Hellenistic poet Theocritus showcased a wide variety of women and their relationships to men in his work. Representations of Women in Theocritus’s Idylls: Authenticity of the Female Voice in the Erotic and Non-Erotic Portrayals is the first comprehensive analysis of these women. This book uses a unique and widely inclusive set of tools derived from gender studies, literary criticism, and Hellenistic history to extract the voices of females, as most are silent themselves and spoken for by others. This analysis questions the validity of the female voice and determines authenticity through a method derived from Lacanian psychoanalysis. Author Marilyn Likosky identifies a female erotic voice that according to criteria is not attributed to a woman but rather to the imagination of the male responding to perceived risks in engaging with a female at a time in which she received greater liberties. Theocritus explores a number of candidate strategies for males to lessen disruptions from erotic encounters. Likosky identifies an ambiguity in the presentation of voice, finding it likely an intentional means for Theocritus to engage his audience in troublesome issues. This book supports academic seminars in gender studies, Hellenistic poetry, and literary criticism.
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Authenticity of the Female Voice in the Erotic and Non-Erotic Portrayals
Faszination Harry Potter / The Allure of Harry Potter. Symposium 2017 in Aachen
Edited by Dieter Petzold and Klaudia Seibel
«Inklings» nannte sich eine Gruppe von Schriftstellern und Geisteswissenschaftlern in Oxford, deren bekannteste Mitglieder J.R.R. Tolkien und C.S. Lewis waren. Die Inklings-Gesellschaft e.V. widmet sich seit 1983 dem Studium und der Verbreitung der Werke dieser und ihnen nahestehender Autoren sowie der Analyse des Phantastischen in Literatur, Film und Kunst allgemein. Ihre Jahrestagungen werden in Jahrbüchern dokumentiert. Dieser Band enthält zehn Vorträge der Tagung «Faszination Harry Potter», die 2017 in Aachen stattfand, sowie drei weitere Beiträge und zahlreiche Rezensionen.
«Inklings» was the name of a group of Oxford scholars and writers; its best-known members were J.R.R. Tolkien and C.S. Lewis. The German Inklings-Gesellschaft, founded in 1983, is dedicated to the discussion and dissemination of the works of these authors and of writers commonly associated with them and to the study of the fantastic in literature, film and the arts in general. The proceedings of the annual Inklings conferences are published in yearbooks. This volume contains ten papers presented at the 2017 conference entitled «The Allure of Harry Potter». In addition, there are three general articles and numerous reviews.
In Dreams, Visions, and the Rhetoric of Authority, John Bickley explores the ways dreams and visions in literature function as authorizing devices, both affirming and complicating a text’s authority. After providing a framework for categorizing the diverse genres and modes of dream and vision texts, Bickley demonstrates how the theme of authority and strategies for textual self-authorization play out in four highly influential works: the Book of Daniel, Macrobius’s Commentary on the Dream of Scipio, Julian of Norwich’s Revelations of Love, and Chaucer’s Hous of Fame.
Exploration of Muteness in Jerzy Kosinski's «The Painted Bird» and Ken Kesey's «One Flew Over the Cuckoo's Nest»
This book discusses silence as a state born either by trauma-inflicted muteness or deliberate abstinence from speech focusing on the mute(d) characters, the nonverbal forms of communication and textual ellipses in Jerzy Kosinski’s «The Painted Bird» and Ken Kesey’s «One Flew over the Cuckoo’s Nest». Using a methodological approach based on the close reading of the novels, the work proposes that Kosinski and Kesey disrupt the conventional equation of power with speech and present silence as a valiant mode of resistance too. It also explores how the trope of muteness functions as an implicit strategy for the investigation of language itself, its power to create meaning, to control and eventually— silence.
Inci Bilgin Tekin
This study aims at examining the contemporary stage adaptations of «Othello» by the four noteworthy contemporary playwrights Ann Marie MacDonald, Djanet Sears, Paula Vogel and Toni Morrison, while discussing their plays both within and outside the framework of Adaptation Studies. Drawing on postcolonial and feminist theories along with psychoanalytical theories and theories of adaptation, this book explores the adaptive levels, contexts and strategies of the four women playwrights in revising «Othello». The anxiety of canonization that the contemporary women playwrights experience, is also addressed as an issue parallel to their authorial relations with Shakespeare. In the hands of contemporary women playwrights, «Othello» thematically makes a call for new contemporary women’s perspectives and technically provides an everlasting space for further feminist adaptations, already becoming a signifier of the signification process itself.
Diaspora, Literature, and Culture
Edited by Karim Murji and Asma Sayed
The Transnational Imaginaries of M. G. Vassanji is a collection of scholarly articles that engages with, analyzes, and appreciatively critiques the fiction and nonfiction writing of M. G. Vassanji, a multiple award-winning author. Vassanji’s works have a sense of multiple connections across four continents: Asia, Africa, Europe, and North America. He challenges the imperial centers of Western powers through the content of his work and his deeply-felt humanist engagements with the politics of displacement, settlement, partition and postcolonialism. Ranging across almost his entire oeuvre, the contributors to this book argue that Vassanji’s work should be read as one emerging from a transnational space that connects people, places and issues across the world. Collectively, the chapters in this book, using a range of theoretical frameworks, claim that Vassanji’s work both fits into and goes beyond the usual categorizations, structures and styles of analysis applied to writers from the colonies.
Forays into Literary Knowledge Production
Edited by Antje Kley and Kai Merten
This volume sheds light on the nexus between knowledge and literature. Arranged historically, contributions address both popular and canonical English and US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making.
Making Digital Marks on Medieval Manuscripts
Edited by Tamsyn Mahoney-Steel
A Study with German and French University Students in an English as a Lingua Franca Setting
This mixed-methods study investigates the link between accent and identity in an English as a lingua franca setting. The subjects, German and French university students living in Scandinavia, pursue their study programmes and every-day lives in English. A quantitative speech data analysis of eight phonetic features describes the speakers’ accents, while a qualitative analysis of introspective interview data exhibits how they differ in terms of identity. The results provide an in-depth understanding of individuals using English as a lingua franca. Do the German and French speakers of English alter or keep their foreign accents in order to express identity in the seemingly neutral Scandinavian setting?
A Critical Casebook
Edited by Stephen Butler and Agnieszka Sienkiewicz-Charlish
In the second decade of the twenty-first century, crime fiction remains one of the most popular genres among both readers and writers. This compilation of essays attempts to trace the reasons behind this ongoing popularity as well as to offer a closer reading of a number of crime fiction texts from English, American, Swedish, Italian, Japanese and other national literatures. It contains twenty-one original essays written by scholars and practitioners of crime fiction which discuss key concepts in the field of crime fiction studies: generic diversity, the evolution of characters, the growing significance of space and place and reader response.
This book includes a short story by David Malcom.