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Juristische Fachphraseologie – zwischen Konvention und Routine

Untersucht am Beispiel deutscher und polnischer Gesetzestexte zum Zivilrecht

Series:

Małgorzata Płomińska

Rechtstexte sind keine Einzelereignisse. Sie entstehen in standardisierten Situationen und sind durch Vorgeprägtheit auf mehreren Ebenen gekennzeichnet. Die Autorin des Buches setzt sich zum Ziel, Rechtexte in den sie insbesondere auszeichnenden Merkmalen der Vorgeprägtheit und Konventionalisierung zu zeigen. Den Hauptgenstand der Untersuchung stellen dabei rechtssprachliche Fachphraseologismen, die als eine bedeutende Komponente der ausdrucksseitigen Formelhaftigkeit der deutschen und polnischen Rechtstexte dargestellt werden.

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Literaturübersetzen

Ästhetik und Praxis

Series:

Rainer Kohlmayer

Das Buch erläutert die Ästhetik des Literaturübersetzens, wie sie seit dem 18. Jahrhundert praktiziert wird. Sie beruht auf den Prinzipien der Subjektivität, Linearität und Oralität, die in Novalis’ Begriff der «schriftlichen Stimme» konvergieren. Der Weg zur lebendigen rhetorischen Schriftlichkeit des Übersetzens beginnt bei Leonardo Bruni und führt über Luthers Bibel zur performativen Übersetzung Herders, die von A. W. Schlegel bis in die Gegenwart das Gutenberg-Zeitalter prägt. Am Beispiel der Dialektübersetzung wird auch die elastische Grenze der (Un)Übersetzbarkeit untersucht. Der zweite Teil behandelt exemplarisch die Übersetzung von Drama, Narrativik und Lyrik. Der dritte Teil feiert das narzisstische Vergnügen, das mit der Kunstform des literarischen Übersetzens einhergeht.

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Crime Scenes

Latin American Crime Fiction from the 1960s to the 2010s

Edited by Charlotte Lange and Ailsa Peate

Crime fiction has become a key element in Latin American literature. The rise in production of the genre can be explained by an urgency to explore issues of morality in societies which incorporate varying levels of censorship and corruption. Through a focus on the concept of the crime scene itself, this book identifies and interrogates some of the principal developments in contemporary Latin American crime fiction. In ten chapters which cover Argentina, Chile, Colombia, Costa Rica, Cuba, Mexico and Venezuela, and generic diversity which spans police procedurals, narcoliteratura, postmodern detection, and historical portrayals of crimes, the authors investigate how the crime scene – which has always been central to the genre and its subgenres – critiques local and global issues, including social injustice, discrimination, neoliberalism, violence, identity, corruption, and memory.

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Feminism, Writing and the Media in Spain

Ana María Matute, Rosa Montero and Lucía Etxebarria

Series:

Mazal Oaknín

This book explores the different treatment of writing by women and
writing by men in twenty-first-century Spain. Focusing on contemporary
Spanish authors Ana María Matute (1926–2014), Rosa Montero (1952–),
and Lucía Etxebarria (1966–), the author examines how Spanish women
writers are marketed in Spain and, in particular, how current marketing
strategies reinforce traditional structures of femininity.

Through an analysis of their work and lives in the context of the Franco
Regime, the Transition to democracy and contemporary Spain, this book
provides an innovative study of the construction of the public personae
of these key female writers. As social media and the internet transform
authors’ relationship with their readers, the rapidly shifting publishing
industry offers an important context for the difficult balance between
high levels of reception and visibility and the persistence of traditional
gender stereotypes.

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Horror

A Companion

Edited by Simon Bacon

What is Horror?

Horror is an inherently sensational and popular phenomenon. Extreme violence, terrifying monsters and jarring music shock, scare and excite us out of our everyday lives. The horror genre gives shape to the particular anxieties of society but also reveals the fundamental nature of what it is to be human.

This volume provides an introduction to horror in compact and accessible essays, from classics such as Stanley Kubrick’s The Shining to contemporary throwbacks like the Duffer Brothers’ Stranger Things. Beginning with the philosophical and historical background of horror, this book touches upon seminal figures such as Poe, Lovecraft, Quiroga, Jackson, King and Suzuki and engages with the evolution of the genre across old and new media from literature, art and comics to film, gaming and social media. Alongside this is a consideration of established and emerging areas like smart horror (Jordan Peele’s Get Out), queer horror (Brad Falchuk’s American Horror Story), eco-horror (Alex Garland’s Annihilation), horror video games (P.T.) and African American horror (Tananarive Due’s Ghost Summer: Stories).

This volume provides an invaluable resource for experts, students and general readers alike for further understanding the horror genre and the ways it is developing into the future.

