Dafydd Sills-Jones, Jouko Aaltonen and Pietari Kaapa
Music-Making, Identity, and Intercultural Dynamics on the Margins of the Jewish State
This book explores the role of Hip Hop in negotiating boundaries of identity in contemporary Israel. Hip Hop emerged in Israel in the early 1990s and is performed by many individuals and groups often divided by conflicting aesthetics, ideologies, positionalities, and national identities. Using an ethnographic, interdisciplinary approach, this text highlights the relationships between Jewish and non-Jewish identities operating in South Tel Aviv in grassroots and commercial Hip Hop initiatives. While this book focuses on one urban area, it addresses broader themes relating to popular music and globalization, including the disjuncture between the day-to-day experiences of practitioners and the ideological projections used to define them.
Art, Optics, and Glass of Early Modern Italy, 1250–1425
With the invention of eyeglasses around 1260 near Pisa the mundane medium of glass transformed early modern optical technology and visuality. It also significantly influenced contemporaneous art, religion, and science. References to glass are found throughout the bible and in medieval hagiography and poetry. For instance, glass is mentioned in descriptions of Heavenly Jerusalem, the Beatific Vision, and the Incarnation. At the same time, a well-known Islamic scientific treatise, which likened a portion of the eye’s anatomy to glass, entered the scientific circles of the Latin West. Amidst this complex web of such glass-related phenomena early modern Italian artists used glass in some of their most important artworks but, until now, no study has taken a comprehensive look at this important phenomenon.
Seeing Renaissance Glass explores how artists such as Giotto, Duccio, Nicola Pisano, Simone Martini, and others, employed the medium of glass—whether it be depictions of glass or actual glass in the form of stained glass, gilded glass, and transparent glass—to resonate with the period’s complex visuality and achieve their artistic goals.
Such an interdisciplinary approach to the visual culture of early modern Italy is particularly well suited to an introductory humanities course as well classes on media studies and late medieval and early Renaissance art history. It is also ideal for a general reader interested in art history or issues of materiality.
Practices of Polish Butō Dancers
Magdalena Anna Zamorska
The author explores the practices of Polish butō dancers. Underlining the transcultural potential of the genre, she discusses in particular their individual body-mind practices and so-called butō techniques in order to produce a generalised account of butō training. Her argument is underpinned by complex field research which she carried out as an expert observer and a workshop participant. Drawing on a transdisciplinary approach, which combines insights and findings from the fields of cultural and performance studies, cultural anthropology and cognitive sciences, the book depicts the sequence of three phases which make up the processual structure of butō training: intro, following and embodiment.
Tanslated by Ernest Bernhardt-Kabisch
The present autobiography sets out from the contrast between "establishment" and "outsiders" in science and scholarship. It portrays a number of prominent composers, conductors and musicologists and seeks to illuminate the nature of the phenomenon of music from diverse vantage points, centering on cultural, biographic, psychological, philosophic, critical, aesthetic and axiological questions.
Lutz Lesle (Das Orchester, 2018): At the price of being deemed an outsider, Floros has devoted a major part of his life's work to the semantic dimension of music, from the Viennese Classics to Postmodernism. His endeavor has been to preserve for music the dignity of manifold meaning that the school of bean counters were stripping from it by reducing musical scores to structure-analytical databases. "To simply ignore the spiritual depth dimension of important musical art works," the author bluntly proclaims, "and to limit oneself to the investigation of the 'tonal body': to me there is no greater aberration."
Roberta Di Carmine
Cultural Metamorphoses in Contemporary Italian Cinema explores four different areas of study in contemporary Italian cinema: the migrants’ social struggle, the decline of the middle class, the isolation of the elderly, and gender inequality. This book focuses on four films produced between 2007 and 2013, specifically Io sono Li (Shun Li and the Poet, 2011), Giorni e nuvole (Days and Clouds, 2007), Pranzo di ferragosto (Mid-August Lunch, 2008), and Viaggio sola (A Five Star Life, 2013), examining a slice of contemporary Italian cinema to highlight specific socio-economic changes within the country over the past decade. Italian filmmakers Andrea Segre, Silvio Soldini, Gianni Di Gregorio, and Maria Sole Tognazzi concentrate on themes that refer to "metamorphoses" to exemplify several Italian societal changes deeply affected by economic challenges and strongly rooted in male-dominant ideology. These Italian filmmakers reevaluate cultural traditions and societal roles by depicting unconventional narratives and identities in their films and giving "voice to the voiceless."
The Studio di Fonologia years
Edited by Germán Toro-Pérez
This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer’s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.
Edited by Jacques Chamay and Jean-Paul Descoeudres
Adonis, the beautiful youth, born of the myrrh tree, loved by both Aphrodite and Persephone, hardly needs any introduction. His legend, of Oriental origin, spread early and rapidly to Greece and Italy. In Athens, his cult is attested as early as the 5th century, though representations of him in the arts remain surprisingly rare. Not so in South Italy, where from the early 4th century on his myth inspired some of the greatest vase-painters, especially in Apulia.
As the present systematic and richly illustrated analysis of his representations in South Italian Vase-painting, shows, Adonis played in Magna Graecia a much more important role than had hitherto been suspected.
Internationally recognized as the expert on South Italian Vase-painting, Alexander Cambitoglou has co-authored with Arthur Dale Trendall the fundamental work on its main school: The Red-figured Vases of Apulia, I: Early and Middle Apulian (1978) and II: Late Apulian (1982), and First and Second Supplement to The Red-figured Vases of Apulia (1983 and 1991). With Chr. Aellen and J. Chamay he has published Le peintre de Darius et son milieu in 1986 and again with J. Chamay in 1997, Céramique de Grande Grèce. La collection de fragments H. A. Cahn, and in 2006 Le don de la vigne: vase antique du baron Edmond de Rothschild (Matteo Campagnolo co-author). More recently, the two first Australian CVA fascicules have appeared in which he presents, with M. Turner as co-author, the collection of red-figured pottery from Apulia held by The University of Sydney’s Nicholson Museum (fasc. 1: 2008, 2: 2014). His work on Adonis’ plants has just come out in J. Chamay’s translation: Les plantes d’Adonis. Essai (Etudes genevoises sur l’Antiquité. Cahiers vol. 2, 2018).
Zuzana Ben Lassoued-Balazsházyová
Reception of Diana Krall, Unique Jazz Phenomenon tracks Diana Krall’s piano and vocal interpretation from early to advanced development. Author analyzes her music compared to the major jazz pianists and vocalists and traces her European roots combined with North American influence. Musicality, aesthetics, and original interpretation are defined factors for the communication between the listener and the performer and the main characteristics of Diana Krall’s interpretation. Described are also influences of social media, management, marketing and the position of the woman in this society.