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Political Music

Communication and Mobilization

by Anna Szwed-Walczak (Volume editor) Tomasz Bichta (Volume editor) 2021

©2021 Edited Collection
Political Music

Legitimization and Contestation

by Tomasz Bichta (Volume editor) Anna Szwed-Walczak (Volume editor) 2021

©2021 Edited Collection
Queering Freedom: Music, Identity and Spirituality

(Anthology with perspectives from over ten countries)

by Karin Hendricks (Volume editor) June Boyce-Tillman (Volume editor) 2018

©2018 Edited Collection
Authentic Connection

Music, Spirituality, and Wellbeing

by Karin Hendricks (Author) June Boyce-Tillman (Author) 2021

©2021 Edited Collection
Entre el Sur y el Norte

Decolonizing Education through Critical Readings of Chicana/x/o, Mexican, and Indigenous Music

by Marco Cervantes (Volume editor) Lilliana P. Saldaña (Volume editor) 2022

©2022 Textbook
Listening to the French New Wave

The Film Music and Composers of Postwar French Art Cinema

by Orlene Denice McMahon (Author) 2014

©2014 Monographs
The Great Pretenders

Genre, Form, and Style in the Film Musicals of John Carney

by Carlos Menéndez Otero (Author) 2023

©2023 Monographs
Pop Brands

Branding, Popular Music, and Young People

by Nicholas Carah (Author) Nicholas Carah (Volume editor) 2010

©2010 Monographs
Read, Write, Rhyme Institute

Educators, Entertainers, and Entrepreneurs Engaging in Hip-Hop Discourse

by Crystal LaVoulle (Author) 2019

©2019 Monographs
A Hazardous Melody of Being

Seóirse Bodley’s Song Cycles on the Poems of Micheal O’Siadhail

by Lorraine Byrne Bodley (Author) 2022

©2008 Monographs
The Sound of Žižek

Musicological Perspectives on Slavoj Žižek

by Mauro Fosco Bertola (Volume editor) 2023

Monographs
Mapping Identity and Identification Processes

Approaches from Cultural Studies

by Eduardo de Gregorio-Godeo (Volume editor) Angel Mateos-Aparicio Martin-Albo (Volume editor) 2013

©2013 Conference proceedings
Millennial Essays on Film and Other German Studies

Selected papers from the Conference of University Teachers of German, University of Southampton, April 2000

by Daniela Berghahn (Volume editor) Alan Bance (Volume editor)

©2002 Conference proceedings
Digitalization of the Industry in a Brand New Normal

Media and Art

by Tuna Tetik (Volume editor) Hasan Kemal Süher (Volume editor) Ömer Vatanartıran (Volume editor) 2022

Edited Collection
What Makes a Film Tick?

Cinematic Affect, Materiality and Mimetic Innervation

by Anne Rutherford (Author) 2011

©2011 Thesis
DIY Media

Creating, Sharing and Learning with New Technologies

by Michele Knobel (Volume editor) Colin Lankshear (Volume editor)

©2010 Textbook
Cultural Representations of Albinism in Africa

Narratives of Change

by Charlotte Baker (Volume editor) Elvis Imafidon (Volume editor) 2022

Edited Collection

Political Music

Political Music

Jean Cras, Polymath of Music and Letters

Queering Freedom: Music, Identity and Spirituality

Music and Genocide

Authentic Connection

Entre el Sur y el Norte

Listening to the French New Wave

The Great Pretenders

Pop Brands

Read, Write, Rhyme Institute

A Hazardous Melody of Being

Wits and Interpretation

Harmony Notes Book 1

The Sound of Žižek

Tadeusz Baird. The Composer, His Work, and Its Reception

Youssou Ndour

New Creativity Paradigms

Mapping Identity and Identification Processes

Reading Rey Chow

Millennial Essays on Film and Other German Studies

Digitalization of the Industry in a Brand New Normal

What Makes a Film Tick?

DIY Media

Cultural Representations of Albinism in Africa

Key Subject Areas