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The Memory of Romanticism.

A Study not only from the Past

Series:

Krzysztof Trybuś

The book depicts the phenomenon of cultural memory preserved in the Polish Romantic literature, predominantly in the works of Mickiewicz, Słowacki, and Norwid (and other European poets). The primary objective is to reconstruct the cultural pattern of continuity established in Poland during the period of catastrophe. The author describes the call for a critical historiography and presents a "Slavic counterpoint" in the history of modern Europe. The key questions of the book are: Will the Romantic lesson about the transformation of history into memory and turning the past into an object of faith turn out to be a lesson about the future? The book is inspired by the German trend of contemporary reflection – "the culture of remembrance" (Erinnerungskultur) founded on the works of the Assmanns.

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Růžena Zátková

Un’artista dimenticata

Marina Giorgini

La figura di Růžena Zátková (České Budějovice 1885 – Leysin 1923), artista boema generalmente associata al futurismo italiano ma per alcuni versi più vicina all’avanguardia russa, risulta tanto affascinante quanto ancora semisconosciuta al grande pubblico e non solo. Affascinante perché la sua vita, e tutta la sua straordinaria storia, costituiscono di per sé la trama esemplare di un romanzo avventuroso e tragico al contempo. Figlia di una prestigiosa famiglia dell’aristocrazia boema, si legò in un matrimonio infelice a Vasilij Khvoschinskij, coltissimo diplomatico dell’Ambasciata Russa a Roma, dove entrò immediatamente negli ambienti più rinomati e prestigiosi. Musa e amante platonica dello scultore croato Ivan Meštrović, del pittore messicano Roberto Montenegro e del compositore russo Igor’ Stravinskij, cara amica del maestro futurista Giacomo Balla, gravitò inoltre nell’orbita dei Balletti Russi di Djagilev, legandosi in una profonda e sincera amicizia a Larionov e alla Gončarova. Protagonista di una serie di sedute spiritiche tenutesi alla presenza delle personalità più eminenti e stravaganti della capitale italiana, scoprendo grazie allo spiritismo "la legittima realtà dell’astrazione", si ammalò gravemente di tubercolosi e venne ricoverata in un isolato sanatorio svizzero per ben tre anni. Sposò in seconde nozze Arturo Cappa, membro eminente del Partito Comunista italiano vicino ad Antonio Gramsci e futuro cognato di Filippo Tommaso Marinetti. Fu infine amica sincera e confidente di Benedetta Cappa Marinetti e dell’archeologo e umanista Umberto Zanotti-Bianco. Morì a soli 38 anni per l’aggravarsi della tisi proprio mentre la sua carriera stava decollando.

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Edited by Linda Bryder and Martin Gorsky

Forthcoming.
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Edited by Linda Bryder and Martin Gorsky

Studies in the History of Healthcare provides an outlet for academic monographs (sole- or multi-authored) devoted to both the social and the intellectual dimensions of the history of medicine, with a special emphasis on public health, health care and health services. The focus of the series is on the nineteenth and/or twentieth centuries, and is international in scope. The series encourages investigations into public health including environmental health, preventive medicine, responses to lifestyle diseases, and maternal and child health. It also embraces studies of health policy, health systems and state medicine, including in colonial and postcolonial settings. While studies may focus on general medicine, they would also give appropriate weight to healthcare as it relates to sectors such as indigenous peoples, older people, mentally ill and/or other vulnerable social groups. Unless they are placed in a broad context and address significant historical questions the series does not include biographies or histories of individual institutions and organisations. The monographs included in this series reflect the cutting edge of research in the now well-established and still expanding field of medical history.

Studies in the History of Healthcare is a successor to Studies in the History of Medicine, formerly edited by Charles Webster.

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Translation and Interpreting

Convergence, Contact and Interaction

Edited by Eugenia Dal Fovo and Paola Gentile

A glance at the current state of the profession reveals a varied scenario in which Translation and Interpreting (T&I) constitute two interlingual processes usually performed by the same person in the same communicative situation or in different situations within the same set of relations and contacts. Although both practices call for somewhat different communicative competences, they are often seen as a single entity in the eyes of the public at large. T&I are thus found in relations of overlap, hybridity and contiguity and can be effected variously in professional practices and translation processes and strategies. Yet, when it comes to research, T&I have long been regarded as two separate fields of study. This book aims to address this gap by providing insights into theoretical and methodological approaches that can help integrate both fields into one and the same discipline. Each of the contributions in this volume offers innovative perspectives on T&I by focusing on topics that cover areas as diverse as training methods, identity perception, use of English as lingua franca, T&I strategies, T&I in specific speech communities, and the socio-professional status of translators and interpreters.