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Steve Hallock

As the first volume of this two-part study established, major newspapers across the United States used framing and gatekeeping to shape the narratives of the tumultuous civil rights movement. Beginning with the landmark 1954 U.S. Supreme Court Brown v. Board of Education decision and the subsequent battle over desegregating a Little Rock high school, and continuing through the 1960 lunch-counter sit-ins, the next year’s freedom rides, and the 1963 Birmingham demonstrations, these newspapers helped set the agenda in their reportage of the movement. This second volume opens with the deadly September 1963 terrorist bombing of an African-American church in Birmingham, which crushed the euphoria that civil-rights crusaders had experienced after the 1963 March on Washington. What followed—including the mob violence and police brutality at Selma, the migration of race riots northward and westward, the rise of the Black Panther Party, and the assassination of Martin Luther King, Jr.—confirms the findings of the first volume. Major newspapers, in their coverage, painted starkly differing versions of the same incidents and events. The book contrasts a Northern and Western press more sympathetic to the civil rights crusade with Southern newspapers that depicted a South victimized by violent outside agitators bent on tearing down Southern culture and norms. Amid the current volatile climate of our politics, this study underscores the power of language in constructing our immediate and distant reality.

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Inside the Upheaval of Journalism

Reporters Look Back on 50 Years of Covering the News

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Edited by Ted Gest and Dotty Brown

In the spring of 1969, 101 students received master’s degrees from Columbia University’s prestigious School of Journalism, where they had learned the trade as it was then practiced. Most hoped to start a career in newspapers, radio, television or magazines, the established forms of journalism of that era. Little did they realize how the news world they were entering would be upended by the internet and by the social forces that would sweep through the country over the next 50 years.

This book tells the story of the news media revolution through the eyes of those in the Class of 1969 who lived it and helped make it happen. It is an insider’s look at the reshaping of the Fourth Estate and the information Americans now get and don’t get—crucial aspects of the vibrancy of democracy.

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Edited by Hélène Fleckinger, Kira Kitsopanidou and Sébastien Layerle

La « révolution » du numérique, entamée au tournant des années 2000, a entraîné dans un tourbillon de transformations l’ensemble de la filière cinématographique, de la création à la diffusion. L’ampleur des mutations engendrées (disparition d’acteurs des industries techniques, destruction massive d’emplois et de savoir-faire, redéfinition des contours de métiers anciens et apparition de nouveaux) a sensibilisé une partie de la communauté scientifique. Des projets nationaux et internationaux d’envergure ont vu le jour, avec le souci de cartographier les changements et surtout de préserver des connaissances et des compétences menacées de disparition. À l’heure où ces projets de recherche semblent se multiplier, cet ouvrage collectif, tiré d’un colloque universitaire, propose de se concentrer sur des questionnements d’ordre méthodologique : comment aborder les changements intervenus dans la filière cinématographique ? à partir de quelles sources, avec quels outils et selon quelles approches ? quels problèmes méthodologiques la recherche sur les métiers et les techniques du cinéma et de l’audiovisuel soulève-t-elle ? Autant de questions traitées dans ces pages, à partir de contributions d’une jeune génération de chercheurs dont les travaux, parmi les plus novateurs, incarnent aujourd’hui une dynamique significative au sein des études cinématographiques et audiovisuelles. S’il y a urgence à étudier un monde qui semble disparaître et se transformer sous nos yeux, il est tout aussi urgent de s’attarder sur les modalités de la recherche, sur les outils méthodologiques et les sources à disposition.

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Negotiating Identity and Transnationalism

Middle Eastern and North African Communication and Critical Cultural Studies

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Edited by Haneen Ghabra, Fatima Zahrae Chrifi Alaoui, Shadee Abdi and Bernadette Marie Calafell

