Peter Lang Verlag

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What is a Woman to Do?

A Reader on Women, Work and Art, c. 1830-1890

by Kyriaki Hadjiafxendi (Volume editor) Patricia Zakreski (Volume editor) 2011

©2011 Edited Collection
Unbridling the Western Film Auteur

Contemporary, Transnational and Intertextual Explorations

by Emma Hamilton (Volume editor) Alistair Rolls (Volume editor) 2018

Edited Collection
TV Transformations & Transgressive Women

From Prisoner: Cell Block H to Wentworth

by Radha O’Meara (Volume editor) Tessa Dwyer (Volume editor) Stayci Taylor (Volume editor) Craig Batty (Volume editor) 2022

©2022 Edited Collection
Theatres in the Round

Multi-ethnic, Indigenous, and Intertextual Dialogues in Drama

by Dorothy Figueira (Volume editor) Marc Maufort (Volume editor) 2011

©2011 Edited Collection
Theatre for Early Years

Research in Performing Arts for Children from Birth to Three

by Wolfgang Schneider (Volume editor) 2012

©2009 Edited Collection
The Theatre of Tom MacIntyre

Strays from the Ether

by Bernadette Sweeney (Volume editor) Marie Kelly (Volume editor)

©2019 Edited Collection
The Theatre of Marie Jones

Telling stories from the ground up

by Eugene McNulty (Volume editor) Tom Maguire (Volume editor)

©2015 Edited Collection
The Theatre of Conor McPherson

«Right beside the Beyond»

by Lilian Chambers (Volume editor) Eamonn Jordan (Volume editor) 2019

©2012 Edited Collection
The String Quartet in Spain

by Christiane Heine (Volume editor) Juan Miguel González Martínez (Volume editor) 2017

©2016 Edited Collection
The Sound of Tartini

Instruments and Performing Practices in His Time

by Margherita Canale Degrassi (Volume editor) Paolo da Col (Volume editor) 2023

©2023 Edited Collection
The Scandinavian Invasion

Nordic Noir and Beyond

by Richard McCulloch (Volume editor) William Proctor (Volume editor) 2022

Edited Collection
The Pulitzer Prize Winners for Music

Composer Biographies, Premiere Programs and Jury Reports

by Heinz-Dietrich Fischer (Volume editor)

©2010 Edited Collection
The Power of Symbols

The Alhambra in a Global Perspective

by Francine Giese (Volume editor) Ariane Varela Braga (Volume editor) 2018

©2018 Edited Collection
The Performance Practice of Electroacoustic Music

The Studio di Fonologia years

by Germán Toro-Pérez (Volume editor) 2018

©2018 Edited Collection
The Paris Fine Art Salon/Le Salon, 1791–1881

by James Kearns (Volume editor) Alister Mill (Volume editor) 2015

©2015 Edited Collection
The Myth of the Orient

Architecture and Ornament in the Age of Orientalism

by Francine Giese (Volume editor) Ariane Varela Braga (Volume editor) 2017

©2016 Edited Collection
The Musical Voyager: Berlioz in Europe

by David Charlton (Volume editor) Katharine Ellis (Volume editor)

©2007 Edited Collection
The Musical Culture of Silesia before 1742

New Contexts – New Perspectives

by Pawel Gancarczyk (Volume editor) Lenka Hlávková-Mrácková (Volume editor) 2013

©2014 Edited Collection

Witkacy. Logos and the Elements

What is a Woman to Do?

Unstable Ground

Under the Curse

Unbridling the Western Film Auteur

TV Transformations & Transgressive Women

Transmedia Cultures

Theatres in the Round

Theatre Stuff

Theatre for Early Years

The Undead in the 21st Century

The Theatre of Tom MacIntyre

The Theatre of Marie Jones

The Theatre of Enda Walsh

The Theatre of Conor McPherson

The String Quartet in Spain

The Sound of Tartini

The Scandinavian Invasion

The Pulitzer Prize Winners for Music

The Power of Symbols

The Performance Practice of Electroacoustic Music

The Paris Fine Art Salon/Le Salon, 1791–1881

The Myth of the Orient

The Musical Voyager: Berlioz in Europe

The Musical Culture of Silesia before 1742

Key Subject Areas