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  • Restoration Drama

    Texts and Contexts

    ISSN: 2673-172X

    This series attempts to illustrate the richness and diversity of Restoration drama, a thriving theatrical production which has been long overshadowed by the brilliance of the Age of Shakespeare. The aim of the collection is to bring to light dramatic texts that have not attracted much critical attention but display the most popular generic formulas of the time and introduce a wide array of suggestive topics. The series consists of modern spelling, fully annotated editions, complete with textual commentary, glosses, as well as historical, cultural and literary references. Each of the volumes includes a critical introduction which places the text in context, discussing aspects such as authorship, the play’s response to the historical circumstances of the time, its use of theatrical conventions and stage history.

    10 publications

  • British Identities since 1707

    ISSN: 1664-0284

    The historiography of British identities has flourished since the mid-1970s, spurred on by increasing national consciousness in England, Scotland, Wales and Northern Ireland, and since 1997 by devolution. Historians and other academics have become increasingly aware that identities in the British Isles have been fluid and that interactions between the different parts of the British Isles have been central to historical developments since, and indeed before, the Act of Union between England and Scotland in 1707. This series seeks to encourage exploration of identities of place in the British Isles since the early eighteenth century, including intersections between competing and complementary identities such as region and nation. The series also advances discussion of other identities such as class, gender, religion, politics, ethnicity and culture when these are geographically located and positioned. While the series is historical, it welcomes cross- and interdisciplinary approaches to the study of British identities. British Identities since 1707 examines the unity and diversity of the British Isles, developing consideration of the multiplicity of negotiations that have taken place in such a multinational and multi-ethnic group of Islands. lt will include discussions of nationalism(s), of Britishness, Englishness, Scattishness, Welshness and Irishness, as well as 'regional' identities including, for example, those associated with Cornwall, the Gäidhealtachd region in Scotland and Gaeltacht areas in Ireland. The series will encompass discussions of relations with continental Europe and the United States, with ethnic and immigrant identities and with other forms of identity associated with the British Isles as place. The editors are interested in publishing books relating to the wider British world, including current and former parts of the British Empire and the Commonwealth, and places such as Gibraltar and the Falkland Islands and the smaller islands of the British archipelago. British Identities since 1707 reinforces the consideration of history, culture and politics as richly diverse across and within the borders of the British Isles.

    10 publications

  • Studies in Nineteenth-Century British Literature

    "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages." "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages." "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages."

    25 publications

  • Teaching Contemporary Scholars

    This innovative series addresses the pedagogies and thoughts of influential contemporary scholars in diverse fields. Focusing on scholars who have challenged the “normal science,” the dominant frameworks of particular disciplines, Teaching Contemporary Scholars highlights the work of those who have profoundly influenced the direction of academic work. In a era of great change, this series focuses on the bold thinkers who provide not only insight into the nature of the change but where we should be going in light of the new conditions. Not a festschrift, not a re-interpretation of past work, these books allow the reader a deeper, yet accessible conceptual framework in which to negotiate and expand the work of important thinkers.

    15 publications

  • Studies in the British Mesolithic and Neolithic

    ISSN: 2297-1068

    Studies in the British Mesolithic and Neolithic presents the results of fieldwork and excavation as well as works of interpretation from all perspectives on the British Neolithic revolution. Archaeological methodology is augmented where appropriate with interdisciplinary techniques, reflecting contemporary practice in the discipline. Throughout the emphasis is on work which makes new contributions to the debate about the transition between hunter gatherer and farming cultures during this pivotal stage in British prehistory. The series supports the archaeological community both in providing an appropriate forum for research reports as well as supporting interpretative work including cross-disciplinary research. It takes its inspiration from the work of the University of Buckingham’s excavations at Blick Mead in the Stonehenge World Heritage Site. Studies in the British Mesolithic and Neolithic is based at the Humanities Research Institute, University of Buckingham.

    3 publications

  • Title: Women in Edward Bond

    Women in Edward Bond

    by Susana Nicolás Román (Author) 2019
    ©2018 Edited Collection
  • Title: New Readings in British Drama

    New Readings in British Drama

    From the Post-War Period To the Contemporary Era
    by Mesut Günenc (Volume editor) Enes Kavak (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Staging the Other in Nineteenth-Century British Drama

    Staging the Other in Nineteenth-Century British Drama

    by Tiziana Morosetti (Volume editor) 2015
    ©2016 Edited Collection
  • Title: Building (in) the Promised Land

    Building (in) the Promised Land

    Postcolonial Biblical Readings of Contemporary Irish Drama (2000-2015)
    by Grzegorz Koneczniak (Author) 2021
    ©2022 Monographs
  • Title: Immigration and Contemporary British Theater

    Immigration and Contemporary British Theater

    Finding a Home on the Stage
    by Victoria Sams (Author) 2014
    ©2014 Monographs
  • Title: Intertextual Transactions in Contemporary British Fiction

    Intertextual Transactions in Contemporary British Fiction

    by Patrycja Podgajna (Author) 2021
    ©2021 Monographs
  • Title: Reading Contemporary African American Drama

    Reading Contemporary African American Drama

    Fragments of History, Fragments of Self
    by Trudier Harris (Volume editor) Jennifer Larson (Volume editor)
    ©2007 Textbook
  • Title: Deciphering Radical Ecology in Contemporary British Fiction

    Deciphering Radical Ecology in Contemporary British Fiction

    Julian Barnes, David Mitchell and John Fowles
    by Baturay Erdal (Author) 2021
    ©2020 Monographs
  • Title: Stage Histories

    Stage Histories

    Post-War British Historical Drama
    by Paweł Schreiber (Author) 2015
    ©2016 Monographs
  • Title: Community Politics and the Peace Process in Contemporary Northern Irish Drama
  • Title: ‘Dancing As If Language No Longer Existed’

    ‘Dancing As If Language No Longer Existed’

    Dance in Contemporary Irish Drama
    by Katarzyna Ojrzynska (Author) 2014
    ©2015 Monographs
  • Title: ‘Experienc’d Age knows what for Youth is fit’?

    ‘Experienc’d Age knows what for Youth is fit’?

    Generational and Familial Conflict in British and Irish Drama and Theatre
    by Katarzyna Bronk-Bacon (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Landmarks in German Drama

    Landmarks in German Drama

    by Peter Hutchinson (Volume editor)
    ©2002 Edited Collection
  • Title: Drama

    Drama

    A Guide to the Study of Plays
    by John Styan (Author)
    ©2005 Textbook
  • Title: Charles Darwin’s Looking Glass

    Charles Darwin’s Looking Glass

    The Theory of Evolution and the Life of its Author in Contemporary British Fiction and Non-Fiction
    by Dominika Oramus (Author) 2015
    ©2015 Monographs
  • Title: In Between Worlds

    In Between Worlds

    Memory, Belonging And Quest For The Self In Contemporary Black British Women’s Autofiction
    by Ayda Önder (Author) 2025
    ©2025 Monographs
  • Title: Irish Identities and the Great War in Drama and Fiction

    Irish Identities and the Great War in Drama and Fiction

    by Martin Decker (Author) 2016
    ©2016 Thesis
  • Title: Glorious Outlaws: Debt as a Tool in Contemporary Postcolonial Fiction

    Glorious Outlaws: Debt as a Tool in Contemporary Postcolonial Fiction

    by Izabela Morska (Author) 2016
    ©2016 Monographs
  • Title: Signatures of the Past

    Signatures of the Past

    Cultural Memory in Contemporary Anglophone North American Drama
    by Marc Maufort (Volume editor) Caroline De Wagter (Volume editor)
    ©2008 Conference proceedings
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