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Reading the Presidency

Advances in Presidential Rhetoric

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Edited by Stephen J. Heidt and Mary E. Stuckey

This edited collection explores ways to better understand the rhetorical workings of political executives, especially the United States president. Scholars of the presidency, rhetorical theorists and critics, and various authors examine the ways in which presidents use the institution, the media, and popular culture to instantiate, expand, and wield executive power.

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Making Our World

The Hacker and Maker Movements in Context

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Edited by Jeremy Hunsinger and Andrew Schrock

Making Our World: The Hacker and Maker Movements in Context describes and situates the political, historical, national, and organizational elements of hacking and making. Hackers and makers are often mythologized, leading to people misunderstanding them as folk heroes for the modern age. In response, this book describes and critiques these movements from a variety of interdisciplinary perspectives to help readers appreciate their worldwide scope and highly localized interpretations. Making Our World is essential reading for students and scholars of technology and society, particularly those interested in social movements and DIY cultures.

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Développer les industries culturelles

Leçons du palimpseste de la pratique

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Christiaan De Beukelaer

Le discours de l’économie créative est devenu de plus en plus mondial. Pratiquement tous les pays du monde utilisent le concept (ou l’une de ses variantes) dans le débat politique, l’intervention publique, les recommandations et la pratique. L’objectif de cet ouvrage est de rendre compte de l’adoption de ce discours dans le contexte du Burkina Faso et du Ghana. Dans ces pays, l’utilisation du « discours de l’économie créative » est assez récente et reste en contradiction avec les réalités vécues par de nombreuses parties prenantes du secteur culturel. À travers un engagement empiriquement fondé au sein de ce débat, ce livre montre comment le recours à la catégorie des « industries culturelles et créatives » dans les politiques publiques reconfigure les limites des politiques culturelles.

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Edited by Nicole Maurantonio and David W. Park

Communicating Memory & History takes as its mission the job of giving communication history its full due in the study of memory. Taking three keywords—communication, history, and memory—representing related, albeit at times hostile, fields of inquiry as its point of departure, this book asks how the interdisciplinary field of memory studies can be productively expanded through the work of communication historians. Across the chapters of this book, contributors employ methods ranging from textual analysis to reception studies to prompt larger questions about how the past can be alternately understood, contested, and circulated.

Communicating Memory & History is ideal for teaching, including case studies that elaborate different ways to approach issues in memory studies. While some foundational knowledge would be useful, it is possible to use the text without extensive knowledge of the literature. This book is of particular interest to professors, graduate students, and advanced undergraduate students of communication and media studies, as well as scholars and students in cultural studies, history, and sociology—disciplines where one finds steady consideration of issues related to communication, communication history, and memory.

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Celebrity and Youth

Mediated Audiences, Fame Aspirations, and Identity Formation

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Edited by Spring-Serenity Duvall

Celebrity and Youth: Mediated Audiences, Fame Aspirations, and Identity Formation makes an examination of contemporary celebrity culture with an emphasis on how young celebrities are manufactured, how fan communities are cultivated, and how young audiences consume and aspire to fame. This book foregrounds considerations of diversity within celebrity and fan cultures, and takes an international perspective on the production of stardom. Chapters include interviews with professional athletes in the United States about their experiences with stardom after coming out as gay, and interviews with young people in Europe about their consumption of celebrity and aspirations of achieving fame via social media. Other chapters include interviews with young Canadian women that illuminate the potential influence of famous feminists on audience political engagement, and critical analysis of media narratives about race, happiness, cultural appropriation, and popular feminisms. The current anthology brings together scholarship from Canada, the United States, Spain, and Portugal to demonstrate the pervasive reach of global celebrity, as well as the commonality of youth experiences with celebrity in diverse cultural settings.

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Foodscapes

Food, Space, and Place in a Global Society

Edited by Carlnita P. Greene

Foodscapes explores the nexus of food, drink, space, and place, both locally and globally. Multi-disciplinary and interdisciplinary in scope, scholars consider the manifold experiences that we have when engaging with food, drink, space, and place. They offer a wide array of theories, methods, and perspectives, which can be used as lenses for analyzing these interconnections, throughout each chapter. Scholars interrogate our practices and behaviors with food within spaces and places, analyze the meanings that we create about these entities, and demonstrate their wider cultural, political, social, economic, and material implications.

