Search Results

Electronic emotion is the emotion lived, re-lived or discovered through machines. It is the emotion that users of information and communication technologies (ICTs) feel when using or not using different devices. Through ICTs emotion is amplified, shaped, stereotyped and re-invented but at the same time sacrificed. This book addresses a number of questions such as: What does electronic emotion actually mean? How does emotion change when mediated by information and communication technologies? How are the production and the consumption of electronic and mediated emotion articulated? What emotional investment do people express in ICTs? The editors have brought together a distinctive group of scholars from multiple disciplines including social sciences, linguistics and information sciences to discuss and provide some answers to these questions.

The role generations play in accepting and shaping digital technologies, and possibly vice versa, is an increasingly relevant issue in contemporary society. For the first time in the academic debate, this volume outlines the theoretical issues and explores some results from empirical researches on the relationship between generations and the media in digital society. The first part of the book deals with the theoretical debate on generations, from Mannheim’s to the revisiting of some classical notions shaped by disciplines as history, demography, marketing and sociology. The second part gathers a selection of researches at international level, with particular attention to the European context. Though each research used specific methodologies, the main approaches focused on media domestication by young and old generations, and on the comparative analyses of different generations in adopting media.

This book discusses the personal and social lives of e-actors interacting within the socio-technical structures of the evolving broadband society by exploring the different ways in which individuals, social groups, institutions, operators, manufactures, policy makers, designers and other parties contribute to human communication and social interaction in contemporary media societies. The volume covers four theoretical and empirical areas of research: the conceptual perspectives of e-actors, the emergence of new forms of agency, subjectivity, and mediated interpersonal communication, the everyday life experiences of e-actors, and finally the shaping policies and regulations in the broadband society.