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Edited by Philippe Bouquillion and François Moreau

The assessment of the challenges of digital platforms for cultural industries raises many different issues. How platforms choices in content pricing affect the overall value of cultural markets, especially in the case where content just aim at favoring devices’ sales? How are revenues shared between platforms and content right holders? Do creators and artists all benefit from the growth of digital platforms? How usual business models of cultural industries have to adapt to the digital paradigm? Should we observe rather a reinforcement of the star system or the emergence of a long tail? What is the impact on market concentration? Could we expect an increase or a decrease in cultural diversity? What is the role played by recommender systems, playlists and algorithms in influencing consumers’ choices? How to implement efficient public policies given the transnational dimension of digital platforms? The various papers gathered in this book contribute further to these different topics with a focus on empirical issues. The first part gathers the contributions dealing with the analysis of the impact that digital platforms have on the incumbent or legacy players of the original value chain of content industries: content providers, live entertainment producers, consumers, etc. The second part opens the black box of the ecosystem of digital platforms by studying competition among them and among the business models they adopt, as well as the conditions for the emergence of new players.

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Drones

Media Discourse and the Public Imagination

Kevin Howley

Drones: Media Discourse and the Public Imagination starts with a basic premise: technology shapes and is shaped by the stories we tell about it. Stories about drones—at once anxious and hopeful, fearful and awe-inspired—are emblematic of the profound ambivalence that frequently accompanies the introduction of new technologies. Through critical analysis of a variety of cultural forms—from newspaper headlines, nightly newscasts, and documentary films, to advertising, entertainment media, and graphic arts—this book demonstrates the prevalence of drones in global battlefields and domestic airspace, public discourse, and the popular imagination. Written in a lively, engaging, and accessible style, Kevin Howley argues that media discourse plays a decisive role in shaping these new technologies, understanding their application in various spheres of human activity, and integrating them into everyday life. In doing so, Howley highlights the relationship between discursive and material practice in the social construction of technology.

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From Tahrir Square to Ferguson

Social Networks as Facilitators of Social Movements

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Edited by Juliet Dee

The last several years have seen mass uprisings and dynamic social movements across the globe, from the onset of the Arab Spring in 2011, to the Black Lives Matter movement following Michael Brown’s death in Ferguson, Missouri in 2014. There is no doubt that social media platforms such as Facebook and Twitter accelerated and facilitated these uprisings, providing a way for people to organize and express themselves despite government repression.

From Tahrir Square to Ferguson: Social Networks as Facilitators of Social Movements attempts to answer the question of whether these movements could have succeeded before the advent of the Internet age. From political protest to regime change, social movements have become increasingly digital. Taking on the current political climate from an international perspective, From Tahrir Square to Ferguson: Social Networks as Facilitators of Social Movements attempts to address the issues of a growing social media audience facing a wide variety of social and political issues.

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Gatewatching and News Curation

Journalism, Social Media, and the Public Sphere

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Axel Bruns

Gatewatching and News Curation: Journalism, Social Media, and the Public Sphere documents an emerging news media environment that is characterised by an increasingly networked and social structure. In this environment, professional journalists and non-professional news users alike are increasingly cast in the role of gatewatcher and news curator, and sometimes accept these roles with considerable enthusiasm. A growing part of their everyday activities takes place within the spaces operated by the major social media providers, where platform features outside of their control affect how they can post, find, access, share, curate, and otherwise engage with news, rumours, analysis, comments, opinion, and related forms of information.

If in the current social media environment the majority of users are engaged in sharing news; if the networked structure of these platforms means that users observe and learn from each other’s sharing practices; if these practices result in the potential for widespread serendipitous news discovery; and if such news discovery is now overtaking search engines as the major driver of traffic to news sites—then gatewatching and news curation are no longer practiced only by citizen journalists, and it becomes important to fully understand the typical motivations, practices, and consequences of habitual news sharing through social media platforms.

Professional journalism and news media have yet to fully come to terms with these changes. The first wave of citizen media was normalised into professional journalistic practices—but this book argues that what we are observing in the present context instead is the normalisation of professional journalism into social media.

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Edited by Jolanta A. Drzewiecka and Thomas K. Nakayama

This book is an edited collection of case studies of contemporary issues in culture and communication around the world. Framed around a dialectical approach to intercultural communication, this collection offers a useful framework for thinking about contemporary research in this area. It offers in-depth cultural information about a broad range of specific cases in different places around the world. It is an ideal book to use in advanced undergraduate and graduate courses in culture and communication, global communication and intercultural communication courses. Scholars interested in contemporary work in intercultural communication will find this collection essential in mapping the state of the art in this area.

