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: trabajo sobre documentos escritos. Y las condiciones de acceso a estos textos ha sido mucho mejor en España que en otros países. Hubo ejemplares de las gramáticas y diccionarios en bibliotecas de España (Valladolid, Madrid, Sevilla) y con ello una accesibilidad mejor que en Alemania. Conocemos hoy los esfuerzos y estrategias de Wilhelm von Humboldt para conseguirlos (cfr. Mueller-Vollmer 1994). 7. Conclusión Podemos constatar que el interés activo por las lenguas amerindias por parte de España ha sido el interés de un grupo particular, una fracción de la

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: Essays on the Politics of Bodies. London and New York: Routledge. —— (2001) Architecture from the Outside: Essays on Virtual and Real Space. Cam- bridge, MA: MIT Press. Gutenberg, A. (2007) ‘Shape-Shifters from the Wilderness: Werewolves Roaming the Twentieth Century’. In K. Kutzbach and M. Mueller (eds) The Abject of Desire: The Aestheticization of the Unaesthetic in Contemporary Literature and Culture. Amsterdam: Rodopi, 149–80. 212 Bibliography Heras, M.A. (2000) ‘Una relectura del modernisme català. Santiago Rusiñol: del dialogisme intercultural a la

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nuit (Paris: Albin Michel, 1953). 2~evi, I sommersi e i salvati, 15. 211bid, 130. 22Levi, I sommersi e i salvati, 39. Levi tells the story of a survivor of the last squad at Auschwitz, Miklos Nyiszli, in the chapter on the grey zone in I sommersi e i salvati. Other accounts can be had from personal 98 Notes memoirs and from the film Shoah (1985), which tells the story of ex-Spe- cial Squad member Filip Mueller. When I spoke to Levi in June 1986, Shoah had not been released in Italy. He was very interested in hearing my account of it, marvelling that it had

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de Janeiro: Arquivo; Instituto Nacional do Livro/MEC, 1971. Olímpio, Domingos. Luzia Homem. Rio de Janeiro: Typ. da Companhia Litho-Typographia, 1903. Oliveira, Celso Lemos de. Understanding Graciliano Ramos. Columbia: U of South Carolina P, 1988. Otaviano, Manoel (Padre). Inácio da Catingueira, Conferência pronunciada em 13 de maio de 1848, na vila de Catingueira (Paraíba). Rio de Janeiro: n.p., 1949. The Oxford Study Bible: Revised English Bible with the Apocrypha. Ed. M. Jack Suggs, Katharine Doob Sakenfeld, and James R. Mueller. New York: Oxford UP, 1992

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., The Image of Man: The Creation of Modern Masculinity (New York: Oxford University Press, 1996). Mueller- Vollmer, Kurt, ‘On Germany: Germaine de Staël and the Internationalization of Romanticism’, in Richard A. Block, Peter D. Fenve, and Géza von Molnár, eds, The Spirit of Poesy: Essays on Jewish and German Literature and Thought in Honor of Géza von Molnar (Evanston, IL: Northwestern University Press, 2000), 150–66. Naginski, Isabelle Hoog, George Sand: Writing for her Life (New Brunswick, NJ: Rutgers University Press, 1991). Nash, Suzanne, ‘Nationalism and

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le poète se met en scène dans une nature sauvage et solitaire, contemplant l’image de la femme aimée: 1 Les Œuvres de P. de Ronsard gentilhomme vendomois…, Paris, N. Buon, 1609 (page non numérotée). Pour une description plus précise du recueil de 1552, et de la réédition de 1553, commentée par Marc-Antoine de Muret, voir Jean-Paul Barbier-Mueller, Ma bibliothèque poétique, II: Ronsard, pp. 28-42, et Daniel Maira, Typosine, la dixième muse: formes éditoriales des Canzonieri français, 1544-1560, Genève, Droz, 2007, pp. 219

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Ludwig Kirchner, Erich Heckel, Oskar Kokoschka, 1350 Alexia Gassin Ludwig Meidner, Max Beckmann und Otto Dix. Im Gegensatz zu anderen Künstlern wie Egon Schiele, Karl Schmidt-Rottluff oder Otto Mueller ste- hen diese acht Maler mit dem Thema Traumatisierung direkt in Verbin- dung: Entweder erlebten sie selbst einen Nervenzusammenbruch oder/und sie dienten beim Sanitätsdienst, wo die Soldaten oft unter Wahnvorstellun- gen litten, insofern als „der Erste Weltkrieg die einschneidende Grenzerfah- rung [war], die nie wieder revidiert, eingeholt, vollkommen verarbeitet