The Literature and Poetry of Exile

ISSN: 1077-0194

This series aims to publish literary and poetic texts, as well as studies, commentaries, and interpretations of the experiences and reactions to exile. The purpose of the series is to encourage responses to those enigmatic but essential questions: What is the meaning of exile? What imaginative and concrete imagery does it evoke? This series is committed to the belief that exile is a fundamental characteristic of our age and bears witness to its existential reality. We want this series to provide a forum for writers in exile and to make it possible for their voices to be heard. This series aims to publish literary and poetic texts, as well as studies, commentaries, and interpretations of the experiences and reactions to exile. The purpose of the series is to encourage responses to those enigmatic but essential questions: What is the meaning of exile? What imaginative and concrete imagery does it evoke? This series is committed to the belief that exile is a fundamental characteristic of our age and bears witness to its existential reality. We want this series to provide a forum for writers in exile and to make it possible for their voices to be heard. This series aims to publish literary and poetic texts, as well as studies, commentaries, and interpretations of the experiences and reactions to exile. The purpose of the series is to encourage responses to those enigmatic but essential questions: What is the meaning of exile? What imaginative and concrete imagery does it evoke? This series is committed to the belief that exile is a fundamental characteristic of our age and bears witness to its existential reality. We want this series to provide a forum for writers in exile and to make it possible for their voices to be heard.

1 publications

Modern Poetry

ISSN: 1661-2744

The Modern Poetry series brings together scholarly work on modern and contemporary poetry. As well as examining the sometimes neglected art of recent poetry, this series also sets modern poetry in the context of poetic history and in the context of other literary and artistic disciplines. Poetry has traditionally been considered the highest of the arts, but in our own time the scholarly tendency to treat literature as discourse or document sometimes threatens to obscure its specific vitalities. The Modern Poetry series aims to provide a platform for the full range of scholarly work on modern poetry, including work with an intercultural or interdisciplinary methodology. We invite submissions on all aspects of modern and contemporary poetry in English, and will also consider work on poetry in other language traditions. The series is non-dogmatic in its approach, and includes both mainstream and marginal topics. We are especially interested in work which brings new intellectual impetus to recognised areas (such as feminist poetry and linguistically innovative poetry) and also in work that makes a stimulating case for areas which are neglected.

12 publications

Studies in French Theatre

2 publications

Modern French Identities

ISSN: 1422-9005

This series aims to publish monographs, editions or collections of papers based on recent research into modern French literature. It welcomes contributions from academics, researchers and writers worldwide and in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide, Apollinaire and Césaire to Barthes, Duras, Kristeva, Glissant, Germain and Roubaud. This series explores the turmoil in ideas and values expressed in the works of theorists like Lacan, Irigaray, Foucault, Fanon, Deleuze and Bourdieu and traces the impact of current theoretical approaches – such as gender and sexuality studies, de/coloniality, intersectionality, and ecocriticism – on the literary and cultural interpretation of the self. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects and welcomes research on autobiography, cinema, fiction, poetry and performance art and/or the intersections between them. Editorial Board Contemporary Literature and Thought: Martin Crowley (University of Cambridge) Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge) Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling) Language and Linguistics: Michaël Abecassis (University of Oxford) Literature and Art: Peter Collier and Jean Khalfa (University of Cambridge) Literature and Non-fiction: Muriel Pic (University of Bern) Poetry: Nina Parish (University of Glasgow) and Emma Wagstaff (University of Birmingham) Zoopoetics and Ecocriticism: Anne Simon (CNRS/Ecole normale supérieure, Paris)

162 publications

Studies in Modern Poetry

This series brings together book-length works on particular modern poets and twentieth-century movements as well as comparative and theoretical studies. Works in the series seek to explore the contributions of twentieth-century poets beyond the well-known major figures of Modernism such as Ezra Pound and T. S. Eliot, in the belief that modern poetry is characterized by its variety, richness and scope. The series focuses on books which compare poetic projects from different national and linguistic traditions or explore the interconnections between poetic expression and the other arts. Authors whose critical approaches utilize contemporary literary theory and/or multicultural perspectives are especially encouraged to consider this series. Languages of the poetry studied include, but are not limited to, English, French, German, Italian and Spanish, though the texts should be written in English and addressed to readers beyond strictly national or disciplinary boundaries.

