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Women Making Art

Women in the Visual, Literary, and Performing Arts Since 1960, Second Edition

by Deborah J. Johnson (Volume editor) Wendy Oliver (Volume editor) 2021

©2020 Textbook
What Makes a Film Tick?

Cinematic Affect, Materiality and Mimetic Innervation

by Anne Rutherford (Author) 2011

©2011 Thesis
« Une et divisible ? »

Plural Identities in Modern France

by Barbara Lebrun (Volume editor) Jill Lovecy (Volume editor) 2011

©2010 Conference proceedings
Undoing Whiteness in the Classroom

Critical Educultural Teaching Approaches for Social Justice Activism

by Virginia Lea (Volume editor) Erma Jean Sims (Volume editor)

©2008 Textbook
The Sound of Žižek

Musicological Perspectives on Slavoj Žižek

by Mauro Fosco Bertola (Volume editor) 2023

Monographs
The Languages of Performance in British Romanticism

by Lilla Maria Crisafulli (Volume editor) Cecelia Pietropoli (Volume editor)

©2008 Edited Collection
The Great Pretenders

Genre, Form, and Style in the Film Musicals of John Carney

by Carlos Menéndez Otero (Author) 2023

©2023 Monographs
The Art of Seeing, the Art of Listening

The Politics of Representation in the Work of Jean-Marie Straub and Danièle Huillet

by Ursula Böser (Author)

©2004 Thesis
Spanish Golden Age Texts in the Twenty-First Century

Teaching the Old Through the New

by Idoya Puig (Volume editor) Karl McLaughlin (Volume editor) 2019

©2019 Edited Collection
‘Slight Return’

Paul Muldoon’s Poetics of Place

by Anne Karhio (Author) 2017

Monographs
Revealing New Perspectives

Studies in Honor of Stephen G. Nichols

by Kevin Brownlee (Volume editor) Marina S. Brownlee (Volume editor) 2022

©2022 Edited Collection
Read, Write, Rhyme Institute

Educators, Entertainers, and Entrepreneurs Engaging in Hip-Hop Discourse

by Crystal LaVoulle (Author) 2019

©2019 Monographs
Queering Freedom: Music, Identity and Spirituality

(Anthology with perspectives from over ten countries)

by Karin Hendricks (Volume editor) June Boyce-Tillman (Volume editor) 2018

©2018 Edited Collection
Prophetic Critique and Popular Media

Theoretical Foundations and Practical Applications

by Robert H. Jr. Woods (Volume editor) Kevin Healey (Volume editor)

©2013 Textbook
Pop Brands

Branding, Popular Music, and Young People

by Nicholas Carah (Author) Nicholas Carah (Volume editor) 2010

©2010 Monographs
Political Music

Legitimization and Contestation

by Tomasz Bichta (Volume editor) Anna Szwed-Walczak (Volume editor) 2021

©2021 Edited Collection
Political Music

Communication and Mobilization

by Anna Szwed-Walczak (Volume editor) Tomasz Bichta (Volume editor) 2021

©2021 Edited Collection

Youssou Ndour

Women Making Art

Wits and Interpretation

What Makes a Film Tick?

« Une et divisible ? »

Undoing Whiteness in the Classroom

The Sound of Žižek

The Languages of Performance in British Romanticism

The Great Pretenders

The Gothic

The Art of Seeing, the Art of Listening

Tadeusz Baird. The Composer, His Work, and Its Reception

Spanish Golden Age Texts in the Twenty-First Century

‘Slight Return’

Revealing New Perspectives

Reading Rey Chow

Read, Write, Rhyme Institute

Queering Freedom: Music, Identity and Spirituality

Queer Girls and Popular Culture

Prophetic Critique and Popular Media

Pop Brands

Political Music

Political Music

Performative Listening

New Creativity Paradigms

Key Subject Areas