Medical Humanities: Criticism and Creativity

ISSN: 2504-5229

This series showcases innovative research, creativity and pedagogy in the interdisciplinary field of medical humanities. Books in the series explore the complexities of human bodies, minds, illness and wellbeing through analytical frameworks derived from humanistic disciplines and clinical practice. The series publishes a range of materials, including monographs and edited collections on scholarly approaches to medical issues in culture; creative works (accompanied by analytical and educational materials) that engage with medical humanities themes; and critical, engaged or radical pedagogies on focused topics for learners in the medical and health humanities.　 Medical Humanities: Criticism and Creativity is intended to provide an informative exchange across disciplines, encouraging theoretical and personal reflections on the condition of the human mind/body and contributing to debates on health-related issues from a broad range of perspectives. The series also invites research that opens up critical conversations on being human at the intersection of other forms of humanistic knowledge, such as environmental and digital humanities. We are especially interested in collaborations between academics in the humanities and healthcare professionals. All book proposals and manuscripts undergo rigorous peer review prior to acceptance and publication. Editorial Board: Havi Carel (University of Bristol), Gretchen Case (University of Utah School of Medicine), Siobhan Conaty (La Salle University), Cheryl Dellasega (Penn State College of Medicine), Daniel George (Penn State College of Medicine), Michael Green (Penn State College of Medicine), Jennifer Henneman (Denver Art Museum), Brian Hurwitz (King’s College London), Brian Johnsrud (Adobe Education), Tess Jones (University of Colorado Anschutz Medical Campus), Lois Leveen (novelist and independent scholar), Ulrika Maude (University of Bristol), Jules Odendahl-James (Duke University), Molly Osborne (Oregon Health and Science University), Barry Saunders (University of North Carolina School of Medicine), Johanna Shapiro (University of California, Irvine, School of Medicine), Marina Tsaplina (The Betes Organization), Craigan Usher (Oregon Health and Science University), Neil Vickers (King’s College London), Martin Willis (Cardiff University), Charlotte Wu (Boston University School of Medicine)

9 publications

New Media in Creativity, Content and Entertainment

ISSN: 2190-8176

The “New Media in Creativity, Content and Entertainment“ series aims at providing a forum for discussions of interdisciplinary approaches to Computer Science and Data Processing, Business and Management, and Music. Editor of the series is Professor Christine Strauß who specializes in Electronic Business and Electronic Commerce, Service-Oriented Architectures, Knowledge Management and Accessibility. The “New Media in Creativity, Content and Entertainment“ series aims at providing a forum for discussions of interdisciplinary approaches to Computer Science and Data Processing, Business and Management, and Music. Editor of the series is Professor Christine Strauß who specializes in Electronic Business and Electronic Commerce, Service-Oriented Architectures, Knowledge Management and Accessibility. The “New Media in Creativity, Content and Entertainment“ series aims at providing a forum for discussions of interdisciplinary approaches to Computer Science and Data Processing, Business and Management, and Music. Editor of the series is Professor Christine Strauß who specializes in Electronic Business and Electronic Commerce, Service-Oriented Architectures, Knowledge Management and Accessibility.

2 publications

Transformationen – Differenzierungen – Perspektiven

ISSN: 2566-6215

Die Begriffe „Transformationen", „Differenzierungen" und „Perspektiven" bezeichnen zentrale Aufgaben und Leistungen von Geschichtswissenschaft im 21. Jahrhundert. Stets ist sie gefordert, etablierte Narrative zu hinterfragen. Das kann zur Transformation von Geschichtsbildern und Meistererzählungen führen. Häufiger aber geht es darum, durch neue Erkenntnisse zu differenzierteren Darstellungen zu gelangen oder bekannte Sachverhalte aus einer anderen Perspektive zu beleuchten. Zugleich wird sich die historische Forschung jedoch immer ihrer eigenen perspektivischen Gebundenheit bewusst sein. In der Reihe werden Monographien und Sammelbände publiziert, die am Historischen Seminar der Johannes Gutenberg-Universität entstanden sind. Sie steht aber auch anderen Autorinnen und Autoren offen.

18 publications

Russian Transformations: Literature, Culture and Ideas

ISSN: 1662-2545

Russian Transformations publishes studies across the entire extent of Russian literature, thought and culture from the medieval period to the present. The series gives special emphasis to the kinds of transformation that characterise Russian, Soviet and post-Soviet writing. Transformation has often been under the stimulus of (and resistance to) foreign traditions. Acts of cross-cultural and cross-literary reception mark Russia's sense of creative development and national identity. Transformation has often been the result of the on-going dialogues between writers working within the Russian literary tradition through polemic and subtle use of intertextuality. Similarly, the stunning political and social changes that have been characteristic of Russian history generated radical transformation in the institutions of literature and in forms of literature from Modernism to post-Perestroika as writers react to official policy on freedom of expression.

7 publications

Regards sur l'image

ISSN: 0937-5279

3 publications

Language as Social Action

This Series explores new and exciting advances in the ways in which language both reflects and fashions social reality--and thereby constitutes critical means of social action. As well as these being central foci in face-to-face interactions across different cultures, they also assume significance in the ways that language functions in the mass medias, new technologies, organizations, and social institutions. Language As Social Action does not uphold apartheid against any particular methodological and/or ideological position, but, rather, promotes (wherever possible) cross-fertilization of ideas and empirical data across the many, all-too-contrastive, social scientific approaches to language and communication. Contributors to the Series will also accord due attention to the historical, political, and economic forces that contextually bound the ways in which language patterns are analyzed, produced, and received. The Series will also provide an important platform for theory-driven works that have profound, and oftentimes provocative, implications for social policy.