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Edited by Ceren Yegen and Nurettin Güz

The digital era we are in is presenting a series of innovations every day. Today, technology is becoming a decisive factor in everyday life as well as in professional life. Every day, new media, which develop at a fast pace, influence many areas from everyday relations to professions and transform media. For example, the traditional media today has to adapt to new communication technologies and new media-based platforms. However, new forms of journalism and their tendencies are the ones that have a negative effect on the traditional media. Therefore, it is important to understand the situation of the traditional media in the new media age. This book will serve as a guide to understanding the new media – which stand as a great power against the traditional media today – as well as the structure of its environments and its potentialities.

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Die Mediengesellschaft und ihre Opfer

Grenzfälle journalistischer Ethik im frühen einundzwanzigsten Jahrhundert

Nikolaus Jackob

Medien leisten unverzichtbare Dienste für die Informationsversorgung und Meinungsbildung der Bevölkerung. Sie sind Kritiker und Kontrolleure von Macht. Sie stellen Öffentlichkeit her. Gesetzliche und ethische Grenzen sollen journalistische Willkür verhindern, was in den meisten Fällen funktioniert. Dennoch übertreten Journalisten immer häufiger solche Grenzen – vor allem die der Medienethik. Das Buch ist eine Chronique scandaleuse zentraler ethischer Grenzfälle seit dem Jahrtausendwechsel. Es enthält Studien zu teils spektakulären Konfliktfällen, die das Ausmaß der Grenzverstöße umschreiben, Reaktionen aus Politik, Medien und Wissenschaft zusammentragen und gesellschaftliche Konsequenzen herausarbeiten. Im Mittelpunkt stehen die Opfer journalistischer Grenzverletzungen.

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Mobile and Ubiquitous Media

Critical and International Perspectives

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Edited by Michael S. Daubs and Vincent R. Manzerolle

What does the phrase "ubiquitous media" actually mean? Individual definitions are just as varied and ubiquitous as the media to which they refer. As a result, there is to date no large-scale theoretical framework through which we can understand the term. The goal of this volume is to provide a diverse set of critical, theoretical, and international approaches useful to those looking for a more diverse and nuanced understanding of what ubiquitous media means analytically.

In contrast to other existing texts on mobile media, these contributions on mobile media are contextualised within a larger discussion on the nature and history of ubiquitous media. Other sections of this edited volume are dedicated to historical perspectives on ubiquitous media, ubiquitous media and visual culture, the role of ubiquitous media in surveillance, the political economy of ubiquitous media, and the way a ubiquitous media environment affects communities, spaces, and places throughout the world.

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The Mourning News

Reporting Violent Death in a Global Age

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Tal Morse

A conventional wisdom in media studies is that "when it bleeds it leads". The media love violence and from the newsroom perspective, negative news is good news. Violent death often makes it to the headlines, and mass violent death events often become media events that receive immediate continuous attention worldwide. However, reporting violent death is not only about sending information, but also about the maintenance of society. News about violent death functions as media rituals which elicit grief and inform a sense of care and belonging. Accordingly, this book takes a broader sociological and anthropological approach to considering the role of death and the media in organising social life in a global age. Based on literature on solidarity and social cohesion, death rituals, media rituals, and journalism studies, this book examines whether and how the performance of the media at the occurrence of mass violent death events informs solidarity and interconnectedness on a cosmopolitan level.

The book develops the analytics of grievability as an analytical framework that unpacks the ways in which news about death constructs grievable death and articulates relational ties between spectators and sufferers. The book employs the analytics of grievability in a comparative manner and analyses the coverage of three different case studies (terror attack, war and natural disaster) by two transnational news networks (BBC World News and Al-Jazeera English). This comparative analysis showcases the centrality of news media in selectively cultivating a sense of cosmopolitan solidarity in a global age.

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Edited by Ahmet Ayhan

With the emergence of new media technologies, communication practices are changing, and this book aims at offering new insights into these digital media communication practices, featuring contributions by researchers from various disciplines. With a collection of chapters on a wide range of topics in the field of communication and media, this edited book offers its readers to comprehend the current situation of the new media and communication practices in Turkey through the researches carried out using the surveys, interviews, and content analyses, as well as through a comprehensive analysis of the media sector in the new media age. The readers will find the international perspective of quite a number of academics to the phenomenon of new media and its effects, outcomes, and future trends.