Performance Research: Ireland

4 publications

Tartu Historical Studies

ISSN: 2191-0480

Tartu Historical Studies is the academic series by the Chair of Contemporary History at the University of Tartu, Estonia. The series’ aim is to publish peer-reviewed monographs and edited volumes in English or German on Central and Eastern European history. We encourage especially works related to topics of Baltic history.

8 publications

Historical Sociolinguistics

The interdisciplinary field of Historical Sociolinguistics seeks to reveal the impact of language development on society and the role of individuals and society in the changing forms and usage of language. This book series is aimed at sociolinguists and social historians who are keen to publish studies on the social history of languages, the interaction of linguistic practices and society, and the sociological significance of linguistic variation with a historical dimension. The purpose of the series is to provide empirically supported studies that will challenge and advance current language historiographies, which often continue to present the history of particular languages as necessarily leading to the creation of a standard or prestige variety. Of particular interest are topics such as the following: language myths and language ideology, historical multilingualism and the formation of nation-states, the sociolinguistics of minority and regional languages, the rise of urban vernaculars, immigrants and their languages, the role of prescriptive grammarians, and the social history of pidgins and creoles. Book proposals from historians and linguists working on any language in any period are welcome, in particular those that include a comparative dimension as well as those with a strong empirical foundation. The language of publication is primarily English, though other languages may be considered. The editors guarantee that all publications in this series have been submitted to external and anonymous peer review. The four series editors and twenty-six members of the advisory board are all members of the Historical Sociolinguistics Network (HiSoN). Advisory Board: Anita Auer (Lausanne), Wendy Ayres-Bennett (Cambridge), Andrea Cuomo (Ghent), Steffan Davies (Bristol), Ana Deumert (Cape Town), José del Valle (CUNY), Martin Durrell (Manchester), Jan Fellerer (Oxford), Elin Fredsted (Flensburg), Róisín Healy (Galway), Juan Hernandez-Campoy (Murcia), Kristine Horner (Sheffield), Ernst Håkon Jahr (Agder), Mark Richard Lauersdorf (Kentucky), Anthony Lodge (St Andrews), Nicola McLelland (Nottingham), Miriam Meyerhoff (Oxford), Agnete Nesse (Bergen), Terttu Nevalainen (Helsinki), Taru Nordlund (Helsinki), Gijsbert Rutten (Leiden), Joachim Scharloth (Waseda Tokyo), Peter Trudgill (Fribourg), Marijke van der Wal (Leiden), Rik Vosters (Vrije Universiteit Brussel), Laura Wright (Cambridge)

14 publications

Studies in Historical Linguistics

Studies in Historical Linguistics brings together work which utilises the comparative method of language study. Topics include the examination of language change over time, the genetic classification of language, lexicography, dialectology and etymology. Pronunciation, lexis, morphology and syntax are examined within the framework of historical linguistics. Both synchronic and diachronic approaches are used so that language is examined both at one time and across time. Historical Linguistics is still a young area of academic study, but it has its foundations in one of the oldest - philology. This series recognises both the seminal importance of philology, and the recent development through the conceptual framework provided by linguistic science.

10 publications

Augustinian Historical Institute Series

3 publications

Interdisciplinary Studies in Performance

The series aims at presenting innovative cross-disciplinary and intercultural research in performance practice and theory. Its mission is to expand and enrich performance studies with new research in theatre, film, dance, ritual and art. It also draws on queer and gender studies, anthropology, linguistics, archeaology, ethnography, sociology, history, media and political sciences, and even medicine and biology. The series focuses on promoting groundbreaking methodologies and new directions in studying performative culture by scrutinizing its transformative and transgressive aspects. The series Interdisciplinary Studies in Performance publishes in English and German. Volumes may be monographs as well as thematic collections of papers by scholars from Poland and from abroad.

