Die Verbindung von Handlung und Musik ist ein zentrales Merkmal in Oper, Film und anderen theatralen Formen. Doch welche Funktionen erfüllt die Musik für die Handlung? Mit welchem Zweck wird sie eingesetzt und von wem? Ist sie Ausdruck der Gefühle der Figuren oder ein Kommentar des Komponisten ans Publikum? «Hören» die Figuren selbst die Musik? Antworten auf diese Fragen sammelt die Autorin aus allen relevanten Fachgebieten und nutzt die Betrachtung von Leitmotivik, Kommunikationsmodellen, Theatersemiotik, Schauspielmusik und Filmmusik zur Entwicklung eines eigenen umfassenden und für alle musiktheatralen Gattungen gültigen Funktionssystems. In Beispielen aus Werken Albert Lortzings zeigt sich paradigmatisch das virtuose Spiel des Komponisten mit den unterschiedlichen Funktionen der Musik.
An African Tradition
Dagara Verbal Art examines verbal art among the Dagara people of West Africa. It provides invaluable primary material for research, and does a close analysis of folktale narration, proverb usage, riddling, chanting of dirges and popular songs by male and female praise singers, and xylophone music performance as forms of verbal art. Folktales are characterized by wit, humor, and satire, and songs within tales are a mise-en-abyme, a story within a story that entertains but also enhances the narration through the participation of the audience in the performance. Moreover, Dagara tales are didactic and moralizing as a way of controlling the behavior of individuals in society. Riddling entertains but also helps to develop the cognitive abilities of children, and demands critical and logical thinking on the part of the participating audience. Proverbs were collected in context and analyzed closely for their meaning. The study also examines closely the art of speech-making, and concludes that a good locutor knows what figures of speech to use in order to enhance communication with the audience. This study concludes that an authentic theory of Dagara—and for that matter, generally African—folklore must be grounded on a thorough knowledge of the traditions, rites and rituals, and the socio-political structures that have held the society together in its historical experience. Dagara Verbal Art is an important resource for areas such as African studies, African literature and folklore, folklore in general, anthropology, culture studies, ethnomusicology, ethnic studies, and gender studies, among others.
Brechtian 'Pedagogics of Theatre' and Critical Thinking
Representation and Reception: Brechtian ‘Pedagogics of Theatre’ and Critical Thinking deploys German playwright Bertolt Brecht’s theory of drama and performance, what he calls "the pedagogics of theatre", to create modes of critical thinking in the classroom. Extrapolating on Brecht’s estranged forms of representation—narrative, story, montage, Verfremdüngseffeckt or alienation, tableaux, ostension (showing), gestus, masks and music—Burney constructs an original "3-R Pedagogy" or "spiral of semiosis"—"Rethinking/Replaying/Re-cognition"—that is designed to create critical thinking and "complex seeing". Her dramatic production of Brecht’s Lehrstück, or learning-play, The Exception and the Rule, for a non-literate, working-class audience in Hyderabad, India, critically analyses how audiences make meaning through image, word and ideology, gesture, memory, collective experience and personal
The Exaltation of the Holy Cross
This project fills a void in medieval musical scholarship in the West by addressing an area that is virtually terra incognita. Based on newly-accessed primary source material and grounded in the most current scholarship, the English-language monograph-length study, Music and Ritual in Medieval Slavia Orthodoxa: The Exaltation of the Holy Cross investigates the sacred music traditions of the Orthodox Slavs (Bulgaria, Serbia and Russia) during a critical period in the cultural history of the region. The approach taken is interdisciplinary, drawing on recent scholarship in liturgical studies, Byzantine and medieval Slavic history, linguistics and musicology. The study traces the dissemination of liturgical and musical performance practices through the disparate centers of the Eastern Christian world (from Southern Italy, Balkan Peninsula to Kiev and Novgorod). It takes into account the physical locus of the chanting practices, whether urban cathedral or monastery. The medieval Slavs are treated as an autonomous cultural body within the Commonwealth of the Eastern Church.
Set against the shifting liturgical backdrop of the 13th century with its pending liturgical reform, the study addresses aspects of chant performance practice in the Slavic-speaking world. Select hymnography for the celebration are sought in the rubrics of liturgical sources describing its placement in the services, singing personnel, the style of the hymnody and the manner of its musical execution (antiphonal, responsorial). The Feasts of the Holy Cross, observed during the week of September 14, the Third Sunday of the Lenten Fast and Holy Week (Holy Tuesday and Good Friday), serve as case studies for which there is an abundance of unexplored material to be brought to light. The current study presents this material to the Western audience for the first time.
Beiträge zur Gattungsgeschichte im Europäischen Raum
Edited by Matteo Giuggioli and Inga Mai Groote
Die Triosonate nimmt für die Instrumentalmusik des 17. und 18. Jahrhunderts eine Stellung ein, die der des Streichquartetts für das folgende Jahrhundert nicht unähnlich ist: Sie erweist sich als die wichtigste Gattung der Kammermusik, in der grundsätzliche Satz- und Kompositionsweisen von Instrumentalmusik weiterentwickelt werden und die auch in Produktion und Zirkulation einen zentralen Platz einnimmt.
Der vorliegende Band, dessen Beiträge sich italienischen und europäischen Kontexten der Triosonate widmen, wählt mit der Idee einer ‚kulturellen Geographie‘ einen methodischen Ansatz, der es erlaubt, über die bisher bekannten grossen Entwicklungslinien und Namen hinaus die bislang kaum systematisch betrachteten Zusammenhänge zwischen verschiedenen Orten und regionalen Ausprägungen zu untersuchen. Gattungsgeschichtliche Aspekte lassen sich so mit einer intensiveren Untersuchung von Netzwerken und Zentren der Komposition und Verbreitung verknüpfen.
