Obscenity and Disruption in the Poetry of Dylan Krieger is the first full-length study of the radical poetry of Baton Rouge-based poet Dylan Krieger. Wickedly smart, iconoclastic, daring in their critiques of religion and contemporary culture, Krieger’s poems rank with Allen Ginsberg’s and Adrienne Rich’s as the most provocative and avant-garde of any recent generation. With its debt to third-wave feminism and the "Gurlesque," Krieger’s work nevertheless moves outward and backward across the landmines of sexual precocity and religious fundamentalism and across the entire western project of epistemology as Krieger came to understand it at the University of Notre Dame. Though this book necessarily stays close to Krieger’s specific poems, it follows her lead in stretching her cultural, sexual, and religious furies to their apotheosis in a manifesto of liberation.
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The author frames her reconstruction of the Bay Area poet, scholar, and experimental prose writer Leslie Scalapino’s transmedial poetics in the context of Scalapino’s published writings, available criticism of her works, as well as previously unpublished archival materials located among The Mandeville Special Collections and Archives at UC San Diego. Scalapino’s poetics are reconsidered here along the lines of new materialist modes of inquiry as well as contemporary new realist and speculative approaches that continue to grapple with the tension between thought and the social realm.
«This is a pioneering attempt at grasping the ways in which Scalapino’s oeuvre radically transforms our apprehension of the notion of reality.» — Professor Zofia Kolbuszewska, University of Wroclaw
Edited by David W. Atkinson
The Works of James Melville presents both published and unpublished prose and poetry by Scottish divine James Melville (1556–1614). James Melville has been largely ignored as a significant figure in the life of the Scottish Church in the late sixteenth and early seventeenth centuries. While his Diary and Autobiography is often referenced as an important account of the Scottish Kirk, the rest of his writing remains unavailable to modern scholars. The result is that we are without an important resource for understanding the spiritual dynamics of the Scottish Church, as well as the devotional life of the ordinary believer. This book—which incorporates vital critical commentary on each of the selected works—endeavors to fill this scholarly lacuna, and to excite interest in Melville as a self-conscious writer who drew on all manner of sources, even as he developed a distinctive voice that positioned him as an important religious writer of the Reformation. Melville’s understanding of his role as a pastor of the Church—and of his ultimate responsibility for saving souls—gives his writing a power that signals his own deeply held faith, which in turn inspires so much of his poetry and prose. The Works of James Melville will hopefully encourage others to give Melville the kind of scholarly attention that sheds light on his contribution to Scottish history, religion, and literature.
The Works of Amiri Baraka, Sonia Sanchez, and Other Writers
Ammar Abduh Aqeeli
The Nation of Islam and Black Consciousness: The Works of Amiri Baraka, Sonia Sanchez, and Other Writers engages in the scholarly discussions about the origins and formation of the Black Arts Movement of the 1960s and 1970s, which rarely give credit to the role of the Nation of Islam’s (NOI) teachings in the emergence of the movement and in shaping the subjects and themes of its literary works. This book reevaluates the common belief that Malcolm X is the most appealing black historical figure in the movement’s literature and demonstrates how the NOI’s perception of black consciousness shaped the aesthetic sensibilities of the movement’s poets and playwrights in their fights against anti-black racism. The Nation of Islam and Black Consciousness can be used in African American literature courses as it provides a thorough analysis of hidden literary texts written by black writers in the 1960s and 1970s. Reading this book today will help readers reflect on how a narrow understanding of "Americanness" is threatening to the American ideals of diversity and inclusiveness on which America was founded. Moreover, this book is useful for those who are interested in studying how identity politics functions to achieve certain social and cultural goals.
Modernist Aesthetics and the Utopian Lure of Community
Edited by Laura Scuriatti
In the first half of the twentieth century, artists, intellectuals, writers, thinkers and patrons in Europe and the United States created a large number of artistic communities, circles, groups and movements with the aim of providing alternatives to the increasingly conflictual political and intellectual climate; the works and artistic practices of many of these groups were marked by an ethos of collaboration, based on a collective understanding of artistic production, and on the nurturing and exercise of sociability and conviviality. Collaboration, sociability, friendship and collective artistic efforts represented the utopian aspects of the radical experiments carried out by avant-garde and modernist artists; they were also the counterparts of the period’s obsession with the notion of genius and the cult of the artist. This book offers studies of under-researched (and often consciously provincial) avant-garde and modernist groups and authors. Their progressive aims are here read as particular forms of utopia based on the ethics and aesthetics of community.