37 publications

Swiss American Historical Society Publication

3 publications

Research on Korea

ISSN: 2196-0895

The series Research on Korea responds to the fact that interest in Korea and the need for reliable information on the country's history and present have risen considerably during the last decades, both in- and outside of academia. The series offers an interdisciplinary platform for academic works engaging with Korea. Not being restricted to specific methodological or historiographical approaches, the series is open for studies of Korea in any field as long as they make use of Korean primary sources and systematically engage with Korean language secondary literature. Based on solid methodology, the studies assembled in this series aim to open up paths for new insights and new research questions on Korea and Korea's role in the regional and international context. In der Schriftenreihe Research on Korea werden neuere Ergebnisse der Koreaforschung veröffentlicht, um dem in den letzten Jahrzehnten stark gesteigerten Interesse der akademischen und allgemeinen Öffentlichkeit an verlässlichen Informationen zu Korea nachzukommen. Sie bietet ihr eine interdisziplinäre Plattform, ohne sich dabei methodisch oder historiographisch bestimmten Richtungen verpflichtet zu fühlen. Allerdings legen die Herausgeber großen Wert darauf, dass koreanische Primärquellen ebenso wie in koreanischer Sprache verfasste Sekundärliteratur umfassend und systematisch verwendet werden. Die Reihe ist offen für Korea-Studien jeder Art, die auf der Grundlage von Quellenarbeit und solider Methodologie den Weg zu neuen Erkenntnissen und Fragestellungen in der historischen, sozial- und kulturwissenschaftlichen Forschung zu Korea und zu Koreas Rolle im regionalen wie internationalen Kontext ebnen.

12 publications

Studies in Military Psychology and Pedagogy

Die Reihe Studies in Military Psychology and Pedagogy präsentiert Studien aus dem Fachgebiet der Pädagogik mit interdisziplinärem Bezug zur Politikwissenschaft. Die Monographien und Sammelbände der Reihe erscheinen in englischer oder deutscher Sprache und behandeln unter anderem Forschungsschwerpunkte wie Militärpädagogik, Militärethik oder auch die Gewaltproblematik im philosophischen Kontext. Die Bände 1 - 12 sind in der Reihe Studies for Military Pedagogy, Military Science and Security Policy erschienen.

6 publications

The Art and Science of Music Teaching and Performance

Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education. Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education.

