TY  - BOOK
AU  - Adrian Kempton
PY  - 2018
CY  - Oxford, United Kingdom
PB  - Peter Lang Verlag
SN  - 9781788744515
TI  - Poetry in the Novel
T2  - Selected Case Studies
DO  - 10.3726/b13545
UR  - https://www.peterlang.com/document/1057072
N2  - Taking up Virginia Woolf’s provocative claim that «the best prose is that which is most full of poetry», this study examines the different ways in which novelists have incorporated poetry into the fabric of their fictions. The inclusion of poems in a novel may serve a variety of purposes: to heighten the atmosphere, to represent a character’s sensations and thoughts as «stream of consciousness», to illustrate a protagonist’s creative output, to provide an explicit or embedded literary illusion, to function as an interlude or structural divider, or to create an unclassifiable literary hybrid that highlights an author’s dual talents.  To illustrate these and other forms of integration, twenty-two works of prose fiction are analysed under five headings: textual composites that combine prose, poetry and poetic prose to achieve original effects; apprenticeship novels about the development of fictive poets and their work; fictions concerned with the investigation and appropriation of a dead poet’s opus; works in which a single long poem constitutes a novel’s principal focus; and research-based biofictions relating particular events in the lives of real poets.  Intended to stimulate reflection on the interrelations of prose and poetry, this book works against literary compartmentalization by revealing how poetry can enhance prose narrative and how the novel can bring poetry to the notice of a wider reading public.
KW  - poetry, prose, verse, prose fiction, narrative verse, prose poem, literary hybrid, novelist-poet, poet-novelist, fictive poet, pastiche poetry, verse novel, Künstlerroman, biofiction, literary hoax, the interrelations of poetry and prose
LA  - English
ER  -