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Edited by Béatrice Laurent
Ideology, Intertexts, Tradition
María Valero Redondo
Recent criticism on Emily Brontë and her novel has tried to correct the deep-rooted belief that Emily Brontë was a literary "genius" isolated in the moors of Haworth. Indeed, an overview of recent Brontë scholarship indicates that two important critical shifts have lately cropped up: an increasing sociological attention to cultural studies on the one hand and an emphasis on interdisciplinarity. The present book is an unprecedented and groundbreaking study on Wuthering Heights. It detaches itself from the current productive vogue for sociological approaches to narrative texts which has contributed to obscure the focus on anomalous intertextual relations, and prioritizes the literary context over any other biographical, historical, or cultural context. Determining Wuthering Heights postulates a determinate intertextual meaning of Emily Brontë’s novel, enriching its heterogeneity by examining its dialogic relation with previous, contemporary and subsequent texts in order to confirm that Emily Brontë’s novel is not sui generis.
The target audience of the book would be members of the academic community interested in Victorian literature in general (researchers, scholars…) and in Wuthering Heights in particular. However, since Wuthering Heights has become a classic novel which is today read and discussed in universities around the world, the subject may also appeal to students who have to take a course on Victorian Literature and/or on the Brontës.
This study focuses on presenting the techniques of reworking and incorporating intertextual material into contemporary British fiction. Analysing emblematic intertextual strategies: adaptation, pastiche, transworld identity, and historiographic metafiction, the study provides a good insight into how the intertextual impulse can be inscribed not only in the structure and semantics of a given text but also in the narrative plane. Adopting Gerard Genette’s and Boris Uspensky’s theoretical models, the book aims to demonstrate how the discussed intertextual strategies transform a source text, genre, or literary component and how these creative decodings function on different planes of a literary text.
William Hogarth’s British and European Afterlives
Edited by Caroline M. Patey, Cynthia Ellen Roman and Georges Letissier
Edited by Kristopher Woofter
From the short story «The Lottery» to the masterworks The Haunting of Hill House and We Have Always Lived in the Castle, Shirley Jackson’s popular, often bestselling works experimented with popular generic forms (melodrama, folktale, horror, the Gothic, and the Weird) to create a uniquely apocalyptic vision of America and its contradictions.
With a Foreword by award-winning Jackson biographer Ruth Franklin, this collection features comprehensive critical engagement with Jackson’s works, including those that have received less scholarly attention. Among these are the novels The Road Through the Wall, The Bird’s Nest, and Hangsaman, as well as Jackson’s historical study, The Witchcraft of Salem Village. Also included are essays on Jackson’s darkly humorous collections Life Among the Savages and Raising Demons, on Stephen King’s «literary friendship» with Jackson, on the little-known film adaptations Lizzie (1957) and Hosszú Alkony (Long Twilight) (1997), and the first-ever extended analysis devoted to Jackson’s unpublished satirical cartoon sketches.
The collection’s five sections focus on Jackson’s style, key themes, and influence; her politics and poetics of space; her treatment of the «monstrous» mother and monstrousness of motherhood; her representations of outsiders and minorities; and moving-image adaptations of her work.
Edited by Eamon Maher and Eugene O'Brien
Politics, History, and Mortality
This research sheds new light on Angela Carter’s critique of her contemporary world, not only as a feminist and socialist but also as a political writer who lived through the twentieth century, an unprecedented period when even the meanings of life, death, and survivability changed drastically. The book examines Carter’s portrayals of mortality in her nine novels through the lens of the Cold War and subsequent fears of nuclear catastrophe and sudden death, alongside the comfort blanket of the post-war welfare state. Focusing on the mutual dialogues between Carter and actual historical events, from Hiroshima and the Cuban Missile Crisis to the Soviet invasion of Afghanistan and Thatcherism, the book aims to reconsider her oeuvre from a twenty-first century perspective.
Edited by Christoph Bode, Michael O'Sullivan, Lukas Schepp and Eli Park Sorensen
This is an edited collection of essays drawn from collaborative events organized jointly by The Chinese University of Hong Kong and Ludwig Maximilian University of Munich. The book focuses on how literary and cultural perspectives from different humanities academic environs in Asia and Europe might contribute to our understanding of the "transferability of concepts." Exploring ways in which these traditions may enter into new and productive collaborations, the book presents readings of a wide range of Western and Eastern writers, including Shakespeare, J.M. Coetzee, Yu Dafu. The book contains a virtual round table followed by four thematic sections – "Travels and Storytelling," "Translation and Transferability," "Historical Contexts and Transferability," and "Aesthetic Contexts and Transferability."
Intermedial Conversations on the Poetics of Verbal, Visual and Musical Texts
Edited by Andrzej Pawelec, Aeddan Shaw and Grzegorz Szpila
Text-Image-Music: Crossing the Borders brings together a diverse body of scholars in a genuinely interdisciplinary and wide-ranging volume. This deliberate bricolage finds its unifying force in the erudition of contributing authors and their shared appreciation for the work and investigations of Professor Elżbieta Chrzanowska-Kluczewska, to whom this collection is dedicated. Tackling topics spanning narrativity, various modes of literary expressions, intersemiotic translation and multimodal communication, the volume contributes to interdisciplinary scholarship in the humanities.