18 publications

French Studies of the Eighteenth and Nineteenth Centuries

This series publishes the latest research by teachers and researchers working in all the disciplines which constitute French and Francophone studies in this period, in the form of monographs, revised dissertations, collected papers and conference proceedings. Adhering to the highest academic standards, it provides a vehicle for established scholars with specialised research projects but also encourages younger academics who may be publishing for the first time. The editors take a broad view of French studies and intend to examine literary and cultural phenomena of the eighteenth and nineteenth centuries, excluding the Romantic movement, against their historical, political and social background in all the French-speaking countries. The editors also welcome work in comparative studies, and on adaptations, across languages or media.

39 publications

Medieval and Early Modern French Studies

ISSN: 1661-8653

Striking and stimulating contributions continue to be made to French studies and cultural studies of the medieval and early modern periods. This series aims to publish work of the highest quality in these areas. The series will include monographs and collaborative or collected works from both established and younger scholars, and will encompass a wide range of disciplines and theoretical approaches. Contributions will be welcomed in French or English.

26 publications

Eighteenth-Century French Intellectual History

7 publications

Europäische Hochschulschriften / European University Studies / Publications Universitaires Européennes

The books within this series include a broad range of topics within the category of French Language and Literature. Cette collection présente une riche palette de travaux scientifiques dans le domaine de Langue et littérature françaises. In dieser Reihe erscheinen wissenschaftliche Arbeiten zu einem breiten Themenspektrum im Fachgebiet Französische Sprache und Literatur.

265 publications

Romanticism and after in France / Le Romantisme et après en France

Romanticism and after in France is a series designed to publish research monographs or longer works of high quality whether by established scholars or recent graduates, dealing with French literature in the period from pre-Romanticism to the turn of the twentieth century. Books may be in English or French, and may consist of studies of single authors or of wider topics. All submissions will be assessed by experts before acceptance. Le Romantisme et après en France est une collection dont le but est de publier des monographies ou des ouvrages de plus longue haleine, que ce soit des enseignants chevronnés ou de jeunes chercheurs. Ces livres traiteront de la littérature française depuis la période préromantique jusqu'aux premières années du vingtième siècle, et pourront être en anglais ou en français; ils pourront traiter d'un seul auteur ou d'un sujet plus étendu. Toute proposition sera évaluée par un comité d'experts.

30 publications

Hermeneutic Commentaries

ISSN: 1043-5735

"The question of “interpretation” of the text is at the center of this collection of monographs and commentaries on classical literatures. Interpretation starts with the realisation that at the outset, the sense of a text is an hypothesis to be gradually and constantly revised and ascertained. Grammar, syntax, and rhetoric are certainly the necessary part for this critical operation, but they fall short of giving full sense to the signification of the text. A philological commentary establishes the texts as close as possible to the author’s text, and provides the information necessary for modern readers to understand what the text meant to its contemporary users. But besides the impossibility of achieving this task fully, this sort of information does not provide the sense of the text as it opens itself to the questions of its individuality and universality, its historicity and its transhistorical iterability, as it hides the rules and game of its composition, its difference in order to show its identity. These opposite poles are constantly united and create a tension, a continuous oscillation that are the very domaine of the interpretative analysis, and the conditions of the text’s ever emerging sense . The hermeneutic circle, through which the critical hypothesis is constantly revised and made more precise, can be viewed also as a sort of deconstructive operation, a decomposing of the text in order to recompose it around its now discovered rules and games, of which the author is not necessarily always fully aware. Because of these conditions the sense of a text is more open to the critics than to its author; this point makes the critics conscious that as they are “reading”, they are in some way “writing” the text." "The question of “interpretation” of the text is at the center of this collection of monographs and commentaries on classical literatures. Interpretation starts with the realisation that at the outset, the sense of a text is an hypothesis to be gradually and constantly revised and ascertained. Grammar, syntax, and rhetoric are certainly the necessary part for this critical operation, but they fall short of giving full sense to the signification of the text. A philological commentary establishes the texts as close as possible to the author’s text, and provides the information necessary for modern readers to understand what the text meant to its contemporary users. But besides the impossibility of achieving this task fully, this sort of information does not provide the sense of the text as it opens itself to the questions of its individuality and universality, its historicity and its transhistorical iterability, as it hides the rules and game of its composition, its difference in order to show its identity. These opposite poles are constantly united and create a tension, a continuous oscillation that are the very domaine of the interpretative analysis, and the conditions of the text’s ever emerging sense . The hermeneutic circle, through which the critical hypothesis is constantly revised and made more precise, can be viewed also as a sort of deconstructive operation, a decomposing of the text in order to recompose it around its now discovered rules and games, of which the author is not necessarily always fully aware. Because of these conditions the sense of a text is more open to the critics than to its author; this point makes the critics conscious that as they are “reading”, they are in some way “writing” the text." "The question of “interpretation” of the text is at the center of this collection of monographs and commentaries on classical literatures. Interpretation starts with the realisation that at the outset, the sense of a text is an hypothesis to be gradually and constantly revised and ascertained. Grammar, syntax, and rhetoric are certainly the necessary part for this critical operation, but they fall short of giving full sense to the signification of the text. A philological commentary establishes the texts as close as possible to the author’s text, and provides the information necessary for modern readers to understand what the text meant to its contemporary users. But besides the impossibility of achieving this task fully, this sort of information does not provide the sense of the text as it opens itself to the questions of its individuality and universality, its historicity and its transhistorical iterability, as it hides the rules and game of its composition, its difference in order to show its identity. These opposite poles are constantly united and create a tension, a continuous oscillation that are the very domaine of the interpretative analysis, and the conditions of the text’s ever emerging sense . The hermeneutic circle, through which the critical hypothesis is constantly revised and made more precise, can be viewed also as a sort of deconstructive operation, a decomposing of the text in order to recompose it around its now discovered rules and games, of which the author is not necessarily always fully aware. Because of these conditions the sense of a text is more open to the critics than to its author; this point makes the critics conscious that as they are “reading”, they are in some way “writing” the text."

