British Identities since 1707

ISSN: 1664-0284

The historiography of British identities has flourished since the mid-1970s, spurred on by increasing national consciousness in England, Scotland, Wales and Northern Ireland, and since 1997 by devolution. Historians and other academics have become increasingly aware that identities in the British Isles have been fluid and that interactions between the different parts of the British Isles have been central to historical developments since, and indeed before, the Act of Union between England and Scotland in 1707. This series seeks to encourage exploration of identities of place in the British Isles since the early eighteenth century, including intersections between competing and complementary identities such as region and nation. The series also advances discussion of other identities such as class, gender, religion, politics, ethnicity and culture when these are geographically located and positioned. While the series is historical, it welcomes cross- and interdisciplinary approaches to the study of British identities. British Identities since 1707 examines the unity and diversity of the British Isles, developing consideration of the multiplicity of negotiations that have taken place in such a multinational and multi-ethnic group of Islands. lt will include discussions of nationalism(s), of Britishness, Englishness, Scattishness, Welshness and Irishness, as well as 'regional' identities including, for example, those associated with Cornwall, the Gäidhealtachd region in Scotland and Gaeltacht areas in Ireland. The series will encompass discussions of relations with continental Europe and the United States, with ethnic and immigrant identities and with other forms of identity associated with the British Isles as place. The editors are interested in publishing books relating to the wider British world, including current and former parts of the British Empire and the Commonwealth, and places such as Gibraltar and the Falkland Islands and the smaller islands of the British archipelago. British Identities since 1707 reinforces the consideration of history, culture and politics as richly diverse across and within the borders of the British Isles.

10 publications

Studies in Nineteenth-Century British Literature

"Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages." "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages." "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages."

25 publications

Studies in the British Mesolithic and Neolithic

ISSN: 2297-1068

Studies in the British Mesolithic and Neolithic presents the results of fieldwork and excavation as well as works of interpretation from all perspectives on the British Neolithic revolution. Archaeological methodology is augmented where appropriate with interdisciplinary techniques, reflecting contemporary practice in the discipline. Throughout the emphasis is on work which makes new contributions to the debate about the transition between hunter gatherer and farming cultures during this pivotal stage in British prehistory. The series supports the archaeological community both in providing an appropriate forum for research reports as well as supporting interpretative work including cross-disciplinary research. It takes its inspiration from the work of the University of Buckingham’s excavations at Blick Mead in the Stonehenge World Heritage Site. Studies in the British Mesolithic and Neolithic is based at the Humanities Research Institute, University of Buckingham.

3 publications

Studies in Twentieth-Century British Literature

This series invites manuscripts on all genres and authors of twentieth-century British literature. The series seeks to provide fresh critical approaches to the established canon as well as new theoretical constructs which serve to expand the canon, including discourse analysis, narratology, film adaptation of a literary work, and imaging (discovering connections between literary and visual representation of reality). Scholars with cross-disciplinary interests are especially encouraged to submit their work. This series invites manuscripts on all genres and authors of twentieth-century British literature. The series seeks to provide fresh critical approaches to the established canon as well as new theoretical constructs which serve to expand the canon, including discourse analysis, narratology, film adaptation of a literary work, and imaging (discovering connections between literary and visual representation of reality). Scholars with cross-disciplinary interests are especially encouraged to submit their work. This series invites manuscripts on all genres and authors of twentieth-century British literature. The series seeks to provide fresh critical approaches to the established canon as well as new theoretical constructs which serve to expand the canon, including discourse analysis, narratology, film adaptation of a literary work, and imaging (discovering connections between literary and visual representation of reality). Scholars with cross-disciplinary interests are especially encouraged to submit their work.

