The book focuses on contemporary staff-centred mystery novels set in the academic domain, written by scholars who enrich the generic convention of the detective novel with their academic expertise. The author delineates the academic mystery genre conventions and their connection with the characteristics of both the classical detective novel and the academic (university) novel. The analysis shows that the academic mystery novel not only fills in the classical detective formula with academic discourse, university settings, and the characters and conflicts of academics from different echelons of the university hierarchy but also, and more importantly, refers to and comments upon the current situation of tertiary education.
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A Study in Genre
Representations of Disability, Gender and Old Age in the Novels of Samuel Beckett
Manuel Barberá López
This book explores the representations of disability, gender and old age in the novels of Samuel Beckett. His works go against the foundations of Western thought, which has been traditionally focused on success, clarity, learning and ability, while Beckett chose to focus on failure, confusion, decay and impotence. This study purports to show the central importance of the three categories chosen for the general understanding of the writer’s work. It constitutes an attempt to provide a gendered interpretation of Beckett’s protagonists, who are increasingly unable to reason, talk or move properly, extremely old and do not fit hegemonic models of masculinity. Beckett, who denies his own ability as an author to understand and explain a chaotic world, chooses these disabled, old men as the ultimate representatives of the human condition and the best models to transmit his worldview. This is a book combining different perspectives and getting to conclusions regarding power structures which are particularly interesting for researchers or students taking courses on the dialectics of alterity, masculinities studies or new readings of Samuel Beckett’s works. The author’s research is based on the main arguments of feminist thought, masculinities studies, disability studies, ageing studies and recent work on Beckett. The ultimate goal of such interdisciplinary approach is to show how different systems of oppression work in similar ways and to draw the political implications of Beckett’s literary choices, in terms of visibility and solidarity.
A Companion Anthology
Edited by Brett Zimmerman
André Brink, J.M. Coetzee, and Zakes Mda Revisited
The Covid-19 pandemic has thrust us all into a warped, disjointed ‘coronatime,’ which has both uncontrollably accelerated, and interminably decelerated, or got frozen. Just like the pandemic, this book provides a chance to reevaluate neoliberalism’s temporal regimes of growth, decline, deceleration and acceleration. South Africa and its contemporary literature are a perfect background against which to think about temporality experimentally. Focusing on three South African authors, André Brink, J.M. Coetzee and Zakes Mda, the book examines contemporary South African revisioning of time and alterity. Through some of the previously unexplored texts, it studies what living in a post-conflict, post-revolutionary and highly traumatized society entails for one’s perception of time and otherness.
Playing Shakespeare’s Rebels and Tyrants is the fourth volume in the Peter Lang series, Playing Shakespeare’s Characters. As in the previous volumes, a broad range of contributors (actors, directors, scholars, educators, etc.) analyze the concepts of rebellion, tyranny, leadership, empathy with not only references to Elizabethan and Jacobean studies, but also to Donald Trump, the social justice movement, and the January 6, 2021 insurrection. Shakespeare's rebels occupy space in both the personal and political, and often quickly turn from rebel to tyrant once in power. How can Shakespeare's text inform current conversations about race, equity, representation, rebellion and tyranny? Who gets to define the power dynamics in Shakespeare’s plays? This volume looks at the Henrys, Hotspurs, Richards, Lears, Brutuses and Caesars, as well as the Juliets, Rosalinds and Cordelias who make up the panoply of Shakespeares rebels and tyrants.
Ausgangspunkt des Buchs ist der Wahlsieg der Labour Party unter Clement Attlee im Jahr 1945. Es analysiert die Auseinandersetzung mit der Labour Party im britischen Bühnendrama, Fernsehspiel und im Film ab diesem Zeitpunkt. Die Labour Party stand ursprünglich für die Belange der working class ein, wandelte sich spätestens infolge von Tony Blairs New Labour Politik aber zu einer Partei der Mitte. Der Band untersucht, ob und ab welchem Punkt linksorientierte Schriftsteller eine solche Entwicklung kritisieren, und orientiert sich dabei methodisch an den Herangehensweisen des New Historicism und des Cultural Materialism. Erkennbar ist eine kritische Einstellung der Dramen-/Drehbuchautoren, die in späteren Werken konstruktiver und teils milder ausfällt.