1 publications

Franck Sebastian

1 publications

Studies in Franco-Irish Relations

The aim of this series is to foreground areas of interdisciplinary and multidisciplinary connection between France and Ireland, as well as stressing the European dimension of the Franco-Irish nexus. The series also provides a forum for French-language scholarship within the field of Irish studies. We welcome proposals from a variety of disciplinary backgrounds, including historical, cultural, literary, sociological, political and linguistic perspectives. The series publishes books in both English and French and all submissions will be peer-reviewed. L’objectif de cette collection est de valoriser les recherches multi-disciplinaires ou inter-disciplinaires relatives à la France et à l’Irlande, et de souligner la dimension européenne des relations franco-irlandaises. La collection offre également un espace d’échanges pour la recherche francophone en études irlandaises. Nous accueillons des projets de publication relevant de différents champs disciplinaires et s’inscrivant dans une perspective historique, culturelle, littéraire, sociologique, politique ou linguistique. Les ouvrages de la collection sont publiés en anglais et en français ; tous les projets sont soumis à une double révision par les pairs.

33 publications

History of English Literature

‘Franco Marucci’s History of English Literature is unique in its field. There is no other book that combines such erudition and authority in such a compact format. An indispensable work of reference.’ — J. B. Bullen, Visiting Fellow, Kellogg College, Oxford History of English Literature is a comprehensive, eight-volume survey of English literature from the Middle Ages to the early twenty-first century. This reference work provides insightful and often revisionary readings of core texts in the English literary canon. Richly informative analyses are framed by the biographical, historical and intellectual context for each author. Special discount available if you purchase all eight volumes (Discount price: £550, $825.95). Please contact order@peterlang.com with the subject line Marucci.

8 publications

Germanica Pacifica

Germanica Pacifica is the academic series of the Research Centre for Germanic Connections with New Zealand and the Pacific of the University of Auckland, New Zealand. The Centre's primary objective is to encourage research on the historical and cultural links between New Zealand and the Pacific region on the one hand and the German-speaking countries on the other. Germanica Pacifica publishes monographs and collections of essays which highlight these cultural links. Prior to publication, the quality of works published in this series is checked by the Series Editors and members of the Editorial Board. Editorial board: James Braund (University of Auckland) Rodney Fisher (University of Canterbury) Richard Millington (Victoria University of Wellington) Margaret Sutherland (Victoria University of Wellington) Friedrich Voit (University of Auckland)