12 publications

Transatlantic Studies in British and North American Culture

ISSN: 2364-2882

The interdisciplinary series Transatlantic Studies in British and North American Culture brings together literary and cultural studies concerning literatures and cultures of the English-speaking world, particularly those of Great Britain, Ireland, the United States, and Canada. The range of topics to be addressed includes literature, theater, film, and art, considered in various twenty-first-century theoretical perspectives, such as, for example (but not exclusively), New Historicism and canon formation, cognitive narratology, gender and queer studies, performance studies, memory and trauma studies, and New Art History. The editors welcome Ph.D. dissertations and Habilitation projects, as long as they constitute valuable and original contributions to the above fields. We are leaving a broad margin for the innovative and the unpredictable, hoping to attract authors whose approaches will point to new directions of research as regards both thematic areas and methods. Comparative Polish-Anglo-American proposals will be considered, too. Authors are welcome to submit manuscripts of monographs, collected volumes, post-conference volumes as well as dissertations. The series was formerly known as Gdańsk Transatlantic Studies in British and North American Culture.

40 publications

Gdańsk Transatlantic Studies in British and North American Culture

The interdisciplinary series brings together literary and cultural studies concerning literatures and cultures of the English-speaking world, particularly those of Great Britain, Ireland, the United States, and Canada. The range of topics to be addressed includes literature, theater, film, and art, considered in various twenty-first-century theoretical perspectives, such as, for example (but not exclusively), New Historicism and canon formation, cognitive narratology, gender and queer studies, performance studies, memory and trauma studies, and New Art History. The editors welcome Ph.D. dissertations and Habilitation projects, as long as they constitute valuable and original contributions to the above fields. We are leaving a broad margin for the innovative and the unpredictable, hoping to attract authors whose approaches will point to new directions of research as regards both thematic areas and methods. Comparative Polish-Anglo-American proposals will be considered, too. Authors are welcome to submit manuscripts of monographs, collected volumes, post-conference volumes as well as dissertations. From Vol. 10 onwards, the series continues as Transatlantic Studies in British and North American Culture.

9 publications

Britische und Irische Studien zur deutschen Sprache und Literatur / British and Irish Studies in German Language and Literature

British and Irish Studies in German Language and Literature Edited by H. S. Reiss and W. E. Yates This long-established series aims to publish works of serious scholarship drawn from the whole subject range of traditional Germanistik, originating both in Great Britain and in the Republic of Ireland, and readably written. Over fifty volumes have b een published since 1974. They include new books both by distinguished senior scholars and by younger researchers, collected essays either by single authors or by several hands (these have included papers emerging from conferences, often in both Eng lish and German) and selected doctoral dissertations reworked in book form. The weight of the series has mainly fallen on literature, theatre and cultural history from the eighteenth century onwards, in some cases with a strong comparative dimension.

47 publications

Regensburger Arbeiten zur Anglistik und Amerikanistik / Regensburg Studies in British and American Languages and Cultures

The series Regensburg Studies in British and American Languages and Cultures was established in 1971 and publishes studies on the languages, literatures and cultures of North America, the British Isles, as well as the English-speaking regions of Africa, Asia, Oceania and the Caribbean. Within a transhistorical, transnational and interdisciplinary conceptual framework, the monographs in this series have stressed different areas of focus in their engagement with textual, performative, visual, material and virtual forms of representation. Recent subjects of investigation have been, for instance, language variation and varieties of English as well as the representation and enactment of regional, (trans)national and global identities. Die Buchreihe Regensburger Arbeiten zur Anglistik und Amerikanistik besteht seit 1971 und publiziert Studien zu den Sprachen, Literaturen und Kulturen Nordamerikas, der britischen Inseln sowie der englischsprachigen Regionen Afrikas, Asiens, Ozeaniens und der Karibik. Transhistorisch, transnational und interdisziplinär ausgerichtet, wählen die Monographien der Reihe je unterschiedliche Schwerpunkte in ihrer Auseinandersetzung mit textuellen, performativen, visuellen, materiellen oder virtuellen Repräsentationsformen. Untersuchungsgegenstände der letzten Jahre waren beispielsweise die sprachlichen Varietäten des Englischen sowie Darstellungen und Inszenierungen von regionalen, (trans)nationalen und globalen Identitäten.

