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  • Repenser le cinéma / Rethinking Cinema

    The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles.

    13 publications

  • Indigenous Cultures of Latin America

    Past and Present

    ISSN: 2689-8217

    Indigenous Cultures of Latin America: Past and Present is a new bilingual series that welcomes book proposals, in English or Spanish, focused on the fields of anthropology, archaeology, linguistics, ethnohistory, and art history, among others. We encourage original proposals for projects that use a conjunctive approach to understanding beliefs and lifeways of prehispanic, colonial period, and contemporary indigenous peoples inhabiting Latin America, broadly defined (i.e. extending into parts of the U.S. Southeast and Southwest), relying on a combination of methodologies and data sets to interpret the subject matter. We further encourage projects that utilize decolonizing methodologies and seek to promote research and fieldwork undertaken in collaboration with local indigenous communities and/or indigenous consultants. The series will publish academic monographs, edited collections, and readers. All book proposals and manuscripts will be subject to a rigorous single-blind peer review process, conducted by experts in the respective field(s) of study. Proposals and author/volume editor CVs should be sent to the Series Editor, Dr. Gabrielle Vail, at vailg@email.unc.edu.

    3 publications

  • Critical Indigenous and American Indian Studies

    ISSN: 2376-547X

    13 publications

  • Title: Socio-critical Aspects in Latin American Cinema(s)

    Socio-critical Aspects in Latin American Cinema(s)

    Themes – Countries – Directors – Reviews
    by Isabel Maurer Queipo (Volume editor) 2012
    ©2012 Monographs
  • Title: Indigenous Cosmopolitans

    Indigenous Cosmopolitans

    Transnational and Transcultural Indigeneity in the Twenty-First Century
    by Maximilian C. Forte (Volume editor)
    ©2010 Textbook
  • Title: Shame and Desire

    Shame and Desire

    Emotion, Intersubjectivity, Cinema
    by Tarja Laine (Author)
    ©2007 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2014
    ©2014 Monographs
  • Title: Indigenous Cultural Capital

    Indigenous Cultural Capital

    Postcolonial Narratives in Australian Children’s Literature
    by Daozhi Xu (Author) 2018
    Monographs
  • Title: Italian Cinema

    Italian Cinema

    New Directions
    by William Hope (Volume editor)
    ©2005 Edited Collection
  • Title: Indigenous Grammar Across Cultures

    Indigenous Grammar Across Cultures

    by Hannes Kniffka (Volume editor)
    ©2001 Edited Collection
  • Title: Indigenous Epistemology

    Indigenous Epistemology

    Descent into the Womb of Decolonized Research Methodologies
    by Marva McClean (Author) Marcus Waters (Author) 2020
    ©2020 Monographs
  • Title: Indigenous Sustainable Wisdom

    Indigenous Sustainable Wisdom

    First-Nation Know-How for Global Flourishing
    by Darcia Narvaez (Volume editor) Four Arrows (Don Trent Jacobs) (Volume editor) Eugene Halton (Volume editor) Brian Collier (Volume editor) Georges Enderle (Volume editor) 2019
    ©2019 Textbook
  • Title: Le cinéma de Wojciech J. Has au miroir de la littérature

    Le cinéma de Wojciech J. Has au miroir de la littérature

    by Jessy Neau (Author) 2023
    ©2023 Monographs
  • Title: Indigenous Christianity in Madagascar

    Indigenous Christianity in Madagascar

    The Power to Heal in Community
    by Cynthia Holder Rich (Author) 2012
    ©2011 Monographs
  • Title: Questions of Colour in Cinema

    Questions of Colour in Cinema

    From Paintbrush to Pixel
    by Wendy Everett (Volume editor) 2012
    ©2008 Conference proceedings
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2023
    ©2023 Monographs
  • Title: Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    by Christian Janssens (Author) 2016
    ©2016 Monographs
  • Title: Sovereign Wisdom

    Sovereign Wisdom

    Generating Native American Philosophy from Indigenous Cultures
    by Jennifer Lisa Vest (Author) 2024
    ©2024 Monographs
  • Title: An Indigenous Curriculum of Place

    An Indigenous Curriculum of Place

    The United Houma Nation’s Contentious Relationship with Louisiana’s Educational Institutions
    by Nicholas Ng-A-Fook (Author)
    ©2007 Textbook
  • Title: Defeated Masculinity

    Defeated Masculinity

    Post-Traumatic Cinema in the Aftermath of War
    by Raya Morag (Author)
    ©2009 Monographs
  • Title: Cinema Derrida

    Cinema Derrida

    The Law of Inspection in the Age of Global Spectral Media
    by Tyson Stewart (Author) 2021
    ©2020 Monographs
  • Title: Cinema & Culture

    Cinema & Culture

    Independent Film in the United States, 1980-2001
    by E. Deidre Pribram (Author)
    ©2002 Textbook
  • Title: Legacies of Indigenous Resistance

    Legacies of Indigenous Resistance

    Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature
    by Matteo Dutto (Author) 2019
    ©2019 Monographs
  • Title: The Cinema of Iceland

    The Cinema of Iceland

    Between Tradition and Liquid Modernity
    by Sebastian Jakub Konefał (Author) 2019
    ©2019 Monographs
  • Title: L’Image hantée

    L’Image hantée

    Horreur et épouvante dans le cinéma et les séries américaines contemporaines
    by Jean-Baptiste Carobolante (Volume editor) Philippe Ortoli (Volume editor) 2024
    ©2023 Edited Collection
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