This book explores the ways in which Australian Indigenous filmmakers, performers and writers work within their Indigenous communities to tell the stories of early Indigenous resistance leaders who fought against British invaders and settlers, thus keeping their legacies alive and connected to community in the present. It offers the first comprehensive and trans-disciplinary analysis of how the stories of Pemulwuy, Jandamarra and Yagan (Bidjigal, Bunuba and Noongar freedom fighters, respectively) have been retold in the past forty years across different media. Combining textual and historical analysis with original interviews with Indigenous cultural producers, it foregrounds the multimodal nature of Indigenous storytelling and the dynamic relationship of these stories to reclamations of sovereignty in the present. It adds a significant new chapter to the study of Indigenous history-making as political action, while modelling a new approach to stories of frontier resistance leaders and providing a greater understanding of how the decolonizing power of Indigenous screen, stage and text production connects past, present and future acts of resistance.
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Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature
Synergies and New Directions
Edited by Dirk Göttsche
In the postcolonial reassessment of history, the themes of colonialism, decolonisation and individual and collective memory have always been intertwined, but it is only recently that the transcultural turn in memory studies has enabled proper dialogue between memory studies and postcolonial studies. This volume explores the synergies and tensions between memory studies and postcolonial studies across literatures and media from Europe, Africa and the Americas, and intersections with Asia. It makes a unique contribution to this growing international and interdisciplinary field by considering an unprecedented range of languages and sources that promotes dialogue across comparative literature, English and American studies, media studies, history and art history, and modern languages (French, German, Greek, Portuguese, Russian, Serbian-Croatian, Spanish).
Combining theoretical discussion with innovative case studies, the chapters consider various postcolonial politics of memory (with a focus on Africa); diasporic, traumatic and «multidirectional memory» (M. Rothberg) in postcolonial perspective; performative and linguistic aspects of postcolonial memory; and transcultural memoryscapes ranging from the Black Atlantic to the Indian Ocean, from overseas colonialism to the intra-European legacies of Habsburg, Ottoman and Russian/Soviet imperialism. This far-reaching enquiry promotes comparative postcolonial studies as a means of creating more integrated frames of reference for research and teaching on the interface between memory and postcolonialism.
A new reading of «L’esclusa»
Bradford A. Masoni
Luigi Pirandello’s first novel L’esclusa, completed in its earliest form in 1893, straddles two literary worlds. On the one hand, it is clearly rooted in the late nineteenth-century realist mode, especially that of Italian verismo. On the other, Pirandello employs a style and an approach to narrative that anticipate both the theory of writing he would later lay out in his long essay L’umorismo [On Humour] (1908), and the kinds of experimental writing that one associates with the author’s later work and with early twentieth-century modernism in general. Examining the novel in light of its relationship to these two worlds not only gives readers insight into the trajectory of Pirandello’s work as he developed as a writer, but also marks it as an example of the broader shift towards modernism that was already beginning to be made manifest in the works of novelists across Europe.
This book provides a new critical evaluation of L’esclusa, linking it explicitly to the theoretical principles aligned with Pirandello’s later output and with early twentieth-century literary modernism in general. L’esclusa and Pirandello’s other early works of fiction have too long been overlooked, particularly by scholars working in English. The aim of this book is not only to connect L’esclusa to Pirandello’s later, better-known writing, and to literary modernism, but also to bring this forward-looking novel to the attention of readers in the English-speaking world.
Politicizing the past in Medieval Islamic Historiography
Amir Moghadam and Terence Lovat
Muhammad al-Tabari’s History, written about 300 years after the establishment of Islam, is one of the religion’s most important commentaries. It offers important insights into the early development of Islam, not so much for its history as for the ways it was interpreted and understood. Through application of modern historiographical analysis and scriptural exegesis, the book explores the space between factual history and interpretive history, or histoire. The focus is especially on the ways in which al-Tabari himself understood and interpreted Qur’anic evidence, employing it not so much for literal as for political purposes. In this sense, his work is best understood not as a reliable history in the modern sense but as a politically-inspired commentary. Granted that his work has often been relied on for Islam’s historical claims, this book offers important new insights into the ways in which power and politics were shaping interpretations in its first three hundred years.