48 publications

Aachen British and American Studies / Aachener Studien zur Anglistik und Amerikanistik

This series has been terminated after vol. 20. This series includes in-depth studies, dissertations, and edited volumes on a broad range of topics in the fields of language theory, applied linguistics, corpus linguistics, British and American literary and cultural studies and foreign language teaching. Each volume is embedded in the specialized research areas of the Department of English, American and Romance Studies at RWTH Aachen University. Band 20 schließt diese Reihe ab. Die vorliegende Reihe umfasst Einzeluntersuchungen, Dissertationen und Aufsatzsammlungen zu einem breiten Spektrum von Forschungsthemen in den Bereichen Sprachtheorie, Angewandte Linguistik, Korpuslinguistik, Britische und Amerikanische Literatur- und Kulturwissenschaft und Fremdsprachendidaktik. Die einzelnen Bände der Reihe stehen im Kontext der Forschungsschwerpunkte des Instituts für Anglistik, Amerikanistik und Romanistik an der RWTH Aachen.

15 publications

Studies in Transnationalism

ISSN: 2578-9317

This series is designed to advance the publication of interdisciplinary research in transnationalism from scholars in history, literature, politics, sociology, geography, and related disciplines in the social sciences and humanities. The series seeks to publish works that trace the ways in which concepts and ideas are expressed across national borders, focusing on imperialism, globalism, cosmopolitanism, diaspora, and other themes of interest in transnational studies. It embraces both established and innovative methodologies and welcomes submissions in various formats, including monographs, textbooks, colloquia, and reference books.

14 publications

Systems Thinking for Safety

ISSN: 2571-6913

Advisory board: Professor Erik Hollnagel, University of Southern Denmark; Professor Ragnar Löfstedt, King’s Centre for Risk Management, King’s College London, UK; Professor Alan Irwin, Copenhagen Business School, Denmark; Captain Rogers E. Smith, NASA Dryden Flight Research, USA; Professor Washington Yotto Ochieng, Imperial College, London, UK; Professor Dominic Elliott, University of Liverpool Management School, UK; Captain Tim Berry, Jet2; Dr Robert Hunter, British Air Line Pilots Association (BALPA), UK; Dr Anne Eyre, Trauma Training Ltd, UK; Dr David Fletcher, University of Leicester, UK; Associate Professor David Ison, Embry-Riddle Aeronautical University, USA; Dr Terry Shevells, University of Leicester, UK; Associate Professor Tony Masys, University of South Florida, USA; Dr Simon Bennett, University of Leicester, UK. Series description: This series draws on the success of the systems-thinking approach to safety management in commercial and military aviation, with a view to improving safety performance in other complex socio-technical systems, such as health-care, nuclear power generation, chemicals production, oil and gas extraction, deep mining and sea and rail transportation. Following the 1977 Tenerife air disaster (that killed 583 people), a traumatised and vilified aviation industry resolved to improve its safety performance. The adoption of a systems-thinking approach to risk analysis and mitigation, expressed in innovations such as the teamworking protocol crew resource management, has benefited the industry. According to the International Air Transportation Association, in 2024 the global all-accident rate was 1.13 per million flights, equating to one accident for every 880,000 flights. You are much safer in a pressurised aluminium tube cruising at eighty per cent the speed of sound six miles above terra firma than you are driving up Britain’s M1 motorway on a sunny day in a modern automobile, fully alert and not under the influence. The series is aimed at practitioners as well as academics and students. To this end, it is written in an accessible style with jargon explained. This reflects its purpose: to leverage change.

3 publications

Postcolonial Studies

The Postcolonial Studies series explores the enormous variety and richness in postcolonial culture and transnational literatures. The series aims to publish work which explores various facets of the legacy of colonialism including: imperialism, nationalism, representation and resistance, neocolonialism, diaspora, displacement and migratory identities, cultural hybridity, transculturation, exile, and geographical and metaphorical borderlands. This series does not define its attentions to any single place, region, or disciplinary approach, and we are interested in books informed by a variety of theoretical perspectives. While seeking the highest standards of scholarship, the Postcolonial Studies series is thus a broad forum for the interrogation of textual, cultural and political postcolonialisms. The series welcomes both individually authored and collaboratively authored books and monographs as well as edited collections of essays.

