. A fresh history is presented of his relations to key figures and his significance to the development of speech, rhetoric, journalism, mass communication research, and public relations. Because of his concerns about power, participation, identity, and knowledge, his work remains relevant to contemporary scholars. This book is appropriate for advanced undergraduate and graduate courses in theory, history, and philosophy of communication and is relevant to other disciplines with interests in pragmatism, feminist and race theory, technology, and cultural studies.
News, Social Media, Audiences, and Civic Community
Donald L. Shaw, Milad Minooie, Deb Aikat and Chris J. Vargo
Agendamelding: News, Social Media, Audiences, and Civic Community builds on the premise that people construct civic community from the information that they seek—as well as the information that seeks them—to trace the processes by which we mix, or meld, agendas from various sources into a coherent picture of the civic community in which we live. Using the presidential elections of 2008, 2012, and 2016, this book tests a formula that allows us to predict how potential voters lean towards communities in which they feel comfortable—for example, Republican, Democratic, or Independent. These analyses take into account differences in the use of traditional news media vs. social media among media consumers, as well as varying levels of press freedom across national populations.
This cultural biography tells the story of Birmingham World editor Emory O. Jackson. During his 35-year career in Alabama, he waged numerous sustained civil-rights campaigns for the franchise, equal educational opportunities, and justice for the victims of police brutality and bombings. The semiweekly newspaper was central to his advocacy. Jackson wrote editorials and columns that documented injustices and urged legislative and legal action in an effort to secure civil rights for Black Alabamians. His body of work, grounded in protest and passion, was part of the long tradition of the Black Press as an instrument to agitate for social and political change. Jackson also was a frequent speaker at NAACP branches, colleges, and churches. He was known as a commanding, even fiery, speaker who stressed first-class citizenship. Issues explored in the book demonstrate an assertion of constitutional rights in post-World War II America and a remarkable resilience. Editor Emory O. Jackson, the Birmingham World, and the Fight for Civil Rights in Alabama, 1940-1975 is the first scholarly analysis of his work and as such contributes to scholarship on the Civil Rights Movement in Alabama and the nation.
Edited by Allison M. Alford and Michelle Miller-Day
Constructing Motherhood and Daughterhood Across the Lifespan explores the complex dynamics between mother and daughter over the lifespan. The editors believe that these vital family roles are socially and communicatively constructed, shaped, and molded as mothers and daughters navigate, respond to, and negotiate cultural and familial discourses. Aimed at undergraduate students, this timely book includes course activities and discussion questions in every chapter and a complete term syllabus to enhance a professor’s teaching, providing a smooth route for adoption as a course text. The book also builds on and contributes to the critical and theoretical research in family communication, media studies, and gender studies, delving into the nuanced communication surrounding motherhood and daughterhood in the United States.
A Cultural History of Social Movement Media from Abolition to #womensmarch
Linda J. Lumsden
Social Justice Journalism: A Cultural History of Social Movement Media from Abolition to #womensmarch argues that to better understand the evolution, impact, and future of digital social justice media we need to understand their connections to a venerable print culture of dissent. This cultural history seeks to deepen and contextualize knowledge about digital activist journalism by training the lens of social movement theory back on the nearly forgotten role of eight twentieth-century American social justice journals in effecting significant social change. The book deliberately conflates "social movement media" with newer and broader conceptions of "social justice journalism" to highlight changing definitions of journalism in the digital era. It uses framing theory, social movement theory, and theories about the power of facts and emotion in storytelling to show how social movement media practice journalism to mobilize collective action for their cause. After tracing the evolution and functions of each social justice movement’s print culture, each chapter concludes with a comparison to its online counterparts to illuminate links with digital media. The book concludes that digital activist journalism, while in some ways unique, also shares continuities and commonalities with its print predecessors.
Content, Practice, and Production in the Age of Streaming Television
Edited by Theo Plothe and Amber M. Buck
Netflix’s meteoric rise as an online content provider has been well documented and much debated in the popular press and in academic circles as an industry disrupter, while also blamed for ending TV’s "Golden Age." For academic researchers, Netflix exists at the nexus of multiple fields: Internet research, information studies, media studies, and television and has an impact on the creation of culture and how individuals relate to the media they consume. This collection examines Netflix’s broad impact on technology and television from multiple perspectives, including the interface, the content, and user experiences. Through chapters from leading international scholars in television and internet studies, this book provides a transnational perspective on Netflix's changing role in the media landscape. As a whole, this collection provides a comprehensive consideration of the impact of streaming television.
Edited by Clara Kriger
La nueva cartografía del sector audiovisual argentino relata y analiza un proceso de descentralización que transforma el tradicional mapa de ese sector productivo. A partir de los primeros años del Siglo XXI, en el cruce de la digitalización y la puesta en marcha de políticas públicas nacionales y provinciales, comienza a crecer la producción audiovisual en todas las provincias del país. Se trata de una realidad que excede en mucho la realización de un conjunto de producciones audiovisuales que enriquecieron el patrimonio cultural, ya que a la vera de las películas, series y videojuegos se crearon agrupaciones empresarias, gremiales y profesionales, e instituciones que diseñaron relaciones entre los actores del campo y también con el Estado.
El lector encontrará una lectura crítica de este proceso de reconversión que merece ser observado tanto en el ámbito de las nuevas modalidades de producción, como en las problemáticas que se pusieron de relieve. Sin duda las negociaciones que nacen con estos desplazamientos geográficos, que son también políticos, culturales y estéticos, permiten suponer la existencia de nuevas miradas y nuevas enunciaciones de la imagen. El análisis focaliza los procesos de Córdoba, Santa Fe, Mendoza, el nordeste y el noroeste argentinos.