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Marta Romero López

Lo que encontramos en esta publicación es una aproximación al cine de David Lynch desde el pensamiento cinematográfico de Gilles Deleuze. La conjunción de estos dos autores, en apariencia muy distantes, permite la creación de un diálogo entre filosofía y creación audiovisual que tiene el fin de reflexionar sobre la naturaleza propia de las imágenes cinematográficas. A través de dos películas del director norteamericano, Carretera Perdida (1997) y Mulholland Drive (2001), se ponen en juego imágenes pensadas por Deleuze como la imagen-recuerdo, el «sueño implicado», la imagen-sueño o la imagen-cristal.

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Evidentiality and Modality in European Languages

Discourse-pragmatic perspectives

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Edited by Juana I. Marín-Arrese, Julia Lavid-López, Marta Carretero, Elena Domínguez Romero, Mª Victoria Martín de la Rosa and María Pérez Blanco

Evidentiality and Modality in European Languages focuses on discourse-pragmatic studies on the domains of evidentiality and epistemic modality, and also includes studies on deontic modality. The book presents ground-breaking research on the functions and the discourse-pragmatic variation of evidential expressions and modals in diverse discourses and genres, applying corpus-based methodologies. It offers unique features regarding content, usage and methodology, and comparative studies. The comparative viewpoint is addressed in contributions which provide a usage-based cross-linguistic account of the expression of evidentiality and modality in various European languages (English, French, Italian, Romanian and Spanish). The contributions are representative of the work on evidentiality and modality in European languages carried out in a substantial number of countries, Finland, France, Germany, Japan, Netherlands, Romania, Spain and Sweden.