21 publications

Race and Resistance Across Borders in the Long Twentieth Century

ISSN: 2297-2552

This series focuses on the history and culture of activists, artists and intellectuals who have worked within and against racially oppressive hierarchies in the twentieth century and beyond, and who have then sought to define and to achieve full equality once those formal hierarchies have been overturned. It explores the ways in which such individuals - writers, scholars, campaigners and organizers, ministers, and artists and performers of all kinds - locate their resistance within a global context and forge connections with each other across national, linguistic, regional and imperial borders. Disseminating the latest interdisciplinary scholarship on the history, literature and culture of anti-racist movements in Africa, the Caribbean, the United States, Europe, Asia and Latin America, the series foregrounds, through a cross-disciplinary approach, the transnational and intercultural nature of these resistance movements. The series embraces a range of themes, including but not limited to antislavery, intellectual and literary networks, emigration and immigration, anti-imperialism, church-based and religious movements, civil rights, citizenship and identity, Black Power, resistance strategies, women's movements, cultural transfer, white supremacy and anti-immigration, hip hop and global justice movements. The series originated in the Race and Resistance Research Programme at The Oxford Research Centre in the Humanities (TORCH), University of Oxford. Proposals are invited for sole- and joint-authored monographs as well as edited collections. We welcome projects in a wide range of fields, including but not restricted to history, political science, anthropology, literature, cultural studies and media studies. Editorial Advisory Board: Funmi Adewole (DeMontfort University), Joan Anim-Addo (Goldsmiths, University of London), Celeste-Marie Bernier (University of Edinburgh), Alan Cobley (University of the West Indies, Cave Hill), Carolyn Cooper (University of the West Indies, Mona), Zaire Dinzey-Flores (Rutgers, State University of New Jersey), Tanisha Ford (University of Delaware), Maryemma Graham (University of Kansas), Christopher J. Lee (The Africa Institute, UAE), Simon Lewis (College of Charleston), Justine McConnell (King's College London), Pap Ndiaye (Sciences Po), Tessa Roynon (University of Oxford), Barbara Savage (University of Pennsylvania), David Scott (Columbia University), Hortense Spillers (Vanderbilt University), Imaobong Umoren (London School of Economics), Harvey Young (Northwestern University)

11 publications

Spanish Golden Age Studies

ISSN: 2297-5225

This series publishes titles on the Golden Age, including but not limited to studies on the New World, the imperial wars, internal strife, visual arts, the popular theatre and prose fiction. Our remit is to provide an outlet for new socio-historical and cultural research on the Early-Modern period, a time when Spain could for the first and last time lay claim to being the world’s leading military, economic and political power. The series is particularly interested in reflections on how cultural production both reflected and shaped the age that ostensibly brought it forth. We welcome both monographs and edited collections in English or Spanish. Editorial Advisory Board: Dr Jonathan Bradbury (University of Exeter) Dr Maria Czepiel (University of Warwick) Professor Barbara Fuchs (UCLA) Professor Enrique García Santo-Tomás (University of Michigan) Dr Stuart Green (University of Leeds) Professor Javier Huerta Calvo (Universidad Complutense de Madrid) Dr Anne Holloway (Queen's University, Belfast) Professor Jeremy Lawrance (University of Oxford) Professor Rosa Navarro Durán (Universidad de Barcelona) Dr John Rutherford (The Queen's College, University of Oxford) Dr Guillermo Gómez Sánchez-Ferrer (Universidad Complutense de Madrid) Professor Elizabeth Wright (University of Georgia)

3 publications

Sport, History and Culture

ISSN: 1664-1906

This series publishes monographs, edited collections and reprints of classic studies on the history and the contemporary role of sport, primarily in Britain and Europe but including other parts of the world. The editors wish to make available the very best of recent doctoral and post-doctoral work in the subject area whilst also looking to established scholars for major new books or collections of articles. Although the focus of the series is historical, it also embraces more contemporary interdisciplinary studies of the role of sport as a local, national and global phenomenon. The series includes both new and established areas of research into the class, age and gender dimensions of sport as well as its political and ideological aspects, including nationalism, imperialism and post-colonialism. The editors wish to encourage economic and transnational studies of sport as well as new work on ethnicity, sports literature and material culture. The series will also reflect on the significance for the writing of sports history of new cultural and theoretical debates. Genuinely international in approach, the series also seeks to publish English translations of some of the most outstanding scholarship on the history and culture of sport in Europe, South America and beyond. The series aims to act as a focus for the historical study of sport internationally and facilitate interdisciplinary debate on the subject.

