War Hecatomb. International Effects on Public Health, Demography and Mentalities in the 20th Century, offers new insights on the impact of wars (namely, but not exclusively, World War I), by underlining its social and psychological consequences, particularly in public health, demography, and mentalities in different countries. Therefore, it is not just another book on World Wars, since it does not focus primarily on political, diplomatic, military or economic aspects. Instead, the work offers a brand new approach on these wars’ consequences, and especially on the civilizational significance of the Great War of 1914-1918. This original view over societies coping with the aftermath of the two world wars reveals how states and different agents were compelled to act and to face the new post-war reality, bringing to light an innovative social agenda while simultaneously trying to cope with the overwhelming phenomenon of physically and mentally scarred multitudes of veterans and their families. The book focuses on the consequences of conflicts in different perspectives and geographic locations. In twelve chapters, several aspects and effects of wars are analysed through different lens.
International Effects on Public Health, Demography and Mentalities in the 20th Century
Edited by Paulo de Teodoro Matos, Helena Da Silva and José Miguel Sardica
From the Mid-Victorian Age to the Great War, 1870–1921
Obscenity and Disruption in the Poetry of Dylan Krieger is the first full-length study of the radical poetry of Baton Rouge-based poet Dylan Krieger. Wickedly smart, iconoclastic, daring in their critiques of religion and contemporary culture, Krieger’s poems rank with Allen Ginsberg’s and Adrienne Rich’s as the most provocative and avant-garde of any recent generation. With its debt to third-wave feminism and the "Gurlesque," Krieger’s work nevertheless moves outward and backward across the landmines of sexual precocity and religious fundamentalism and across the entire western project of epistemology as Krieger came to understand it at the University of Notre Dame. Though this book necessarily stays close to Krieger’s specific poems, it follows her lead in stretching her cultural, sexual, and religious furies to their apotheosis in a manifesto of liberation.