At the heart of Communication and Critical Cultural Studies is a discipline that has been slowly expanding its borders around the issues of racism, sexism, ability, privilege, and oppression. As Latinx, African American, Asian Pacific American, Disability and LGBTQ Studies widen and shift the scope of Communication Studies, what often gets underplayed is the role of transnational Middle Eastern and North African (MENA) Studies. It is imperative that the experiences of transnational individuals who live and move between the region and the U.S. are centered. For this reason, the goal of this book is to begin to bring Middle Eastern and North African Communication and Critical Cultural Studies in conversation with Global and Transnational Studies. We ask, how can scholars make a space for transnational MENA Studies within Communication and Cultural Studies? What are the pressing issues? Thus, at a time where Arabs, Arab Americans, Iranians, and Iranian Americans are under attack by Western media and governments, it is crucial to center their voices from a transnational perspective that privileges their positionalities and experiences rather than continue to study them from a reductive Eurocentric lens. We seek to build on existing scholarship by including essays that theorize from a Communication and Critical Cultural Studies lens. This book aims to bring together work by established and new or emerging scholars.

Negotiating Identity and Transnationalism is suitable for academic researchers, scholars, students and activists in the fields of critical performative studies, cultural studies, rhetoric, feminist studies, queer studies, intercultural studies, social justice and media studies. The book can be taught in classes such as Media & Society, Intercultural Communication, Intersectional Feminism, Cultural Studies, Rhetoric and others.

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Spaces of New Colonialism

Reading Schools, Museums and Cities in the Tumult of Globalization

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Edited by Cameron McCarthy, Koeli Moitra Goel, Ergin Bulut, Warren Crichlow, Brenda Nyandiko Sanya and Bryce Henson

Spaces of New Colonialism is an edited volume of 16 essays and interviews by prominent and emerging scholars who examine how the restructuring of capitalist globalization is articulated to key sites and institutions that now cut an ecumenical swath across human societies. The volume is the product of sustained, critical rumination on current mutations of space and material and cultural assemblages in key institutional flashpoints of contemporary societies undergoing transformations sparked by neoliberal globalization. The flashpoints foregrounded in this edited volume are concentrated in the nexus of schools, museums and the city. The book features an intense transnational conversation within an online collective of scholars who operate in a variety of disciplines and speak from a variety of locations that cut across the globe, north and south. Spaces of New Colonialism began as an effort to connect political dynamics that commenced with the Arab spring and uprisings and protests against white-on-black police violence in US cities to a broader reading of the career, trajectory and effects of neoliberal globalization.

Contributors look at key flashpoints or targets of neoliberalism in present-day societies: the school, the museum and the city. Collectively, they maintain that the election of Donald Trump and the Brexit movement in England marked a political maturation, not a mere aberration, of some kind—evidence of some new composition of forces, new and intensifying forms of stratification, ultimately new colonialism—that now distinctively characterizes this period of neoliberal globalization.

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Movements for Change

How Individuals, Social Media and Al Jazeera Are Changing Pakistan, Egypt and Tunisia

Rauf Arif

This book explores social media as an alternative channel of communication and resistance in Pakistan, Tunisia and Egypt, and argues that the term "Arab Spring" limits the scope of acknowledgement for the ongoing online and offline political uprisings in the Muslim World, which started beyond the geographical boundaries of the Middle East. Beginning with an exploration of the pivotal role of Al Jazeera and how it used social media content from protestors to make the uprisings a global conversation, this book takes readers through an overview of creative political protests in each of the three case countries, before delving into an in-depth examination of a specific icon that sparked each revolution in question, and an overview of social movements and the politico-cultural context in each country. In closing, this book offers an understanding on how the new collective memories of nations using social media to protest will affect future generations who are striving to rise against authoritarian regimes, including the Algerian Spring that is ongoing in 2019.

This book can appeal to a wide range of audiences, both inside and outside the academic world. Within academia, courses covering topics such as social media, social movements, comparative politics, Middle Eastern studies and global communication could use this book as a learning tool. In non-academic settings, journalism practitioners could benefit from this book to examine how social media can be an alternate media in the absence of traditional media, and how traditional news media outlets can collaborate with and utilize social media to perform their journalistic duty in oppressive regimes.

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Alternative Spaces/Transformative Places

Democratizing Unruliness in an Age of Austerity

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Joshua D. Atkinson and Clayton Rosati

Alternative Spaces/Transformative Places addresses the rise of unruly spaces in society, as well as communicative strategies that citizens and activists may use to democratize them. With the widespread use of austerity measures by governments and cities, unruly spaces are an increasing fixture in our modern world. Cities such as Flint and Detroit in Michigan, Berlin in Germany, and even regions of rural America, have all been damaged by the neoliberal policies that have left cityscapes and physical environments altered and unrecognizable. We now understand that unruliness has become a constant in contemporary globalized society.