18 publications

Doctorats, sciences et carrières/ PHD, science and career

ISSN: 2593-9017

La collection Doctorats, sciences et carrières publie des ouvrages en anglais et en français en vue de nourrir le débat international sur les conditions de la recherche et de la formation à la recherche, l’expérience des chercheur∙e∙s, l’insertion professionnelle des docteur∙e∙s, le genre et la science, les instruments de régulation et leurs effets sur les pratiques et cultures scientifiques. D’autres problématiques émergentes sont susceptibles d’être étudiées dans les publications de cette collection. En effet, la Science, par ses contributions, découvertes, risques et espoirs, fait l’objet d’une forte attention publique et de nombreux débats tant à une échelle nationale qu’internationale. Au début du XXIe siècle, s’observe une préoccupation grandissante pour l’expérience de la formation doctorale et du travail scientifique ainsi que pour les conditions de leur réalisation. Le devenir professionnel des chercheur∙e∙s est également en mutation, en raison de la croissance rapide du nombre de doctorant∙e∙s et de postdoctorant∙e∙s, de la féminisation des carrières académiques (certes toujours singulièrement limitée), et de la transformation de la régulation de la Science et des universités. À travers des thématiques variées et des angles disciplinaires différents (histoire, droit, gestion, psychologie, sociologie, éducation…), cette collection vise à accueillir ces résultats de recherche et, ce faisant, à alimenter la réflexivité du monde de la recherche sur lui-même.

2 publications

Traditio Christiana

ISSN: 0172-1372

Dans cette collection sont présentés, traduits et commentés des textes anciens sur des thèmes centraux de la théologie, des doctrines, de la culture, de la spiritualité du christianisme des premiers siècles. Les extraits sont tirés principalement d’œuvres rédigées en grec ou en latin. L’édition en est donnée dans la langue originale et elle est accompagnée d’une traduction en langue moderne. Les œuvres retenues appartiennent aux cinq premiers siècles, mais certains sujets peuvent imposer le choix de textes plus tardifs. In Traditio Christina werden frühe Texte zu zentralen Themen der Geschichte des antiken Christentums, der Kultur und Theologie präsentiert, übersetzt und kommentiert. Der Grossteil der Exzerpte stammt aus griechischen und lateinischen Quellen. Die Editionen sind zweisprachig und enthalten die Originalversion sowie deren Übersetzung ins Französische oder Deutsche. Berücksichtigt werden Werke aus den ersten fünf Jahrhunderten, wobei gewisse Themen auch Texte späteren Datums erfordern können.

10 publications

WGS Pathbreakers

WGS Pathbreakers is a subseries of Women, Gender and Sexuality in German Literature and Culture (https://www.peterlang.com/series/wgl), edited by Helen Finch and Katherine Stone, that seeks to showcase the cultural contribution of women, queer, non-binary, trans and gender non-conforming writers and artists to German studies, making important aesthetic, scholarly and political developments accessible to a wider audience. We welcome new proposals for both: Critical editions, which may include single works, selections from the corpus of an individual author, or multi-author anthologies by, or that offer fresh perspectives on, pathbreaking female, queer and trans culture. Critical editions should have the potential to initiate novel scholarly conversations and include a substantive introductory essay, glossary and contextualising annotations, where appropriate. Translations into English, which may include single works, selections from the corpus of an individual author, or extracts from the output of multiple authors that will serve to illuminate significant issues in the representation of gender and/or sexuality in German-language culture. Each submission should include a rigorous scholarly introduction, as well as a translator’s note or essay, glossary and explanatory annotations, where appropriate. Parallel texts will be considered. In the case of new translations of works with existing English-language editions, proposals should make a cogent case for the shortcomings of previous translations and the added value of the new translation. We welcome enquiries from translators. The series editors are primarily interested in works that merit intensified scholarly attention, but which have been overlooked by conventional publishers, censored or fallen out of print. The subseries therefore reflects our desire for a more diverse understanding of German-language culture for the purposes of research, teaching and performance. Please note that all proposals should provide detail about the intended audience for the proposed volume, including potential non-academic readers and courses where these texts are currently taught or would be taught. Proposals should also clearly articulate the value of the translation or critical edition for contemporary feminist and queer German Studies, taking into account any ethical and pedagogical issues that could impact reception by contemporary audiences. We ask that the volume editor or translator take responsibility for securing the rights to all primary material and covering any costs required for reprinting or translating the work.

