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  • Art and Thought / Art et pensée

    Histories of the Avant-Garde / histoires des avant-gardes

    If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

    8 publications

  • Art – Knowledge – Theory

    ISSN: 2235-2759

    Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

    8 publications

  • Title: La force de la copie

    La force de la copie

    Regards croisés sur les copies d’œuvres antiques et sur leur réception, entre philologie, archéologie et histoire de l’art
    by Lorenz E. Baumer (Volume editor) Manuel Royo (Volume editor) Anne Vial-Logeay (Volume editor) 2025
    ©2025 Conference proceedings
  • Title: Her Art

    Her Art

    Greek Women in the Arts from Antiquity to Modernity
    by Diane Touliatos-Miles (Volume editor)
    ©2011 Edited Collection
  • Title: Literature, Art, History: Studies on Classical Antiquity and Tradition

    Literature, Art, History: Studies on Classical Antiquity and Tradition

    In Honour of W. J. Henderson
    by André Basson (Volume editor) William J. Dominik (Volume editor)
    ©2003 Edited Collection
  • Title: Esclavage antique et discriminations socio-culturelles

    Esclavage antique et discriminations socio-culturelles

    Actes du XXVIIIe Colloque International du Groupement International de Recherche sur l’Esclavage Antique (Mytilène, 5-7 décembre 2003)
    by Vasilis I. Anastasiadis (Volume editor) Panagiotis N. Doukellis (Volume editor)
    ©2005 Conference proceedings
  • Title: The Antiquated Right

    The Antiquated Right

    An Argument for the Repeal of the Second Amendment
    by Andrew Carlson (Author)
    ©2002 Textbook
  • Title: Naissance de la science dans l’Italie antique et moderne

    Naissance de la science dans l’Italie antique et moderne

    Actes du colloque franco-italien des 1 er et 2 décembre 2000 (Université de Haute-Alsace)
    by Luigi De Poli (Volume editor) Yves Lehmann (Volume editor)
    ©2004 Conference proceedings
  • Title: «Mirabilia» – Conceptions et représentations de l’extraordinaire dans le monde antique

    «Mirabilia» – Conceptions et représentations de l’extraordinaire dans le monde antique

    Actes du colloque international, Lausanne, 20-22 mars 2003
    by Philippe Mudry (Volume editor) Olivier Bianchi (Volume editor) Olivier Thévenaz (Volume editor)
    ©2004 Conference proceedings
  • Title: Recovering a Late-Antique Edition of Pliny’s <i>Natural History</i>

    Recovering a Late-Antique Edition of Pliny’s <i>Natural History</i>

    by Paul T. Keyser (Author) 2020
    ©2020 Monographs
  • Title: De antiqua claritate et clara antiquitate Gothorum

    De antiqua claritate et clara antiquitate Gothorum

    Gotizismus als Identitätsmodell im frühneuzeitlichen Schweden
    by Inken Schmidt-Voges (Author)
    ©2004 Thesis
  • Title: «How art produces art»

    «How art produces art»

    Samuel Richardsons «Clarissa» im Spiegel ihrer deutschen Übersetzungen
    by Astrid Krake (Author) Universität Münster (Author)
    ©2000 Thesis
  • Title: Art State, Art Activism and Expanded Concept of Art
  • Title: Récits mythiques – récits modernes

    Récits mythiques – récits modernes

    La mythologie antique dans le roman contemporain de langue allemande
    by Emmanuelle Terrones (Author) 2017
    ©2016 Monographs
  • Title: Conversion and Initiation in Antiquity

    Conversion and Initiation in Antiquity

    Shifting Identities – Creating Change
    by Birgitte Secher Bøgh (Volume editor) 2014
    ©2015 Edited Collection
  • Title: Art, Identity and Cosmopolitanism

    Art, Identity and Cosmopolitanism

    William Rothenstein and the British Art World, c.1880–1935
    by Samuel Shaw (Author) 2024
    ©2024 Monographs
  • Title: «Unitas» in Latin Antiquity

    «Unitas» in Latin Antiquity

    Four Centuries of Continuity
    by Erik Thaddeus Walters (Author)
    ©2011 Thesis
  • Title: The Uses and Abuses of Antiquity

    The Uses and Abuses of Antiquity

    by Michael Biddiss (Volume editor) Maria Wyke (Volume editor)
    ©1999 Edited Collection
  • Title: Mobility and Exile at the End of Antiquity

    Mobility and Exile at the End of Antiquity

    by Dirk Rohmann (Volume editor) Jörg Ulrich (Volume editor) Margarita Vallejo Girvés (Volume editor) 2018
    ©2018 Edited Collection
  • Title: Daemons in Hellenic and Christian Antiquity

    Daemons in Hellenic and Christian Antiquity

    Porphyry's Discipleship with Origen
    by Panayiotis Tzamalikos (Author) 2025
    ©2025 Monographs
  • Title: Writing Art

    Writing Art

    French Literary Responses to the Work of Alberto Giacometti
    by Emma Wagstaff (Author)
    ©2011 Monographs
  • Title: The Art of Seeing, the Art of Listening

    The Art of Seeing, the Art of Listening

    The Politics of Representation in the Work of Jean-Marie Straub and Danièle Huillet
    by Ursula Böser (Author)
    ©2004 Thesis
  • Title: Art in the Making

    Art in the Making

    Aesthetics, Historicity and Practice
    by Kerstin Mey (Volume editor)
    ©2005 Conference proceedings
  • Title: L’écriture du massacre en littérature entre histoire et mythe

    L’écriture du massacre en littérature entre histoire et mythe

    Des mondes antiques à l’aube du XXIe siècle
    by Gérard Nauroy (Volume editor)
    ©2004 Conference proceedings
  • Title: , ed. Adam Izdebski and Michael Mulryan. Late Antique Archaeology. Leiden and Boston: Brill, 2019, 386 pp.
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