As such austerity has degraded infrastructure, depleted local economies, and poisoned neighborhoods, we feel citizens must be empowered to reclaim such unruly spaces themselves. The book explores different strategies for the democratization of such spaces in urban environments, and the potential and problems of each. Such strategies can create alternative perceptions and alter pathways through those spaces—even connect communities hidden from one another.

Students and scholars of urban communication and community activism, as well as human geography, will find the concepts and strategies explored in this book useful. The discussions related to austerity measures provide context for many contemporary neighborhoods and communities that have come to be neglected, while the chapters concerning unruly spaces provide explanations for the difficulty with such neglected or degraded environments. Finally, the illustration of different communicative strategies for the democratization of unruly spaces will demonstrate the possibilities for empowerment within communities that face such problems.

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Marouf Hasian, Jr.

Decolonizing Ebola Rhetorics Following the 2013-2016 West African Ebola Outbreak defends the position that, despite the supposed “lessons” that have been learned about the spread of Ebola Virus Disease (EVD) after the 2013–2016 West African Ebola outbreak, there remains a need to “decolonize” the rhetorics of Ebola prevention and containment. The author asserts that the failure of governments, aid organizations, and global media to confront the structural and material legacies of colonialism in West Africa will prevent global communities from adequately dealing with sporadic Ebola outbreaks. Central to the book’s argument is that far too many communities in the “global North” are unwilling to spend the hundreds of billions of dollars that are needed for the prevention of endemic and epidemic diseases in the “global South.” Instead of coping with the impoverished legacies of colonialism, organizations like the World Health Organization support the use of small groups of “Ebola hunters” who swoop down during crises and put out EVD outbreaks using emergency health techniques. The author demonstrates how Western-oriented ways of dealing with EVD have made it difficult to convince West African populations—wary of emergency interventions after a long history of colonial medical experimentation in Africa—that those in the West truly care about the prevention of the next Ebola outbreak. Decolonizing Ebola Rhetorics ultimately argues that as long as global journalists and elite public health officials continue to blame bats, bushmeat, or indigenous burial practices for the spread of Ebola, the necessary decolonization of Ebola rhetorics will be forestalled. The author concludes the book by offering critiques of the real lessons that are learned by those who try to securitize or military Ebola containment efforts.

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Pin Up! The Subculture

Negotiating Agency, Representation & Sexuality with Vintage Style

Kathleen M. Ryan

Dangerous. Sexy. All-American—or rather All-World—Girl. Pin Up! The Subculture is the first ever book to explore the contemporary international subculture of pin up, women (and men) who embrace vintage style, but not vintage values.

Award-winning filmmaker and author Kathleen M. Ryan spent more than 5 years in the subculture. It’s a world of cat eye makeup, carefully constructed hairstyles, and retro-inspired fashions. But it’s also a world that embraces the ideals of feminism. Beauty, according to the pin up, is found not in body type or skin color, but in the confidence and sexual agency of the individual. Pin ups see their subculture as a way to exert empowerment and control of their own sexual and social identities—something that is part of the pin up’s historical legacy.

The lavishly illustrated book includes interviews with more than 50 international pin ups, and helps readers to understand how they use social media and personal interactions to navigate thorny issues such as racism, sexism, homophobia, sizeism, and other difficult topics. Ryan demonstrates how even within subcultures, identity is far from homogeneous. Pin ups use the safety of their shared subcultural values to advocate for social and political change.

A fascinating combination of cultural history, media studies, and oral history, Pin Up! The Subculture is the story about how a subculture is subverting and reviving an historic aesthetic for the twenty-first century.

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Edited by Yalçın Kahya

As a result of the developments in the IT sector, social media has become an effective phenomenon in political, economic, social and cultural terms. Social media emerges as a structure that touches all areas of life. In this study, social media is evaluated as a whole in terms of individual categories as well as individual use. In addition, it is aimed to explain the term of social media, its application areas, what is its purpose and the positive and negative factors it brings with it. Social media is presented to the reader by analyzing it by different disciplines.