Language of Literature, Language of Fashion
This book explores interconnections between high literary modernism and the revolution in dress design of the early twentieth century. During this time, new and «liberated» lifestyles created a bond among figures as diverse as writers and fashion editors, painters and art critics, photographers and models, dancers and economists – all of whom were in different ways looking at new «inventive clothes» (Vreeland) as life experiences.
Starting points of the research are Pirandello’s One, no one, and one hundred thousand, where the protagonist’s disowning of his own image in the mirror ignites a tragedy, and Roger Fry’s essays on the resuscitation of Victorianism at the end of the First World War, where the phantasmagoria of time is identified as the basis for modern illusion.
Each chapter in the book explores a different facet of the same topic: the distance between self and image as the dispenser or destroyer of enchantment. This issue was actively pursued by philosophers (Benjamin), writers (Woolf, Mansfield, Fitzgerald), photographers (Man Ray, Cecil Beaton) and fashion critics (Vreeland). The evolution in fashion editing was meanwhile instructing the sophisticated readers of Vogue and Harper’s Bazaar in the art of contemplating their own reflections in the mirror and seeing in them exactly what they wanted to see.
The Natasha of the title is Tolstoy’s heroine, a secret spring of creative energy for Katherine Mansfield, and the source of one of Diana Vreeland’s most perceptive insights into the nature of fashion.
Contemporary, Transnational and Intertextual Explorations
Edited by Emma Hamilton and Alistair Rolls
According to Jim Kitses (1969), the Western originally offered American directors a rich canvas to express a singular authorial vision of the American past and its significance. The Western’s recognizable conventions and symbols, rich filmic heritage, and connections to pulp fiction created a widely spoken «language» for self-expression and supplemented each filmmaker’s power to express their vision of American society. This volume seeks to re-examine the significance of auteur theory for the Western by analysing the auteur director «unbridled» by traditional definitions or national contexts.
This book renders a complex portrait of the Western auteur by considering the genre in a transnational context. It proposes that narrow views of auteurism should be reconsidered in favour of broader definitions that see meaning created, both intentionally and unintentionally, by a director; by other artistic contributors, including actors and the audience; or through the intersection with other theoretical concepts such as re-allegorization. In so doing, it illuminates the Western as a vehicle for expressing complex ideas of national and transnational identity.
Le istituzioni femminili partenopee furono centri indiscutibili di cultura, fucine di mecenatismo, laboratori privilegiati di attività artistiche e di produzioni musicali e diedero un contributo incisivo alla vita culturale e artistica della Napoli vicereale. Monasteri e conservatori impiegarono nel corso dei secoli i musicisti più rappresentativi della città di Napoli a sostegno delle cerimonie liturgiche o per curare la formazione musicale delle religiose e delle figlie ospiti.
Il presente studio si propone di indagare e ricostruire le attività musicali di questi enti attraverso lo studio della documentazione proveniente dai principali archivi presenti nella città di Napoli. Le fonti d'archivio permettono infatti di comprendere quale funzione avesse l'arte musicale nella vita dei chiostri. La ricerca intende inoltre considerare la realtà monastica femminile nel suo insieme, esaminando la presenza delle comunità religiose nella città e il loro ruolo all’interno delle dinamiche della vita urbana. L'indagine condotta restituisce oggi una visione attendibile del fenomeno sonoro nel quotidiano delle realtà claustrali, portandoci a comprendere quanto le comunità monastiche femminili contribuirono allo sviluppo di tradizioni musicali, spettacolari, liturgiche.
Paola Gilardi, Anne Fournier, Andreas Klaeui and Yvonne Schmidt
Ob auf der Theaterbühne oder der Kinoleinwand: Ursina Lardi vermag mit radikaler künstlerischer Aneignung das Wesen ihrer Figuren zu enthüllen. Mit Texten von namhaften Wegbegleitern und Einzelanalysen würdigt dieser Band eine eindrucksvolle Schauspielerinnenkarriere.
Sur la scène comme sur l’écran, Ursina Lardi parvient, grâce à une approche artistique exigeante, à s’approprier l’essence des personnages qu’elle habite. Cet ouvrage réunit des interventions d’artistes exceptionnels, compagnons de route, et des analyses spécialisées pour célébrer cette carrière d’actrice impressionnante.
In scena come sullo schermo: grazie a un approccio radicale, Ursina Lardi riesce a cogliere l’essenza dei personaggi che interpreta. Il presente volume illustra, tramite analisi particolareggiate e i contributi di compagni di viaggio d’eccezione, lo straordinario percorso artistico di quest’attrice.
Whether on stage or on screen, Ursina Lardi manages to reveal the essence of her characters by means of a radical artistic approach. The present volume, with contributions from well-known associates as well as individual analyses, pays homage to the impressive career of this actress.
Celebration and Interrogation
This study proposes a new definition of Frank Capra’s work as a cinema of identity, focusing on his reflection on American national identity as well as his own positioning as a US immigrant. The interplay of celebration and interrogation is used to show the two poles of his films’ narrative structure, placing in a new critical light the supposed «happy endings» of this complex filmmaker. All of his films are discussed, including his feature films (both silent and sound, grouped thematically and in broad chronological order) and wartime documentaries. There are separate chapters on controversial works like Mr Smith Goes to Washington, Meet John Doe and It’s a Wonderful Life. Not intended as a biography of Capra but as a study of his career and ideas on film, the book takes into account the views of numerous earlier critics and writers and offers a fresh appraisal of this celebrated director and his often problematic films.