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Women’s Voices of Duty and Destiny

Religious Speeches Transcending Gender

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Elizabeth W. McLaughlin

This book collection is a celebration of women who speak truth to power in the public square. A perfect fit for undergraduate students of rhetoric, gender, religion and history, Women’s Voices of Duty and Destiny showcases the speech texts of 14 women addressing societal issues from the values of their religious beliefs and discourse communities. Between the tensions of the duty of gender roles and human destiny, these global voices representing different time periods and religions address the thematic issues of faith, society, education, reform, freedom and peacemaking. Written in clear, straightforward language, students will directly encounter the words and voices of leaders who strive to make the world better for all in the quest for human dignity. Each speaker seeks to forward the transcendent value of human freedom as reinforced by her explicit references to the divine. This collection is appropriate for 200-400 level undergraduate classes and offers a broad sampling of women who speak in the public square.

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Moving Sounds

A Cultural History of the Car Radio

Edited by Phylis Johnson and Ian Punnett

Moving Sounds: A Cultural History of the Car Radio explores the unique animating symbiosis that develops whenever previously unrelated technologies become intertwined and form a mutually invigorating relationship. When “car” and “radio” became permanently inculcated, it changed how both cars and radio were designed and experienced. Moving Sounds is the first book-length study exploring the relationship between the car and the radio. While much scholarship has been devoted to the general history of radio, radio’s unique relationship with the open road has been largely overlooked. The nascent interconnectivity between the early car and radio developers, and what they did to help each other, is another aspect of cultural history that is explored in Moving Sounds.
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Make America Meme Again

The Rhetoric of the Alt-Right

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Heather Suzanne Woods and Leslie A. Hahner

As demonstrated by the 2016 Presidential Election, memes have become the suasory tactic par excellence for the promotional and recruitment efforts of the Alt-right. Memes are not simply humorous shorthands, or pithy assertions, but play a significant role in the machinations of politics and in how the public comes to understand and respond to their government and compatriots. Using the tools of rhetorical criticism, Woods and Hahner detail how memetic persuasion operates, with a particular focus on the 2016 election of Donald J. Trump. Make America Meme Again: The Rhetoric of the Alt-right reveals the rhetorical principles used to design Alt-right memes, outlining the myriad ways memes lure mainstream audiences to a number of extremist claims. In particular, Make America Meme Again argues that Alt-right memes impact the culture of digital boards and a broader public culture by stultifying discourse and thereby shaping how publics congeal. Woods and Hahner demonstrate that memes are a mechanism that proliferate white nationalism and exclusionary politics by spreading algorithmically through network cultures in ways that are often difficult to discern. Alt-right memes thus present a significant threat to democratic praxis, one that can begin to be combatted through a rigorous rhetorical analysis of their power and influence. Make America Meme Again illuminates the function of networked persuasion for scholars and practitioners of rhetoric, media, and communication; political theorists; digital humanists; and anyone who has ever seen, crafted, or proliferated a meme.

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Maya Bacache, Marc Bourreau and François Moreau

Près de vingt années se sont écoulées depuis l’apparition de Napster, souvent considérée comme le point de départ de la transformation numérique de l’industrie musicale. Comment les musiciens se sont-ils adaptés à cette transformation ? C’est la question à laquelle cet ouvrage entend répondre en analysant les résultats d’une enquête menée auprès de plus de mille artistes musiciens professionnels associés à l’Adami (société de gestion collective des droits des artistes interprètes). L’objectif était de comprendre comment la transformation numérique a affecté leur métier dans ses diverses facettes (production, distribution/diffusion, promotion, activité scénique, etc.). Comment a-t-elle modifié les relations au sein de la filière et avec le public ? Quel a été l’impact sur les revenus des musiciens ? Après avoir dressé un portrait des « artistes et musiciens interprètes », l'ouvrage analyse les stratégies et positionnements des artistes musiciens face aux différents modes de diffusion (légale ou illégale) en ligne. L'impact du numérique sur les étapes de création, de financement et de production des œuvres est ensuite étudié pour finir par s’intéresser à la perception qu’ont les artistes musiciens des nouveaux modèles d’affaires numériques (notamment le streaming). L’ouvrage offre également une comparaison avec les résultats d’une enquête similaire menée six années auparavant, en 2008, lorsque certains des nouveaux acteurs clés de l’industrie musicale (YouTube, Spotify, etc.) n’existaient que depuis peu, voire pas encore.