20 publications

Women, Gender and Sexuality in German Literature and Culture

ISSN: 1094-6233

Women, Gender and Sexuality in German Literature and Culture welcomes proposals for monographs and rigorously edited essay collections focusing on the work of women, queer, trans, non-binary and gender non-conforming creators as well as the representation of women, gender and/or sexuality in literature, media and culture. The series contributes to efforts to broaden the German-language canon by publishing pioneering studies of relatively unknown writers, artists and filmmakers and cutting-edge assessments of more established figures. Studies of the history of women, queer, trans, non-binary and gender non-conforming subjects in German-speaking cultures, such as their participation in German, Austrian, Swiss and exile intellectual life and struggle for equal rights, as well as historical considerations of gender and sexuality in German-speaking countries, are also encouraged. Editorial Board: Clare Bielby (University of York), Helga Druxes (Williams College), Priscilla Layne (University of North Carolina), Ervin Malakaj (University of British Columbia), Helmut Puff (University of Michigan), Anna Richards (Birkbeck University of London), Carrie Smith (University of Alberta), Tom Smith (University of St Andrews), Helen Watanabe-O'Kelly (University of Oxford), Yasemin Yildiz (University of California, Los Angeles)

21 publications

Plants and Animals

Plants and Animals: Interdisciplinary Approaches aims to publish scholarly work that addresses common challenges across the fields of plant and animal studies from interdisciplinary perspectives. The series welcomes monographs and edited collections that focus and reflect upon interactions of plants, animals, and humans in innovative ways. At a time of large-scale anthropogenic species extinction, there is a pressing need to promote scholarship that can help us envision more equitable and harmonious forms of coexistence on the planet. The series therefore encourages submissions explicitly geared to build bridges not only between plant and animal studies, but also leading-edge research on other forms of life or ways of being, including fungi, lichens, algae and other microorganisms, as well as scholarship on fantasy creatures, cryptids, semi-living beings, and even non-living forms of existence. The goal is to abolish an artificially compartmentalized view of the world in order to add to the ways of knowing that are beginning to grow through the interconnections between these related fields of study. Grounded in the humanities, Plants and Animals welcomes trans-disciplinary perspectives that engage with scholarship in the social sciences and in the natural sciences. Editorial Board: Giovanni Aloi (School of the Art Institute of Chicago), Helga Braunbeck (North Carolina State University), Danielle Celermajer (University of Sydney), Monica Gagliano (Southern Cross University), Joela Jacobs (University of Arizona), Daniel Heath Justice (University of British Columbia), John Miller (University of Sheffield), Stephanie Posthumus (McGill University), Parama Roy (University of California, Davis), Karen V. Lykke (University of Oslo), Oscar de la Torre (UNC Charlotte).

2 publications

Modern French Identities

ISSN: 1422-9005

This series aims to publish monographs, editions or collections of papers based on recent research into modern French literature. It welcomes contributions from academics, researchers and writers worldwide and in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide, Apollinaire and Césaire to Barthes, Duras, Kristeva, Glissant, Germain and Roubaud. This series explores the turmoil in ideas and values expressed in the works of theorists like Lacan, Irigaray, Foucault, Fanon, Deleuze and Bourdieu and traces the impact of current theoretical approaches – such as gender and sexuality studies, de/coloniality, intersectionality, and ecocriticism – on the literary and cultural interpretation of the self. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects and welcomes research on autobiography, cinema, fiction, poetry and performance art and/or the intersections between them. Editorial Board Contemporary Literature and Thought: Martin Crowley (University of Cambridge) Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge) Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling) Language and Linguistics: Michaël Abecassis (University of Oxford) Literature and Art: Peter Collier and Jean Khalfa (University of Cambridge) Literature and Non-fiction: Muriel Pic (University of Bern) Poetry: Nina Parish (University of Glasgow) and Emma Wagstaff (University of Birmingham) Zoopoetics and Ecocriticism: Anne Simon (CNRS/Ecole normale supérieure, Paris)