2 publications

Intercultural Research

4 publications

Ecological Pedagogy, Curriculum and Scholarship

This book series is premised on the ecological understanding that all of education– all of the living fields of knowledge entrusted to teachers and students in schools, all of the gestures of teaching and learning itself – is full of relations, interdependencies, ancestries, places, voices animated by lived and learned experiences. Ecological pedagogy, curriculum and scholarship understands that all living fields of knowledge must be taught and learned as such, with all of their intrinsic and animate rigours, complexities, interrelatedness, and earthly responsibilities. In these ecologically sorrowful times, our individual and collective impulse to raise voices of commiseration and encouragement to those working inside and outside of schools bristles with urgency. And this just at a time when the world also seems to be churning with increasing distractions and fakeries whose beneficiaries are not of this earth. Schools and schooling are caught up in ongoing yet ever-shifting inheritances of place and displacement, privilege, colonialism, gender and so on. They are also subject to legacies of indiscriminate standardization, efficiency, fragmentation and all of the ramped-up, exhausting and exhausted distractions of our current age. Education often drags along with its tenacious legacies of thinking and practice that are mostly silent, often silencing, simply taken for granted as just the way things are. Schooling itself, in so many quarters, has become an ecological disaster. Many teachers have studied and voiced these matters, while pursuing more venturous, ecologically sound work in their classroom, all this in deliberate resistance to the marginalization of such work. The series invites scholarly, enlivening and healing ways of researching and writing that attempt to live up to the ecologies of the topics themselves, each in their own ways and languages, each laden with their own ancestries, troubles, and insights – eco-hermeneutics, interpretive research, poetic inquiry, autobiographical and life writing, currere, Indigenous research, arts-based inquiry, storytelling and emergent ways and means of knowing. None of these are merely methodologies. Each involves myriad encounters, myriad relationships, myriad possibilities. In trying to find the measure of what is written within the things written about, these ways are in themselves ecological and pedagogical. They are locales where our relations are worked out, our songs are sung, our silences are shared, and our individual and collective stories are lived, contested, shaped and re-told. The logo for this book series is a Celtic Knot drawn by Eric Jardine in 1992. It became the cover illustration of a self-published book that year. It is a reminder of how long-standing is this current stream of work in education, stretching far back from there. These stretches are part of the ecological imagination itself. This book series is premised on the ecological understanding that all of education– all of the living fields of knowledge entrusted to teachers and students in schools, all of the gestures of teaching and learning itself – is full of relations, interdependencies, ancestries, places, voices animated by lived and learned experiences. Ecological pedagogy, curriculum and scholarship understands that all living fields of knowledge must be taught and learned as such, with all of their intrinsic and animate rigours, complexities, interrelatedness, and earthly responsibilities. In these ecologically sorrowful times, our individual and collective impulse to raise voices of commiseration and encouragement to those working inside and outside of schools bristles with urgency. And this just at a time when the world also seems to be churning with increasing distractions and fakeries whose beneficiaries are not of this earth. Schools and schooling are caught up in ongoing yet ever-shifting inheritances of place and displacement, privilege, colonialism, gender and so on. They are also subject to legacies of indiscriminate standardization, efficiency, fragmentation and all of the ramped-up, exhausting and exhausted distractions of our current age. Education often drags along with its tenacious legacies of thinking and practice that are mostly silent, often silencing, simply taken for granted as just the way things are. Schooling itself, in so many quarters, has become an ecological disaster. Many teachers have studied and voiced these matters, while pursuing more venturous, ecologically sound work in their classroom, all this in deliberate resistance to the marginalization of such work. The series invites scholarly, enlivening and healing ways of researching and writing that attempt to live up to the ecologies of the topics themselves, each in their own ways and languages, each laden with their own ancestries, troubles, and insights – eco-hermeneutics, interpretive research, poetic inquiry, autobiographical and life writing, currere, Indigenous research, arts-based inquiry, storytelling and emergent ways and means of knowing. None of these are merely methodologies. Each involves myriad encounters, myriad relationships, myriad possibilities. In trying to find the measure of what is written within the things written about, these ways are in themselves ecological and pedagogical. They are locales where our relations are worked out, our songs are sung, our silences are shared, and our individual and collective stories are lived, contested, shaped and re-told. The logo for this book series is a Celtic Knot drawn by Eric Jardine in 1992. It became the cover illustration of a self-published book that year. It is a reminder of how long-standing is this current stream of work in education, stretching far back from there. These stretches are part of the ecological imagination itself. This book series is premised on the ecological understanding that all of education– all of the living fields of knowledge entrusted to teachers and students in schools, all of the gestures of teaching and learning itself – is full of relations, interdependencies, ancestries, places, voices animated by lived and learned experiences. Ecological pedagogy, curriculum and scholarship understands that all living fields of knowledge must be taught and learned as such, with all of their intrinsic and animate rigours, complexities, interrelatedness, and earthly responsibilities. In these ecologically sorrowful times, our individual and collective impulse to raise voices of commiseration and encouragement to those working inside and outside of schools bristles with urgency. And this just at a time when the world also seems to be churning with increasing distractions and fakeries whose beneficiaries are not of this earth. Schools and schooling are caught up in ongoing yet ever-shifting inheritances of place and displacement, privilege, colonialism, gender and so on. They are also subject to legacies of indiscriminate standardization, efficiency, fragmentation and all of the ramped-up, exhausting and exhausted distractions of our current age. Education often drags along with its tenacious legacies of thinking and practice that are mostly silent, often silencing, simply taken for granted as just the way things are. Schooling itself, in so many quarters, has become an ecological disaster. Many teachers have studied and voiced these matters, while pursuing more venturous, ecologically sound work in their classroom, all this in deliberate resistance to the marginalization of such work. The series invites scholarly, enlivening and healing ways of researching and writing that attempt to live up to the ecologies of the topics themselves, each in their own ways and languages, each laden with their own ancestries, troubles, and insights – eco-hermeneutics, interpretive research, poetic inquiry, autobiographical and life writing, currere, Indigenous research, arts-based inquiry, storytelling and emergent ways and means of knowing. None of these are merely methodologies. Each involves myriad encounters, myriad relationships, myriad possibilities. In trying to find the measure of what is written within the things written about, these ways are in themselves ecological and pedagogical. They are locales where our relations are worked out, our songs are sung, our silences are shared, and our individual and collective stories are lived, contested, shaped and re-told. The logo for this book series is a Celtic Knot drawn by Eric Jardine in 1992. It became the cover illustration of a self-published book that year. It is a reminder of how long-standing is this current stream of work in education, stretching far back from there. These stretches are part of the ecological imagination itself.

5 publications

University of Cincinnati Studies in Historical and Contemporary Europe

ISSN: 0888-3882

2 publications

Critical Qualitative Research

Critical research serves to address societal structures and institutions that oppress and exclude so that transformative actions can be generated that reduce inequitable power conditions. We invite proposals for authored and edited volumes that describe critical social science research (re)conceptualizations, practices, and methodologies that can be used by other scholars who wish to design and implement critical qualitative inquiry. Critical Qualitative Research challenges modernist orientations toward research by using social theory, designs, and research practices that emerge from critical questions like: Who/what is heard? Who/what is silenced? Who is privileged? Who is disqualified? How are forms of inclusion/exclusion being created? How are relations of power constructed and managed? How do various forms of privilege and oppression intersect to impact life possibilities for various individuals and groups? How do the arts inform research? How can multiple knowledges be engaged in research? How can research be socially just?