The essays in this volume analyse the significance (and failures) of literary coteries as spaces of aesthetic and political freedom. They explore the internationalist and interdisciplinary practices of the Porza Group, the abstrakten hannover and the anthroposophical group Aenigma; the utopian efforts of the artists’ communities at Dornach (Switzerland) and Farley Farm, in England; the political and aesthetic implications of collaborative practices of cultural mediation, criticism and translation within the Bloomsbury group, the «Young American Critics», and of single individuals in relation to networks and avant-garde coteries, such as Mina Loy, the Baroness Elsa von Freytag-Loringhoven and Djuna Barnes. The volume offers an evaluation of the roots and ethos of sociability in the Enlightenment, as the basis of modernist utopias of community; it also reflects on the problematic notion of individual authorship within artistic groups, as in the case of the early-modernist Finnish author Algot Untola, who created around forty fictitious author-names.
Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature
This book explores the ways in which Australian Indigenous filmmakers, performers and writers work within their Indigenous communities to tell the stories of early Indigenous resistance leaders who fought against British invaders and settlers, thus keeping their legacies alive and connected to community in the present. It offers the first comprehensive and trans-disciplinary analysis of how the stories of Pemulwuy, Jandamarra and Yagan (Bidjigal, Bunuba and Noongar freedom fighters, respectively) have been retold in the past forty years across different media. Combining textual and historical analysis with original interviews with Indigenous cultural producers, it foregrounds the multimodal nature of Indigenous storytelling and the dynamic relationship of these stories to reclamations of sovereignty in the present. It adds a significant new chapter to the study of Indigenous history-making as political action, while modelling a new approach to stories of frontier resistance leaders and providing a greater understanding of how the decolonizing power of Indigenous screen, stage and text production connects past, present and future acts of resistance.
From the Metaphysicals to the Romantics
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History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author.
Volume 3 begins with Jacobean poetry and prose, explores Milton’s great biblical epic and moves on to the licentious court poetry of the Restoration period. The early and mid-eighteenth century came then to be dominated by the Neo-Classical and the Augustan style. A few decades later, the novel debuted with Defoe and underwent a rapid development with a range of proposals of astonishing difference and divergence, such as those of Swift, Fielding and Sterne. At the end of the century the Romantic poets gave rise to the densest period of great figures and great works in English literature since the Elizabethan age.
Uses and Misuses of the Locus Amoenus in European Literature, 1850–1930
Edited by Carsten Meiner
Mutating Idylls examines the surprising presence of the antique literary topos of the idyllic landscape, the locus amoenus, in European literature from the latter half of the nineteenth century. The book sets out to identify how this topos, which generally has no place in politically and socially realistic and naturalist literature, actually does have a role to play. Chapters on central nineteenth-century authors such as Flaubert, Zola, Fontane, Verga, Hamsun, Austen, Eliot, Wilde, Jiménez, Cernuda, and Galdós demonstrate both the presence and the multiple refunctionalizations of the locus amoenus. The theoretical aim of Mutating Idylls is to rehabilitate the notion of literary topos. This feature is present in the introduction as a possibility in literary studies today. The chapters all argue in the direction of a notion of topos, which is more flexible than the one Curtius defines along the lines of formula or cliché. In this way, the book intervenes in at least three major fields of study: nineteenth-century studies, classical philology, and literary theory. Through empirical analyses covering diverse authors who all, more or less unconsciously, use the locus amoenus, Mutating Idylls offers a new understanding of the culture of writing in the nineteenth century and contributes to literary theory a rehabilitation of the important notion of the topos.
Homosociality and Nihilist Performance
Stock Characters in 9/11 Fiction considers fictional work of the time subsequent to the attacks. The book develops and investigates models of stock characters in 9/11 fiction who promote the trauma meme within a narrative arc of tragedy; the conceptual evolution of trauma and media as thematic arcs is interpreted within specific 9/11 novels and in correspondence with other terrorist fiction. The almost exclusively male stock character protagonists include the male homosocial perpetrator and the tightrope walker. Among the more recent authors discussed are Amy Waldman and Thomas Pynchon, whose novels illustrate the way characters inhabit media models, rather than, as previously thought, using media for disseminating terrorist events and messaging. Other featured writers include Bernhard Schlink, Don DeLillo, Claire Messud, Ian McEwan, Joseph O’Neill, and Colum McCann. Stock Characters in 9/11 Fiction is a valuable text for scholars of 9/11 fiction, as well as for professors and university students studying contemporary literature.
Discourses on Values and Norms in the Marprelate Controversy (1588/89)
Elizabethans saw eloquent language as the mark of the civilized gentleman. At the same time, they believed language to be able to harm, analogous to physical violence. Such concepts of language have important implications for the study of religious controversies of the time, in which the authors often attacked each other harshly via printed language. Employing historical discourse analysis, this study analyses Elizabethan concepts of violent language and shows under which circumstances Elizabethans understood language use as violence. In a second step, the main contributions in one of the most notorious theological controversies of the time, the Marprelate controversy, are analysed in terms of how these concepts of violent language were used as strategies of legitimation and de-legitimation.