Kenneth J. Yin
Dungan Folktales and Legends is a unique anthology that acquaints English-speaking readers with the rich and captivating folk stories of the Dungans, Chinese-speaking Muslims who fled Northwest China for Russian Central Asia after failure of the Dungan Revolt (1862–1877) against the Qing dynasty. The most comprehensive collection of Dungan folk narratives, available now in English for the first time, this volume features translations of oral narratives collected in the former Soviet Central Asian republics of Kyrgyzstan and Kazakhstan in the twentieth century, and first published in Dunganskie narodnye skazki i predaniia (1977), which was edited by the internationally renowned Russian sinologist Boris L. Riftin and compiled by his prominent Dungan colleagues Makhmud A. Khasanov and Ilʹias I. Iusupov. The Dungan folk narrative tradition is a vibrant and fascinating tapestry of Chinese, Islamic, and various Central Asian cultural elements.
The present volume is comprised of a chapter introducing the Dungan tale and three chapters containing 78 folk stories organized in the following categories: wonder tales and animal tales; novelistic tales, folk anecdotes, and adventure stories; and legends, historical tales, and narratives. Also included are appendixes, a glossary, an index, the original notes to the texts, and translator’s notes aimed at an English-reading audience. This volume will be of interest to general readers, as well as students and scholars of folklore, ethnography, anthropology, comparative literature, Chinese studies, and Central Asian studies.
Lectures in General Linguistics, Syntax, and Child Language Acquisition
The lectures in this book are immensely Chomskyan in spirit, recursive-syntactic in nature, and tethered to a framework which takes as the null hypothesis the notion that language is an innate, pre-determined biological system—a system which by definition is multi-complex, human-specific, and analogous to a philosophy highly commensurate of Descartes’ great proverbial adage which announces the calling for a ‘ghost-in-the-machine’. The book begins with a gradual assessment of the kinds of complex constructs students of syntax need to work-up. Leading to the classic ‘Four-Sentences’—each of which bears as a kind of post-mark its own decade of Chomskyan analysis—we trace the origins of generative grammar from the fields of child language acquisition (of the 1960s), to psycholinguistics (of the 1970s), to where we stand today within the Minimalist Program. Various spin-off proposals have been spawned by envisioned analyses which treat syntactic movement as the quintessential human processing—a processing which would give rise to human language. Such spin-offs include ‘Proto-language’ and a new treatment of the so-called morpho-syntactic ‘Dual Mechanism Model’.
Race Relations and Reconciliation in Australian Literature
A reconciliation movement spread across Australia during the 1990s, bringing significant marches, speeches, and policies across the country. Indigenous and non-Indigenous Australians began imagining race relations in new ways and articulations of place, belonging, and being together began informing literature of a unique new genre. This book explores the political and poetic paradigms of reconciliation represented in Australian writing of this period. The author brings together textual evidence of themes and a vernacular contributing to the emergent genre of reconciliatory literature. The nexus between resistance and reconciliation is explored as a complex process to understanding sovereignty, colonial history, and the future of society. Moreover, this book argues it is creative writing that is most necessary for a deeper understanding of each other and of place, because it is writing that calls one to witness, to feel, and to imagine all at the same time.
Die Phantastik und die Musik / Music and the Fantastic
Edited by Maria Fleischhack, Patrick Schmitz and Christine Vogt-William
„Inklings" nannte sich eine Gruppe von Schriftstellern und Geisteswissenschaftlern in Oxford, deren bekannteste Mitglieder J.R.R. Tolkien und C.S. Lewis waren. Die Inklings-Gesellschaft e.V. widmet sich seit 1983 dem Studium und der Verbreitung der Werke dieser und ihnen nahestehender Autoren sowie der Analyse des Phantastischen in Literatur, Film und Kunst allgemein. Ihre Jahrestagungen werden in Jahrbüchern dokumentiert. Dieser Band enthält Beiträge zum Thema „Die Musik und die Phantastik" sowie mehrere Rezensionen aktueller, relevanter Sekundärliteratur.
"Inklings" was the name of a group of Oxford scholars and writers; its best-known members were J.R.R. Tolkien and C.S. Lewis. The German Inklings-Gesellschaft, founded in 1983, is dedicated to the discussion and dissemination of the works of these authors and of writers commonly associated with them and to the study of the fantastic in literature, film and the arts in general. The proceedings of the annual Inklings conferences are published in yearbooks. This volume contains papers discussing the role of music in fantasy as well as several reviews of recent relevant publications.