Identity Formation in Early Christianity
Maria Louise Munkholt Christensen
This book analyses early Christian texts on prayer. These texts provide a rich perspective on the formation of Christian identity in the early church. The primary sources investigated are the four earliest known treatises on prayer in Christian history, written by Clement, Origen, Tertullian and Cyprian in the beginning of the third century. Prayer and identity have both individual and collective expressions, and theological treatises reveal an interplay between these phenomena. The book examines the relational character of Christian prayer: how prayer establishes a relationship between the individual and God; how other social relations are reinforced by prayer in direct and indirect ways; and how individual Christians are connected to their own self in prayer.
Analysing Metaphor in Communication
Edited by Stefanie Vogelbacher
For decades, the focus of Metaphor Studies laid on Conceptual Metaphor and its role in the human conceptual system. This study, however, focuses on metaphor in communication. Its aim is to shed light on how commenters in online debates discuss EU-related topics via Scenario Negotiation, expressing and negotiating their points of view via Metaphorical Scenarios. The study offers a review of current metaphor theory and practical approaches and proposes an Integrated Model of Scenario Negotiation. The results are based on context-sensitive, qualitative analysis of data which stem from a corpus of online debates from the Guardian’s Comment is free section. The discussion illustrates the genre-specific conceptual-communicative functions of Scenario Negotiation in naturally occurring discourse.
Edited by Rasim Yilmaz and Günther Löschnigg
The third volume of «Studies on Balkan and Near Eastern Social Sciences» is a collection of empirical and theoretical research papers in the social sciences regarding the Balkans and the Near East written by researchers from several different universities and institutions. The book addresses economic, financial, political, sociological, international relations, health, cultural, and feminist issues in the region of the Balkan and Near East. The book is aimed at educators, researchers, and students interested in the Balkan and Near Eastern countries.
A short introduction to the theory and practice of systems-thinking.
Simon A Bennett
A manifesto for the systems-thinking-informed approach to incident and accident investigation, this accessible text is aimed at experts and generalists. A Glossary of Terms explains key concepts.
The premise is both unoriginal and original. Unoriginal, because it stands on the shoulders of systems-thinking pioneers – Barry Turner, Bruno Latour, Charles Perrow, Erik Hollnagel, Diane Vaughan and other luminaries. Original, because it is populist: The Systems-thinking for Safety series shows how theoretical insights can help make the world a safer place. Potentially, the series as a whole, and this manifesto text, have agency.
True to its mission to affect change, the book uses case studies to demonstrate how systems-thinking can help stakeholders learn from incidents, accidents and near-misses. The case studies of, for example, the Piper Alpha and Deepwater Horizon offshore disasters, the Lac-Mégantic rail disaster, the Fukushima Daiichi nuclear disaster, the United States Navy collisions and the Grenfell Tower fire, demonstrate the universal applicability of systems-thinking. The manifesto argues that the systems-thinking informed approach to incident, accident and near-miss investigation, while resourceintensive and effortful, produces tangible safety benefits and, by ensuring that «right is done», delivers justice and closure.
Monsters, Mutants, Aliens, Artificial Beings
What if the human species were to get in touch with another intelligent species, thus far unknown?
This question is the impetus for a vast, exciting catalogue of science fiction and fantasy stories. They serve as hypothetical answers in narrative form but can also be regarded as cognitive exercises by which we investigate the nature and destiny of humanity. In other words, any creature and any story produced in response to this question requires an assessment of our notion of the human and a redefinition of our position and role in the world.
This volume aims at mapping and analysing the very rich catalogue of non-human figures which inhabit our contemporary imagery, with particular regard to science fiction literature and film. It is suggested that monsters, clones, zombies, aliens, artificial beings, cyborgs and mutants can function as ideological tools intended to confirm the role of humankind (and Western civilization) as the only possible standard of intelligent and ethical life. But they can also become cognitive instruments devised to question or criticize our vision of and behaviour toward the world, other species and ourselves. This privileged critical perspective – and the point of arrival of the book – is the category of the posthuman, which is regarded as the symbol of a possibly revolutionary vision of humanity, a wish and an invitation to embrace a new, more humble way of being and living.
Die Autorin geht der Frage nach, warum die allegorischen Fronleichnamsspiele des Siglo de Oro dezidiert auf ihre theatrale Umsetzung angewiesen sind. Durch die Adaption moderner Kategorien von Theatralität auf die «autos sacramentales» lässt sich der didaktische Hintergrund der Gegenreformation mit den performativen Elementen eines Theaterspiels in Verbindung bringen. Dabei eröffnet die Thematisierung der körperlichen Präsenz einen wirkungsästhetischen Zugang zu diesen inhaltlich wie formal komplexen Stücken.