Peter Lang Verlag

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«Mirror up to Nature»

The Fourth Seamus Heaney Lectures

by Patrick Burke (Volume editor) 2020

©2010 Conference proceedings
IMAGES (V) – Images of (Cultural) Values

The Conference Proceedings

by Veronika Bernard (Volume editor) 2016

©2016 Conference proceedings
Text and Tune

On the Association of Music and Lyrics in Sung Verse

by Teresa Proto (Volume editor) Paolo Canettieri (Volume editor) Gianluca Valenti (Volume editor) 2015

©2016 Conference proceedings
Re-Inventing Traditions

On the Transmission of Artistic Patterns in Late Medieval Manuscript Illumination

by Joris Corin Heyder (Volume editor) Christine Seidel (Volume editor) 2015

©2015 Conference proceedings
Art in Motion

Musical and Athletic Motor Learning and Performance

by Adina Mornell (Volume editor) 2014

©2010 Conference proceedings
Curating ‘EASTERN EUROPE’ and Beyond

Art Histories through the Exhibition

by Mária Orišková (Volume editor)

©2013 Conference proceedings
Embodied Fantasies: From Awe to Artifice

by Suzanne Anker (Volume editor) Sabine Flach (Volume editor) 2013

©2013 Conference proceedings
Studi Pergolesiani- Pergolesi Studies

by Claudio Bacciagaluppi (Volume editor) Hans-Günter Ottenberg (Volume editor) Luca Zoppelli (Volume editor) 2013

©2012 Conference proceedings
Collections of Stained Glass and their Histories / Glasmalerei-Sammlungen und ihre Geschichte / Les collections de vitraux et leur histoire

Transactions of the 25th International Colloquium of the Corpus Vitrearum in Saint Petersburg, The State Hermitage Museum, 2010 / Akten des 25. Internationalen Kolloquiums des Corpus Vitrearum in Sankt Petersburg, Staatliche Ermitage, 2010

by Tim Ayers (Volume editor) Brigitte Kurmann-Schwarz (Volume editor) Claudine Lautier (Volume editor) Hartmut Scholz (Volume editor) 2013

©2012 Conference proceedings
TYA, Culture, Society

International Essays on Theatre for Young Audiences- A Publication of ASSITEJ and ITYARN

by Manon van de Water (Volume editor) 2012

©2012 Conference proceedings
Drama Reinvented

Theatre Adaptation in Ireland (1970-2007)

by Thierry Dubost (Volume editor)

©2012 Conference proceedings
Approaches to Music Research

Between Practice and Epistemology

by Leon Stefanija (Volume editor) Nico Schüler (Volume editor)

©2011 Conference proceedings
Cinematic Queerness

Gay and Lesbian Hypervisibility in Contemporary Francophone Feature Films

by Florian Grandena (Volume editor) Cristina Johnston (Volume editor)

©2011 Conference proceedings
Revival and Invention

Sculpture through its Material Histories

by Sébastien Clerbois (Volume editor) Martina Droth (Volume editor) 2011

©2011 Conference proceedings
Modernity and Early Cultures

Reconsidering non western references for modern architecture in a cross-cultural perspective

by Anna Minta (Volume editor) Bernd Nicolai (Volume editor) 2011

©2011 Conference proceedings
Italy On Screen

National Identity and Italian Imaginary

by Lucy Bolton (Volume editor) Christina Siggers Manson (Volume editor) 2011

©2010 Conference proceedings
The Dissemination of Music in Seventeenth-Century Europe

Celebrating the Düben Collection- Proceedings from the International Conference at Uppsala University 2006

by Erik Kjellberg (Volume editor) 2011

©2010 Conference proceedings
Art in Motion

Musical and Athletic Motor Learning and Performance

by Adina Mornell (Volume editor)

©2009 Conference proceedings
Of ‘Truths Impossible to Put in Words’

Max Beckmann Contextualized

by Rose-Carol Washton Long (Volume editor) Maria Makela (Volume editor)

©2009 Conference proceedings
African Perspectives: Pre-colonial History, Anthropology, and Ethnomusicology

by Regine Allgayer-Kaufmann (Volume editor) Michael Weber (Volume editor)

©2008 Conference proceedings
Depth of Field

Relief Sculpture in Renaissance Italy

by Donal Cooper (Volume editor) Marika Leino (Volume editor)

©2007 Conference proceedings
Defining Strains

The Musical Life of Scots in the Seventeenth Century

by James Porter (Volume editor)

©2007 Conference proceedings
Questions of Colour in Cinema

From Paintbrush to Pixel

by Wendy Everett (Volume editor) 2012

©2008 Conference proceedings
Performing Arts Collections on the Offensive- Les collections d’arts du spectacle passent à l’offensive

26 th SIBMAS Congress, Vienna 2006- 26 ème Congrès SIBMAS, Vienne 2006

by Ulrike Dembski (Volume editor) Christiane Mühlegger-Henhapel (Volume editor)

©2007 Conference proceedings

«Mirror up to Nature»

IMAGES (V) – Images of (Cultural) Values

Text and Tune

Re-Inventing Traditions

Art in Motion

Curating ‘EASTERN EUROPE’ and Beyond

Embodied Fantasies: From Awe to Artifice

Studi Pergolesiani- Pergolesi Studies

Collections of Stained Glass and their Histories / Glasmalerei-Sammlungen und ihre Geschichte / Les collections de vitraux et leur histoire

TYA, Culture, Society

Drama Reinvented

Opera and Video

Approaches to Music Research

Cinematic Queerness

Revival and Invention

Modernity and Early Cultures

Italy On Screen

The Dissemination of Music in Seventeenth-Century Europe

Art in Motion

Of ‘Truths Impossible to Put in Words’

African Perspectives: Pre-colonial History, Anthropology, and Ethnomusicology

Depth of Field

Defining Strains

Questions of Colour in Cinema

Performing Arts Collections on the Offensive- Les collections d’arts du spectacle passent à l’offensive

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