37 publications

Global Crises and the Media: Creative Resilience in a World-in-Crisis

0 publications

Gesellschaften und Staaten im Epochenwandel / Societies and States in Transformation

The series “Societies and States in Transformation” offers an interdisciplinary forum for investigations of radical changes in world history with their concomitant social, political, cultural, and economic upheavals. Focus is thus laid on people and societies, both as actors and agencies in processes of transformation and as objects of such changes. These issues are addressed not only in the context of the intense ideological, institutional, and sociological shifts of the 20th Century, but also from deeper historical perspectives, and with a concern for processes currently emerging on the global horizon. The series thus deals with the various forms of expression in time and space that reflect the reactions to the challenges posed by epochal change brought about by the affected societies and nations. It includes works from historical and political science, sociology, socio-cultural anthropology, and cultural studies with the aim of facilitating interdisciplinary communication and interaction. Volume 25 concludes the series. Die Publikationsreihe "Gesellschaften und Staaten im Epochenwandel" bietet ein interdisziplinäres Forum für Beiträge, die auf die großen Umbrüche in der Weltgeschichte mit ihren sozialen, politischen, kulturellen und wirtschaftlichen Verwerfungen fokussieren. Mensch und Gesellschaften stehen hierbei sowohl als Handelnde als auch als Objekt von Transformationsprozessen im Mittelpunkt der Betrachtung, die über den Paradigmenwechsel in der jüngeren Vergangenheit Europas hinaus auch aktuelle Prozesse einer zunehmend global vernetzten Welt ins Blickfeld nimmt. Thema der Reihe sind damit die unterschiedlichen Ausdrucksformen in Raum und Zeit, in denen sich die Reaktionen der betroffenen Gesellschaften und Staaten auf die Herausforderungen epochalen Wandels zeigen. In diesem interdisziplinären Feld korrespondieren und interagieren Analysen der Geschichts- und Politikwissenschaft, von Soziologie, Ethnologie und Kulturwissenschaft. Band 25 schließt die Reihe ab.

23 publications

Ästhetische Signaturen

ISSN: 2191-5156

Literarische Texte gehorchen eigenen Konstruktionsprinzipien. Diese wandeln sich nicht nur im Laufe der Zeit, sondern auch innerhalb einer Epoche und im Werk eines Autors. Die Reihe Ästhetische Signaturen möchte den genuin ästhetischen und poetologischen Gehalt von Einzeltexten, Werken einzelner Autorinnen und Autoren und literarischer Epochen herausstellen. Sie macht es sich mit der Untersuchung der spezifischen Merkmale von literarischen Texten zur Aufgabe, die ästhetische Signatur von Werken und Werkgruppen herauszuarbeiten und über die Jahrhunderte hinweg zu vergleichen.

7 publications

Bios-Mythois

3 publications

The Art and Science of Music Teaching and Performance

Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education. Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education.

2 publications

The City as Place: Emotions, Experiences, and Meanings

ISSN: 2632-0924

The purpose of this series is to examine the city as a lived place. Specifically, we are interested in the ways in which the city is invested with meaning through everyday lived experiences. The series is particularly interested in submissions that focus on the perceptual and felt dimensions of urban places through exploring the experiential, emotional, sensory, and affective dimensions that contribute to how people behave in, feel about, and move around in cities. Books in this series will interrogate the relationship between people and place through a focus on the diverse ways in which subjective and intimate feelings are fundamental constituents of the urban experience. We encourage authors to examine the city as a lived place from a range of different perspectives, and to be inclusive of individual and collective voices in the city to better understand the historical development and contemporary evolution of diverse urban settings. Some of the questions we seek to explore through the series include, but are not restricted to: How is the city experienced, by whom, and how does this change over time? Who shapes the experience of the city and for what reasons? How do individual and shared joy, fear, pride, nostalgia, disgust, or other emotions, shape the meanings attributed to urban spaces? How does the lived experience of, and emotional connections to, urban places inform the way particular spaces within cities are preserved and memorialized, or alternatively demolished and redeveloped? In what ways is our understanding of the lived experience of the city sharpened through the lens of comparative, transnational, and global approaches? The series seeks to examine the real and the imaginary, the representational and the non-representational, the historical and the contemporary, the remembered and the recreated in all historical periods including research on the twenty-first-century city. The series is open to work covering all geographic areas, and we encourage authors, where possible and relevant, to situate their studies in comparative, transnational, or global perspectives. Books may be published in English or in French. Series Editors: Dr Rebecca Madgin, Urban Studies, University of Glasgow and Dr Nicolas Kenny, History, Simon Fraser University. Advisory Board: Dr Anneleen Arnout (Radboud), Prof. Katie Barclay (Macquarie), Prof. Steven Cooke (Deakin), Prof. Nicole Eustace (NYU), Prof. Sian Jones (Stirling), Dr James Lesh (Melbourne), Prof. Piroska Nagy (Québec à Montréal), Dr Joseph Prestel (FU Berlin), Prof. Roey Sweet (Leicester), Prof. Astrid Swenson (Bayreuth).

2 publications