The "Africa in the Global Space" Series is an innovative and scholarly space providing analyses and interrogations of diverse perspectives on Africa’s role and contributions to the global socio-cultural, political, educational and developmental debates. The series provides an-up-to-date scholarly appraisal to critical questions and research on the continental trends on various subjects and concerns of paramount importance to globalization and development in Africa (politics, democracy, education, economics, philosophy, religion, gender, technology, global relationships and the role of government and non-governmental organizations). The series is dedicated to increasing the understanding of Africa’s internal and international relations, and developmental trends and policies through comparative, cross-cultural and international perspectives. This essential series that is developed by an international editorial board of emerging and established scholars is a visionary and interdisciplinary space that engages informed debates on Africa’s participation in the global nexus.
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Edited by Edward Shizha
Works and Discussions
Edited by Luca Meldolesi
Edited by Jim Twombly
Borders and European Integration / Frontières et intégration européenne / Grenzen und Europäische Integration
Edited by Birte Wassenberg, Frédérique Berrod and Joachim Beck
The Series « Borders and European Integration » fills in a gap in Social Sciences, as it connects two so far independent research strands: European Studies and Border Studies. Mainly initiated by geographers and originally hosted in the United States, Border Studies primarily deal with the study of borders and borderlands, whereas European Studies analyse the process of European Integration, its actors, institutions and policy fields. Although the idea of a Europe without borders was part of the project of the European Economic Community, the multidimensional role of the border has not been sufficiently taken into account by researchers in European Studies. Inversely, Border Studies have only rarely examined the specificity of borders and borderlands in Europe in comparison to other regions in the world.
At the crossroads between Area Studies and International Relations, this Series therefore offers a pluri-disciplinary approach to borders and their role in the European construction. Taking into account the perspective of different disciplines in Social Sciences, the diversity of actors of European Integration and borderlands (local, regional, national,) it allows a new multi-level and decentred view on conflicts and cooperation at European borders. The Series addresses researchers and university scholars of all disciplines in Social Sciences and wishes to tackle the challenging contemporary questions on borders in Europe.
Edited by Peter M. Kellett and Stacey L. Connaughton
This series highlights leading-edge conflict transformation and peacebuilding work that is achieved through engaged scholarship in the contemporary world. Volumes in the series demonstrate the relationship between conflict and systemic issues related to culture, society, the environment, politics, history, and economics. The series emphasizes the lived experience of conflict transformation and peacebuilding for practitioners, as well as novel ways of representing the spectrum of lived experiences of people involved in conflict transformation and building. These volumes show the relationship between theory and practice, consider a variety of modes and domains of communication and interaction, and are written to engage multiple audiences.
Edited by Julien Pomerade and Emanuel Pierre Guittet
What causes the breakdown of order and violent conflict? Who are the actors involved? What are the consequences? Violence—its threat, its use, its many often unpredictable consequences—remains an ever-present part of the political landscape throughout the world. Explosive Politics is a new series for trenchant and provocative publications, exploring the confines of political violence and conflict, examining how words, acts and actors interact in tumultuous situations and grey areas. Explicitly cross-discipline in its organisation and orientation, the series rigorously explores the contemporary nature of the social, political and cultural dynamics of violence and conflicts in local, national, and global perspectives.
Edited by Tiffany N. Florvil and Vanessa D. Plumly
This series seeks to publish critical and nuanced scholarship in the field of Black European Studies. Moving beyond and building on the Black Atlantic approach, books in this series will underscore the existence, diversity and evolution of Black Europe. They will provide historical, intersectional and interdisciplinary perspectives on how Black diasporic peoples have reconfigured the boundaries of Black identity making, claim making and politics; created counterdiscourses and counterpublics on race, colonialism, postcolonialism and racism; and forged transnational connections and solidarities across Europe and the globe. The series will also illustrate the ways that Black European diasporic peoples have employed intellectual, socio-political, artistic/cultural, affective, digital and pedagogical work to aid their communities and causes, challenge their exclusion and cultivate ties with their allies, thus gaining recognition in their societies and beyond.
Representing the field’s dynamic growth methodologically, geographically and culturally, the series will also collectively interrogate notions of Blackness, Black diasporic culture and Europeanness while also challenging the boundaries of Europe. Books in the series will critically examine how race and ethnicity intersect with the themes of gender, nationality, class, religion, politics, kinship, sexuality, affect and the transnational, offering comparative and international perspectives. One of the main goals of the series is to introduce and produce rigorous academic research that connects not only with individuals in academia but also with a broader public.
