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Post-2000 Poetry of Dissent

Comparative Readings For students of International A-Level English Literature

by Abha Prakash (Author)
©2024 Monographs XXVI, 92 Pages

Summary

«In "Post-2000 Poetry of Dissent," Dr Abha Prakash’s student-focussed explication of poems proceeds comparatively, identifying ways in which pairs of poems from the A-level syllabus address thematically similar phenomena or ideas while the poems’ uniquenesses are thus thrown into relief. Prakash’s helpful elucidations particularly highlight questions of specific power relations or societal injustices the individual poets are scrutinizing and directly or indirectly critiquing. Her essays instructively model approaches to poems for students developing literary critical skills.»
(Susan Gingell, PhD, Professor Emerita and Master Teacher, University of Saskatchewan)
«The best 21st-century poets confront edgy and difficult topics that reflect the realities of our time. Abha Prakash’s clear and accessible critiques offer readers a reliable and sensitive guide to the complex questions these poets raise, while also showing how poetic techniques shape each poem’s unique form and expression.»
(Anthony John Harding, Professor Emeritus, University of Saskatchewan)
An insightful critique of contemporary award-winning poetry published between 2000 and 2011 by British poets, this resource text offers a critical appreciation of 28 poems that form part of the anthology, Poems of the Decade, which are studied by A level students in the UK and international centres each year. All the 28 poems express varying degrees of dissent, in theme, style, and techniques. They also offer interesting lines of discussion and debate in the AS English classroom. This is a book of original analytical perspectives by an experienced English Literature teacher who expertly identifies each poem’s implicit and explicit context, as well as its unique response to our twenty-first century world.

Table Of Contents

  • Cover
  • Titel
  • Copyright
  • Autorenangaben
  • Über das Buch
  • Zitierfähigkeit des eBooks
  • Contents
  • Preface
  • Acknowledgements
  • List of Abbreviations
  • Introduction
  • A Note on This Book
  • Chapter 1 Objectification of Women in “A Leisure Centre is also a Temple of Learning” and “Eat Me”
  • Chapter 2 Dead or Alive? Redefining History in “The Fox in the National Museum of Wales” and “History”
  • Chapter 3 The Self and the Other in “From the Journal of a Disappointed Man” and “Ode on a Grayson Perry Urn”
  • Chapter 4 Monster Machines in “Chainsaw versus The Pampas Grass” and “The Gun”
  • Chapter 5 Female-centrism in “An Easy Passage” and “Inheritance”
  • Chapter 6 The Child versus the Adult Self in “Material” and “To My Nine-Year-Old Self”
  • Chapter 7 Use of Experimental Form and Language in “Look We Have Coming to Dover!” and “Please Hold”
  • Chapter 8 Chaos and the Futility of War in “The War Correspondent”
  • Chapter 9 A Sense of Place in “The Deliverers” and “You, Shiva, and My Mum”
  • Chapter 10 “Out of the Bag” as a Bildungsroman
  • Chapter 11 Female Selfhood and Empowerment in “The Furthest Distances I’ve Travelled” and “Map Woman”
  • Chapter 12 Murder and Psychosis in “The Lammas Hireling” and “Giuseppe”
  • Chapter 13 Caregiving in “A Minor Role” and “On Her Blindness”
  • Chapter 14 Race and Class in “Song” and “Fantasia on a Theme of James Wright”
  • Chapter 15 Synecdoche in “Genetics” and “Effects”
  • Glossary
  • Bibliography
  • Index

Preface

The need to create an interpretive guide to the post-2000 selections of poetry included in the Edexcel IAL English Literature syllabus came into being in the context of several factors. I had taught the twenty-eight poems of the new course since 2016 to four consecutive batches of highly motivated English Literature learners from diverse racial backgrounds that included Indian, Korean, Swedish, French, German, Spanish, Dutch, Russian, and Italian. For most students who had grown up in Auroville, English was their second language although, in general, their language fluency stood at a good level when they entered the A-level segment of high school.

Secondly, given the level of difficulty many students encountered while studying the prescribed poems by British and Irish authors in the Poems of the Decade anthology, I realized that there existed a real need for an accessible, easy to understand collection of critical essays for the hundreds of students who sit for the International A-Level English Literature exam each year in India and other Asian countries and who approach the contemporary poetry section with some trepidation. This resource tool would benefit not only students in my own classroom but also the many others whom I could never meet.

The third, and perhaps most crucial contributing factor behind this book was the general lack of critical material in print. While other sections of the syllabus such as Shakespearean drama, pre-1900 poetry, and even mid-twentieth century drama had sufficient and in-depth literary criticism available, there was a paucity of reading strategies within the post-2000 poetry section. Online forums such as Intrepreture.org, and A-level Revision Blog were in existence, the latter a commendable peer effort by UK students themselves, but there were not many platforms offering contextual guidance to understanding the poems in a comparative mode.

Analyzing post-2000 British poetry is not an easy task and writing a meaningful critical essay of 700 words in an hour’s time is even more daunting. The fact that over four years several of my students secured high rankings in the subject exam proved that international students had the capability to do well and enjoy studying the Pearson Edexcel course as much as I enjoyed teaching it.

Abha Prakash

September, 2023

Acknowledgements

This book took shape in the aftermath of the biggest crisis in my life.

In May 2022, I opted for voluntary early retirement after teaching English Literature for around nineteen years at Future School, Auroville, an international town in south India. Following my last class around May 21st, my students and I went for ice creams at a local restaurant. Ten days later just as I was sending out book proposals to publishing houses, I fractured my ankle on both sides.

Following surgery, I found my right calf and foot in a cast and a long, non-load bearing recovery period ahead of me. In the five or six months that I became house-bound, I divided my energies between physiotherapy sessions, my part-time editing job, and writing the introduction and fifteen chapters contained in this book.

I am grateful to my publishing editors at Peter Lang, India, and the UK, for their enthusiasm, patience, and constructive feedback on the manuscript. To all my professors at the Department of English, Hindu College, University of Delhi, Delhi, and the University of Saskatchewan, Saskatoon, Canada, a warm thanks for their encouragement and continued goodwill. I wish to also thank my PhD supervisor, the late Professor Carol Morrell, under whose insightful guidance I wrote my doctoral dissertation in the 1990s.

Thanks are due to my mother, Dr Sudha Prakash, for being a pillar of support despite her own health problems. To my husband, Agni, for taking over some responsibilities of our teenage children, especially buying the groceries and making the evening meal until I was able to get around. To our domestic help, Lakshmi, for shouldering added burdens.

Details

Pages
XXVI, 92
Year
2024
ISBN (PDF)
9781803745084
ISBN (ePUB)
9781803745091
ISBN (Softcover)
9781803745077
DOI
10.3726/b21876
Language
English
Publication date
2024 (February)
Keywords
contemporary award-winning poetry English AS Revision IAL Post 2000 poetry Unit 1 literary criticism Poems of the Decade poetry analysis recent British and Irish poetry
Published
Chennai, Berlin, Bruxelles, Lausanne, New York, Oxford, 2024. XXVI, 92 pp.

Biographical notes

Abha Prakash (Author)

Born and raised in Delhi, Abha Prakash did her schooling at Presentation Convent and her BA and MA at Hindu College, Delhi University. She completed her PhD from University of Saskatchewan, Canada in 1994. She worked as a lecturer in the English Department at St. Stephen’s College, Delhi University, before moving in 2002 to Auroville, Tamil Nadu, where she taught English Literature at Future School until 2022. She is currently focused on selections of her poetry and memoir, besides working in Auroville as a content editor.

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