1 publications

Traditio Christiana - FR

10 publications

Women, Gender and Sexuality in German Literature and Culture

ISSN: 1094-6233

Women, Gender and Sexuality in German Literature and Culture welcomes proposals for monographs and rigorously edited essay collections focusing on the work of women, queer, trans, non-binary and gender non-conforming creators as well as the representation of women, gender and/or sexuality in literature, media and culture. The series contributes to efforts to broaden the German-language canon by publishing pioneering studies of relatively unknown writers, artists and filmmakers and cutting-edge assessments of more established figures. Studies of the history of women, queer, trans, non-binary and gender non-conforming subjects in German-speaking cultures, such as their participation in German, Austrian, Swiss and exile intellectual life and struggle for equal rights, as well as historical considerations of gender and sexuality in German-speaking countries, are also encouraged. Editorial Board: Clare Bielby (University of York), Helga Druxes (Williams College), Priscilla Layne (University of North Carolina), Ervin Malakaj (University of British Columbia), Helmut Puff (University of Michigan), Anna Richards (Birkbeck University of London), Carrie Smith (University of Alberta), Tom Smith (University of St Andrews), Helen Watanabe-O'Kelly (University of Oxford), Yasemin Yildiz (University of California, Los Angeles)

21 publications

France contemporaine

ISSN: 2033-8716

La collection « France contemporaine » publie des travaux portant sur l’histoire de la France du XIXe au XXIe siècle fondés, en tout ou en partie, sur des sources de première main. Elle se propose d’illustrer la fécondité des approches historiques les plus récentes à la croisée de l’histoire politique et de l’histoire économique. Elle se veut une contribution à une meilleure intelligence des mutations que connaît la société française contemporaine dans un monde en rapide évolution. La collection « France contemporaine » publie des travaux portant sur l’histoire de la France du XIXe au XXIe siècle fondés, en tout ou en partie, sur des sources de première main. Elle se propose d’illustrer la fécondité des approches historiques les plus récentes à la croisée de l’histoire politique et de l’histoire économique. Elle se veut une contribution à une meilleure intelligence des mutations que connaît la société française contemporaine dans un monde en rapide évolution.

6 publications

Sprache in Kommunikation und Medien

Die Reihe «Sprache in Kommunikation und Medien» (SKM) ist ein attraktives Forum für innovative Publikationen mit dem Fokus auf Sprache in den Medien. Sie ist offen für neue und gewandelte Formen medialer Kommunikation, die aus den technischen Fortschritten resultieren. Die Reihe vereint sowohl theoretische als auch angewandte Arbeiten aus dem Bereich der Medienlinguistik. Gleichzeitig bietet sie eine Plattform für semiotische, soziologische, psychologische sowie kommunikations- und kulturwissenschaftliche Studien, die sich mit der Sprachverwendung in Medien auseinandersetzen. Es werden Monographien sowie systematisch angelegte und thematisch zentrierte Sammel- und Tagungsbände aufgenommen. Manuskripte auf Deutsch und Englisch können berücksichtigt werden.

20 publications

Franco-Italica

ISSN: 1660-9328

Franco-italica est une collection qui a pour objet la publication de textes et études portant sur les relations franco-italiennes (rédigés en français et/ou en italien), sur la littérature italienne (rédigés de préférence en français) et sur la littérature française (rédigés de préférence en italien). Le choix linguistique traduit le souci, propre à la collection, de favoriser la connaissance de la culture italienne dans les pays de langue française et de la culture française dans les pays de langue italienne. Les éditions de textes sont le fruit d'un travail critique original, et présentent un apparat conséquent. Les études (monographies, manuels, ouvrages collectifs, actes de colloques) sont également des travaux originaux et de caractère scientifique.

16 publications

Prague Papers on Language, Society and Interaction / Prager Arbeiten zur Sprache, Gesellschaft und Interaktion

ISSN: 1866-878X

Based in Prague, the series "Prague Papers on Language, Society and Interaction / Prager Arbeiten zur Sprache, Gesellschaft und Interaktion" primarily covers the sociolinguistic reality of Central Europe as well as the territory of the former Soviet bloc, which is still underrepresented in international linguistics scholarship. Theoretically and methodologically, the series continues in the sociolinguistic heritage of the Prague School of Linguistics, enriched by contemporary sociolinguistic, discourse analytic, ethnographic and ethnomethodological approaches.

7 publications

Studies in Nineteenth-Century British Literature

"Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages." "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages." "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages."

25 publications