Crime fiction has become a key element in Latin American literature. The rise in production of the genre can be explained by an urgency to explore issues of morality in societies which incorporate varying levels of censorship and corruption. Through a focus on the concept of the crime scene itself, this book identifies and interrogates some of the principal developments in contemporary Latin American crime fiction. In ten chapters which cover Argentina, Chile, Colombia, Costa Rica, Cuba, Mexico and Venezuela, and generic diversity which spans police procedurals, narcoliteratura, postmodern detection, and historical portrayals of crimes, the authors investigate how the crime scene – which has always been central to the genre and its subgenres – critiques local and global issues, including social injustice, discrimination, neoliberalism, violence, identity, corruption, and memory.
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Latin American Crime Fiction from the 1960s to the 2010s
Edited by Charlotte Lange and Ailsa Peate
Anna R. Burzyńska
In recent years, the terms "ethics," "politics," "performativity," and "experience" have proliferated throughout the discourse of the humanities. However, it is rarely noted that their contemporary understanding has been shaped by the works of Jacques Derrida, who has employed all these concepts since the mid-1960s. The aim of this book is to present the lesser discussed topics of Derrida’s thought – not only as the creator of a specific mode of interpretation called "deconstruction" but also as an initiator of recent ethical and political reflection, a pioneer of performatics, and a precursor of current research on experience. At the same time, the book provides a panorama of the most important changes in the humanities of the last thirty years, and in particular – the ethical, performative, and empirical turns.
Edited by Simon Bacon
What is Horror?
Horror is an inherently sensational and popular phenomenon. Extreme violence, terrifying monsters and jarring music shock, scare and excite us out of our everyday lives. The horror genre gives shape to the particular anxieties of society but also reveals the fundamental nature of what it is to be human.
This volume provides an introduction to horror in compact and accessible essays, from classics such as Stanley Kubrick’s The Shining to contemporary throwbacks like the Duffer Brothers’ Stranger Things. Beginning with the philosophical and historical background of horror, this book touches upon seminal figures such as Poe, Lovecraft, Quiroga, Jackson, King and Suzuki and engages with the evolution of the genre across old and new media from literature, art and comics to film, gaming and social media. Alongside this is a consideration of established and emerging areas like smart horror (Jordan Peele’s Get Out), queer horror (Brad Falchuk’s American Horror Story), eco-horror (Alex Garland’s Annihilation), horror video games (P.T.) and African American horror (Tananarive Due’s Ghost Summer: Stories).
This volume provides an invaluable resource for experts, students and general readers alike for further understanding the horror genre and the ways it is developing into the future.
Edited by Linda Bryder and Martin Gorsky
Edited by Linda Bryder and Martin Gorsky
Studies in the History of Healthcare provides an outlet for academic monographs (sole- or multi-authored) devoted to both the social and the intellectual dimensions of the history of medicine, with a special emphasis on public health, health care and health services. The focus of the series is on the nineteenth and/or twentieth centuries, and is international in scope. The series encourages investigations into public health including environmental health, preventive medicine, responses to lifestyle diseases, and maternal and child health. It also embraces studies of health policy, health systems and state medicine, including in colonial and postcolonial settings. While studies may focus on general medicine, they would also give appropriate weight to healthcare as it relates to sectors such as indigenous peoples, older people, mentally ill and/or other vulnerable social groups. Unless they are placed in a broad context and address significant historical questions the series does not include biographies or histories of individual institutions and organisations. The monographs included in this series reflect the cutting edge of research in the now well-established and still expanding field of medical history.
Studies in the History of Healthcare is a successor to Studies in the History of Medicine, formerly edited by Charles Webster.
