Women in Christian Liturgical Music
Music as Well-being
A Lived Experience of Celebration
This book is an autobiographical account of the development of an authentic interiority. It charts the way in which the Christian faith in which the author was enculturated was refined by her lived experience of music, abuse, forgiveness, interfaith dialogue, gender and vocation (into teaching and priesthood). The author describes how music and spirituality can create a route into forgiveness by creatively transforming («mulching») childhood abuse into celebration. Her work challenges established therapeutic models and suggests a variety of alternative tools, including created ritual.
The volume is set out as a series of meditations on the themes contained in the Lord’s Prayer; it can be read in separate sections, as well as in its totality. The author’s life is perceived as a crystal that can be viewed through various lenses, illustrated by different styles of writing. These include narrative accounts written in a personal style; hymns, songs and poems that condense her thinking around a theme; and more academic reflection, using other people’s writing and experiences to understand her own.
Perspectives from Three Continents
Edited by June Boyce-Tillman
This book is the product of a long journey by a company of academics and practitioners sharing a common interest, titled the Spirituality and Music Education Group (SAME). It started at the International Society for Music Education Conference in Bologna in 2008, with its first gathering in Birmingham in 2010. This book is a product of the various meetings of this group. Since the group formed, the notion of spirituality has been struggling to find a way through the dominant ideology of secularisation in the West to a place in a post-secularising world.
This book concentrates on examining this issue from the position of music educators on three continents. This process can be defined as both separate from as well as part of the dominant Christian and humanist traditions, whatever is appropriate in a particular culture. The book represents a fascinating array of lenses through which to examine the many and complex strands within the concept of spirituality.
Edited by June Boyce-Tillman
It looks for well-researched studies with new and open approaches to spirituality and music and encourages interesting innovative case-studies. Books within the series are subject to peer review and will include single and co-authored monographs as well as edited collections including conference proceedings. The use of musical material in either written or recorded form as part of submissions is welcome.
The Community Choir as Spiritual Experience
Sarah Morgan and June Boyce-Tillman
material in this context. Some useful arrangements of folk songs are included. Community singing events are described with helpful advice on setting up and managing these. It presents a useful model of the range of skills necessary for aspiring community choir leaders. This is linked with the formation of a community that contains spiritual elements; this is theorized in relation to the role of the parish church in communal singing. It also discusses the two aesthetics of choral singing and the relationship between oral and literate traditions. The book arises from the engagement of the University of Winchester in partnership with the local community, which is theorized.
(Anthology with perspectives from over ten countries)
Edited by Karin Hendricks and June Boyce-Tillman
This book is intended to challenge the status quo of music learning and experience by intersecting various musical topics with discussions of spirituality and queer studies. Spanning from the theoretical to the personal, the authors utilize a variety of approaches to query how music makers might blend spirituality’s healing and wholeness with queer theory’s radical liberation.
Queering Freedom: Music, Identity and Spirituality represents an eclectic mix of historical, ethnomusicological, case study, narrative, ethnodramatic, philosophical, theological, and theoretical contributions. The book reaches an international audience, with invited authors from around the world who represent the voices and perspectives of over ten countries. The authors engage with policy, practice, and performance to critically address contemporary and historical music practices. Through its broad and varied writing styles and representations, the collection aims to shift perspectives of possibility and invite readers to envision a fresh, organic, and more holistic musical experience.
Music, Spirituality and Christian Theology
Edited by June Boyce-Tillman, Stephen Roberts and Jane Erricker
The relationship between Christian theology and music has been complex since the early days
of the Church. In the twentieth century the secularization of Western culture has led to further
complexity. The search for the soul, following Nietzsche’s declaration of the Death of God has
led to an increasing body of literature in many fields on spirituality. This book is an attempt
to open up a conversation between these related discourses, with contributions reflecting a
range of perspectives within them. It is not the final word on the relationship but expresses a
conviction about their relationship. Collecting together such a variety of approaches allows new
understandings to emerge from their juxtaposition and collation. This book will contribute to
the ongoing debate between theology, spirituality, culture and the arts. It includes contexts with
structured relationships between music and the Church alongside situations where spirituality
and music are explored with sometimes distant echoes of Divinity and ancient theologies
reinterpreted for the contemporary world.