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Re-forming the Nation in Literature and Film - Entwürfe zur Nation in Literatur und Film

The Patriotic Idea in Contemporary German-Language Culture- Die patriotische Idee in der deutschsprachigen Kultur der Gegenwart

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Julian Ernest Preece

In the year that Europe commemorates the centenary of the outbreak of World War I and the European Union faces a crisis of legitimacy, the national question is once again being posed across the Continent. This volume assesses how contemporary German-language writers and filmmakers have approached this troubled question over the last decade. It addresses whether the collective entity known as Germany should more properly be conflated with the Federal Republic, with its successful sixty-five-year history (‘the best Germany we have ever had’), rather than the ‘nation’ with all its tainted connotations and corrupted concepts such as ‘Vaterland’. Contemporary Germany is a product not only of its history up to 1945 but also of the process of understanding that history and acting upon that understanding since the defeat of National Socialism. Each of the sixteen essays collected here illuminates a different segment of a bigger picture, whose shape and shades are themselves evolving. Presented as a whole their purpose is to provoke further discussion among observers of the contemporary German-speaking scene.
In dem Jahr, in dem Europa den 100. Jahrestag des Ausbruchs des Ersten Weltkriegs begeht, und die Europäische Union eine Legitimitätskrise durchmacht, stellt sich in ganz Europa wieder einmal die ‘nationale Frage’. Dieser Band zeigt Antworten von deutschsprachigen Autoren und Filmemachern aus den letzten zehn Jahren. Es wird gefragt, ob es nicht passender wäre, das unter dem Namen ‘Deutschland’ firmierende Kollektiv als ‘Bundesrepublik’ zu erfassen, und somit die Idee der ‘Nation’ mit all seinen Brüchen – bis hin zum verpönten ‘Vaterland’ – zu verabschieden. ‘Das beste Deutschland, das es je gegeben hat’ zeichnet immerhin eine Erfolgsgeschichte seit 65 Jahren. Das heutige Deutschland ist ohne Zweifel ein Produkt seiner Geschichte bis 1945, aber auch von Prozessen des Verstehens und der Verständigung über diese Geschichte seit dem Ende des Nationalsozialismus. Jeder der sechzehn Beiträge in diesem Band beleuchtet ein Fragment eines größeren Bilds, das selbst ständig im Umbruch ist. Als Ganzes sollen diese Beiträge die Debatte unter Beobachtern der heutigen deutschsprachigen Welt anregen.
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Edited by Frank Finlay and Julian Ernest Preece


The Leeds Colloquia on Contemporary German Literature series is the successor to the Bradford Series of Colloquia on Contemporary German Literature. Like its precursor, the Leeds Series has as its focal point of departure a three-day, biennial colloquium devoted to a particular theme. The colloquia have been supported by a range of cultural institutions over the years including the Goethe Institut, Austrian Cultural Forum and Modern Humanities Research Association, enabling them to act as a forum for dialogue between Germanisten in the German-speaking world and established and aspiring scholars based in the UK, Ireland, the USA and Australia. It is of equal importance that a broad understanding of what constitutes literary writing is fostered. Thus while ‘canonical’ literary figures have always featured, there has been a commitment to new writing which has given rise to the first academic discussions in English of several significant contemporary writers.

The organising editors are Professor Julian Preece (University of Wales, Swansea) and Professor Frank Finlay (University of Leeds) who work in tandem with an international Advisory Board.

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Julian Ernest Preece and Osman Durrani

Most of the chapters in this volume were delivered as papers at a conference on the same theme held at the University of Kent in April 2002. The essays collected here, by scholars from the UK, Ireland, Germany, and the US, address a topic of fundamental concern across all the disciplines engaged with the study of contemporary Germany: the evolving relationship between urban and rural space, the metropolitan centre and the provincial Heimat. The volume identifies and investigates a number of recent trends: the emergence of ‘eco-literature’, the renaissance of writing – in prose and verse – inspired by the new Berlin, the realignment of regional sensibilities, which is complicated by the troubled tradition of Heimat in all its literary manifestations, and the continuing disjunctions between East and West. Individual essays engage with the work of established writers (Günter de Bruyn, Hubert Fichte, Peter Handke, WG Sebald, Siegfried Lenz, Martin Walser, and Elfriede Jelinek) and emerging talents (Georg Klein, Christof Hamann, Ludwig Laher, and Arnold Stadler).
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Akten des XII. Internationalen Germanistenkongresses Warschau 2010- Vielheit und Einheit der Germanistik weltweit

Interkulturelles Verstehen und Kontrastives Vergleichen- Formen literarischer und intellektueller Zusammenarbeit -Mitherausgeber: Teruaki Takahashi, Julian Preece und Dagmar C.G. Lorenz

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Edited by Franciszek Grucza, Julian Ernest Preece and Teruaki Takahashi

Der Band enthält die Beiträge von zwei Sektionen des Warschauer IVG-Kongresses. Die Vorträge der Sektion Interkulturelles Verstehen und Kontrastives Vergleichen (betreut und bearbeitet von Teruaki Takahashi) bieten ein vielfarbiges Spektrum der unterschiedlichen (literatur-, kultur- und sprachwissenschaftlichen, kulturlinguistischen und glottodidaktischen) Zugänge zur Dialogforschung. Thematisiert werden Lern- und Lehrkonzepte, translationsbezogene Probleme, wirkungsästhetische Fragen, rezeptionsgeschichtliche Ansätze, die in Zeiten der Globalisierung und Lokalisierung in den Vordergrund rücken. Die Sektion Formen literarischer und intellektueller Zusammenarbeit (betreut und bearbeitet von Julian Preece, Dagmar C. G. Lorenz) präsentiert Studien über verschiedene Formen der Kommunikation zum Zwecke einer literarischen oder intellektuellen Synergie. Untersucht werden literarische Gesellschaften, unterschiedliche Formen der Zusammenarbeit, Interessensgemeinschaften, Wahlverwandtschaften und Freundschaften von AutorInnen und Intellektuellen.
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Religion and Identity in Germany Today

Doubters, Believers, Seekers in Literature and Film

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Edited by Julian Ernest Preece, Frank Finlay and Sinéad Crowe

In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of ‘9/11’. Nowhere was this clearer than in the heated controversy over the building of a mosque in the city of Cologne, which is the subject of Michael Hofmann’s contribution to this volume. Turkish Germans have also found themselves defined by the religious background of their parents. For different reasons German Jews have faced pressure to reconnect with a religion that their forbears cast off sometimes more than a century ago. At the same time religious belief among the nominally Christian majority has been in retreat. These changes have generated poetry, drama, and fiction as well as a number of films by both well-known and emerging authors and filmmakers. Their works sometimes reflect but more often challenge debates taking place in politics and the media. The essays in this volume explore a range of genres which engage with religion in contemporary Germany and Austria. They show that literature and film express nuances of feeling and attitude that are eclipsed in other, more immediately influential discourses. Discussion of these works is thus essential for an understanding of the role of religion in forming identity in contemporary multicultural German-speaking societies. This volume contains eight chapters in English and six in German.