Searching for Ethical Footing in a Time of Reform
Edited by Kate Sjostrom and Brian Charest
Unsettling Education: Searching for Ethical Footing in a Time of Reform produces a counter-narrative to the prevailing orthodoxies of schooling and school reform that conflate education and learning with that which can be measured on state-mandated examinations. The central argument of the book is that despite the push to "settle" the purposes of teaching and schooling in ways that see education as the teaching of a discrete set of skills that align with standardized exams, there are teachers and students who continue to resist standardization and whose stories suggest there are many ways to organize schools, design curriculum, and understand the purposes of education. Unsettling Education shares stories of how teachers have resisted state and local mandates to teach to the test in dehumanizing ways, how such teachers have sought to de-commodify educational spaces, how they have enacted their ethical commitments to students and communities, and how they have theorized such practices, sometimes even reconsidering their role as teachers and the very purposes of schooling. Volume contributors offer concrete ways in which teachers might challenge the structures of schooling to reveal the full humanity and potential of students through different forms of resistance pedagogy, institutional critiques, and critical self-reflection. Featuring a wide range of voices and contexts, the collections’ chapters blend story and theory, resulting in a volume both accessible and thought-provoking to varied audiences—from undergraduate students of education and concerned citizens to veteran educators, teacher educators, administrators and policy makers.
Edited by Berit Callsen
Persiguiendo el argumento de una "trascendencia autobiográfica" que subyace en los escritos unamunianos, los ensayos que se reúnen en este libro observan un yo que se escenifica como heterogéneo, diverso y hasta quebrado. Asimismo, enfrentan un yo múltiple que se busca y se explora en perspectiva prospectiva.
Así, el volumen ofrece análisis e indagaciones de un continuo de la escritura del yo en la obra narrativa, ensayística, lírica y dramática de Unamuno y sondea representaciones del sujeto que se extienden hacia direcciones y formas diversas, tocando tanto su lado ético como el estético.
Die vorliegende Abhandlung stellt eine Analyse von ausgewählten Werken Arno Surminskis dar, wobei den Gegenstand der Erwägungen die deutsche Geschichte des 20. Jahrhunderts bildet, genau gesagt solche Themen wie Ostpreußen und dessen vermeintliche Idealisierung, der Erste Weltkrieg, Paul von Hindenburg, der Nationalsozialismus, der Zweite Weltkrieg, Flucht, Verschleppung und Vertreibung, Integrationsprobleme der Flüchtlinge/der Vertriebenen in der neuen Heimat oder die deutsch-deutsche Teilung. Die Romane und die publizistischen Texte von Arno Surminski werden den Werken anderer Schriftsteller gegenübergestellt wie auch mit historischen Publikationen verglichen. Dieses Buch ist eine der wenigen Monographien, die der Schriftstellerei von Arno Surminski auf den Grund gehen.
Elio Pagliarani, Edoardo Sanguineti, Adriano Spatola.
Emanuele La Rosa
Contro cosa si è rivolta la poetica del rifiuto formulata tra gli anni Cinquanta e Sessanta del Novecento dalla Neoavanguardia italiana? È poi davvero corretto parlare di una poetica? Quali sono le dimensioni dell’impegno all’interno del Gruppo 63? Cosa hanno a che fare alienazione dell’individuo e guerra atomica con la poesia novissima? Sulla base di un confronto incrociato tra le opere più significative di tre protagonisti di quella stagione letteraria (Elio Pagliarani, Edoardo Sanguineti ed Adriano Spatola) il presente lavoro, attraverso una mirata analisi semiotica, cerca di fornire delle risposte a tali quesiti.
Synergies and New Directions
Edited by Dirk Göttsche
In the postcolonial reassessment of history, the themes of colonialism, decolonisation and individual and collective memory have always been intertwined, but it is only recently that the transcultural turn in memory studies has enabled proper dialogue between memory studies and postcolonial studies. This volume explores the synergies and tensions between memory studies and postcolonial studies across literatures and media from Europe, Africa and the Americas, and intersections with Asia. It makes a unique contribution to this growing international and interdisciplinary field by considering an unprecedented range of languages and sources that promotes dialogue across comparative literature, English and American studies, media studies, history and art history, and modern languages (French, German, Greek, Portuguese, Russian, Serbian-Croatian, Spanish).
Combining theoretical discussion with innovative case studies, the chapters consider various postcolonial politics of memory (with a focus on Africa); diasporic, traumatic and «multidirectional memory» (M. Rothberg) in postcolonial perspective; performative and linguistic aspects of postcolonial memory; and transcultural memoryscapes ranging from the Black Atlantic to the Indian Ocean, from overseas colonialism to the intra-European legacies of Habsburg, Ottoman and Russian/Soviet imperialism. This far-reaching enquiry promotes comparative postcolonial studies as a means of creating more integrated frames of reference for research and teaching on the interface between memory and postcolonialism.