Areas of interest:
- Social movements
- Racial discourses and politics
- Empire, slavery and colonialism
- Decolonialization and postcolonialism
- Gender, sexuality and intersectionality
- Black activism (in all its forms)
- Racial and political violence and surveillance
- Racial constructions
- Diasporic practices
- Race and racialization in the ancient, medieval, modern and contemporary eras
- Identity, representation and cultural productions (music, art, literature, etc.)
- Migration and immigration
- State building and diplomacy
- Nations and nationalisms
All proposals and manuscripts will be rigorously peer reviewed. The language of publication is English. We welcome new proposals for monographs and edited collections.
Advisory Board: Hakim Adi (Chichester), Robbie Aitken (Sheffield Hallam), Catherine Baker (Hull), Eddie Bruce-Jones (Birkbeck), Alessandra Di Maio (Palermo), Akwugo Emejulu (Warwick), Philomena Essed (Antioch), Crystal Fleming (Stony Brook), David Theo Goldberg (UC Irvine), Silke Hackenesch (Cologne), Elahe Haschemi Yekani (Humboldt), Nicholas Jones (Bucknell), Silyane Larcher (CNRS), Olivette Otele (Bath Spa), Sue Peabody (Washington State), Kennetta Perry (De Montfort), Cassander L. Smith (Alabama), S. A. Smythe (UCLA)
Past and Present
Edited by Gabrielle Vail
Indigenous Cultures of Latin America: Past and Present is a new bilingual series that welcomes book proposals, in English or Spanish, focused on the fields of anthropology, archaeology, linguistics, ethnohistory, and art history, among others. We encourage original proposals for projects that use a conjunctive approach to understanding beliefs and lifeways of prehispanic, colonial period, and contemporary indigenous peoples inhabiting Latin America, broadly defined (i.e. extending into parts of the U.S. Southeast and Southwest), relying on a combination of methodologies and data sets to interpret the subject matter. We further encourage projects that utilize decolonizing methodologies and seek to promote research and fieldwork undertaken in collaboration with local indigenous communities and/or indigenous consultants.
The series will publish academic monographs, edited collections, and readers. All book proposals and manuscripts will be subject to a rigorous single-blind peer review process, conducted by experts in the respective field(s) of study.
Proposals and author/volume editor CVs should be sent to the Series Editor, Dr. Gabrielle Vail,
Criticism and Creativity
Edited by Maria Vaccarella and Kimberly R. Myers
This series showcases innovative research, creativity and pedagogy in the interdisciplinary field of medical humanities. Books in the series explore the complexities of human bodies, minds, illness and wellbeing through analytical frameworks derived from humanistic disciplines and clinical practice. The series is intended to provide an informative exchange across disciplines, contributing to debates on health-related issues from a broad range of perspectives. In addition to research monographs and edited collections, the series includes creative works as well as pedagogical texts, thus encouraging personal and theoretical reflections on the condition of the human mind/body. The series embraces the intersection of healthcare and the humanities, in its practical, theoretical, creative and educational expressions.
The series serves as a venue for publishing a range of materials: research monographs and edited collections on critical approaches to medical issues in culture; creative works that engage with medical humanities themes, accompanied by critical and educational materials; and critical, engaged or radical pedagogies on focused topics and/or for learners in the medical humanities. The series also invites research that opens up critical conversations on being human at the intersection of other forms of new humanistic knowledge, such as environmental or digital humanities. We are especially interested in collaborations between academics in the humanities and healthcare professionals.
All book proposals and manuscripts will be peer reviewed prior to publication. We publish in both print and electronic format. Open Access publication is particularly welcome.
Editorial Board: Havi Carel (University of Bristol), Gretchen Case (University of Utah School of Medicine), Siobhan Conaty (La Salle University), Cheryl Dellasega (Penn State College of Medicine), Daniel George (Penn State College of Medicine), Michael Green (Penn State College of Medicine), Jennifer Henneman (Denver Art Museum), Brian Hurwitz (King’s College London), Brian Johnsrud (Khan Academy), Tess Jones (University of Colorado Anschutz Medical Campus), Lois Leveen (Novelist and independent scholar), Ulrika Maude (University of Bristol), Gavin Miller (University of Glasgow), Jules Odendahl-James (Duke University), Molly Osborne (Oregon Health and Science University), Barry Saunders (University of North Carolina School of Medicine), Johanna Shapiro (University of California, Irvine, School of Medicine), Marina Tsaplina (The Betes Organization), Craigan Usher (Oregon Health and Science University), Neil Vickers (King’s College London), Martin Willis (Cardiff University), Charlotte Wu (Boston University School of Medicine)