162 publications

German Visual Culture

This series invites research on all aspects of German visual culture – including art, architecture, film and media – across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual creators, movements, educational systems, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German visual culture on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which visual culture has been perceived and defined as well as the ways in which modern and contemporary German creators have undertaken visual dialogues with their predecessors or contemporaries. The series welcomes cross-disciplinary approaches from art history, anthropology, material culture; the histories of science, perception, medicine, and technology; and the history of ideas. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, the art market, pioneering publishing houses, and the mass media, including film and illustrated magazines. All proposals for monographs and edited collections in the history of German visual culture will be considered. Contributions in English and German are welcome. Submissions are subject to rigorous peer review. Professor Christian Weikop served as series editor from 2018 to 2025, with forthcoming titles still to publish in 2026. During this time as editor, he connected his Research Forum for German Visual Culture at the University of Edinburgh with the series. Editorial Board: Sarah James (Manchester School of Art, Manchester Metropolitan University) Daniel H. Magilow (University of Tennessee, Knoxville ) Ervin Malakaj (University of British Columbia) Leila Mukhida (University of Cambridge) Robin Schuldenfrei (Courtauld Institute of Art, University of London) Aya Soika (Bard College Berlin) Ilka Voermann (Berlinische Galerie) Christian Weikop (Edinburgh College of Art, University of Edinburgh)　

20 publications

Language in the Digital Age / Las lenguas en la era digital

ISSN: 2940-9306

In an increasingly digital world, language is evolving at a rapid pace and new forms of communication and learning are coming into being. Books published in the series Language in the Digital Age / Las lenguas en la era digital explore various aspects of digital linguistics, ranging from natural language processing to translation, transcreation, and discourse analysis. The series is aimed at linguists and practitioners interested in the fascinating and complex ways in which language and technology intersect, and in how this intersection is transforming human interaction in the digital age. Each volume of the series provides readers with a detailed and accessible introduction to the key concepts and techniques in the field, as well as the latest research and developments. The books are written by leading experts in the field and are designed to serve as a comprehensive guide for beginners and a valuable resource for advanced research. En un mundo cada vez más digital, el lenguaje evoluciona a gran velocidad y, con ello, emergen nuevas formas de comunicación y aprendizaje. Los títulos de la colección Las lenguas en la era digital versan sobre diversos ámbitos de la lingüística digital, desde el procesamiento del lenguaje natural hasta la traducción, la transcreación y el análisis del discurso. Esta serie está dirigida a académicos y profesionales de la lingüística interesados en las complejas formas en que convergen lengua y tecnología, y en cómo esta confluencia está transformando la interacción humana en la era digital. Cada volumen de la colección presenta de forma detallada y accesible los conceptos y las técnicas clave, así como las últimas investigaciones y avances en este campo. Los libros, escritos por expertos en la materia, se encuentran diseñados para servir tanto de guía para principiantes como de referente para investigadores experimentados Editorial Board: Carolyn Blume (Technische Universität Dortmund), Karen Miladys Cárdenas Almanza (Universidad Nacional Autónoma de México), Ron Darvin (The University of British Columbia), Óscar Ferreiro Vázquez (Universidade de Vigo), Jesús García Laborda (Universidad de Alcalá), María de los Ángeles Gómez González (Universidade de Santiago de Compostela), Andréia Guerini (Universidade Federal de Santa Catarina), Chuah Kee Man (Universiti Malaysia Sarawak), Blanka Klímová (Univerzita Hradec Králové), Javier Pérez Guerra (Universidade de Vigo), Miguel Luís Poveda Balbuena (Uniwersytet Komisji Edukacji Narodowej w Krakowie), Nino Angelo Rosanía Maza (Universidad de San Buenaventura), William Rowlandson (University of Kent), Giselle Spiteri Miggiani (L-Università ta' Malta), Chelo Vargas Sierra (Universidad de Alicante), José Yuste Frías (Universidade de Vigo), Juan Miguel Zarandona Fernández (Universidad de Valladolid).

6 publications