46 publications

Methodology of Music Research

Die Buchreihe “Methodology of Music Research“ präsentiert aktuelle und grundlegende Studien aus der Musikwissenschaft. Die Sammelbände und Monographien decken dabei ein breites Themenspektrum ab, von der Musiktheorie, interdisziplinären und pädagogischen Aspekten der Musikwissenschaft, musikwissenschaftlicher Methodik bis zur kritischen Auseinandersetzung mit Trends und Perspektiven der Musikwissenschaft. Die Buchreihe “Methodology of Music Research“ präsentiert aktuelle und grundlegende Studien aus der Musikwissenschaft. Die Sammelbände und Monographien decken dabei ein breites Themenspektrum ab, von der Musiktheorie, interdisziplinären und pädagogischen Aspekten der Musikwissenschaft, musikwissenschaftlicher Methodik bis zur kritischen Auseinandersetzung mit Trends und Perspektiven der Musikwissenschaft. Die Buchreihe “Methodology of Music Research“ präsentiert aktuelle und grundlegende Studien aus der Musikwissenschaft. Die Sammelbände und Monographien decken dabei ein breites Themenspektrum ab, von der Musiktheorie, interdisziplinären und pädagogischen Aspekten der Musikwissenschaft, musikwissenschaftlicher Methodik bis zur kritischen Auseinandersetzung mit Trends und Perspektiven der Musikwissenschaft.

14 publications

Recherche littéraire / Literary Research

ISSN: 0849-0570

Aims and Scope As the annual peer-reviewed publication of the International Comparative Literature Association (ICLA), Recherche littéraire / Literary Research is an Open Access journal published by Peter Lang. Its mission is to inform comparative literature scholars worldwide of recent contributions to the field. To that end, it publishes scholarly essays, review essays discussing recent research developments in particular sub-fields of the discipline, as well as reviews of books on comparative topics. Scholarly essays are submitted to a double-blind peer review. Submissions by early-career comparative literature scholars are strongly encouraged. Journal published with the support of the International Comparative Literature Association (ICLA). Past issues back to 2014 can be accessed on the ICLA website: https://www.ailc-icla.org/publications/ * * * Objectifs et portée En tant que publication annuelle de l’Association internationale de littérature comparée (AILC), Recherche littéraire / Literary Research est une revue expertisée par des pair·e·s et publiée par Peter Lang en libre accès voie dorée. Elle vise à faire connaître aux comparatistes du monde entier les développements récents de la discipline. Dans ce but, la revue publie des articles de recherche scientifique, des essais critiques dressant l’état des lieux d’un domaine particulier de la littérature comparée, ainsi que des comptes rendus de livres sur des sujets comparatistes. Les articles de recherche sont soumis à une évaluation par des pair·e·s en double anonyme. Des soumissions par de jeunes chercheuses et chercheurs en littérature comparée sont fortement encouragées. Revue publiée avec le concours de l’Association internationale de littérature comparée (AILC). Les numéros antérieurs, remontant à 2014, sont accessibles sur le site de l’AILC: https://www.ailc-icla.org/publications/ * * * Editor-in-Chief / Rédactrice en Chef: Alice Duhan, University of Gothenburg, Sweden Editorial Consultant / Conseiller éditorial: Marc Maufort, Université Libre de Bruxelles (ULB), Belgium Book Review Editor/ Rédacteur chargé des comptes rendus: Shuangyi Li, University of Bristol, UK Editorial Assistant / Assistante de rédaction: Cajsa Zerhouni, University of Gothenburg, Sweden Editorial Board / Comité éditorial: Dorothy Figueira, University of Georgia, USA / John Burt Foster, George Mason University, USA / Peter Hajdu, Hungarian Academy of Sciences, Hungary / Helga Mitterbauer, Université Libre de Bruxelles (ULB), Belgium / David ODonnell, Victoria University of Wellington, New Zealand / Haun Saussy, University of Chicago, USA / Anne Tomiche, Université de Paris, France / ZHANG Longxi, City University of Hong Kong, China Advisory Board / Comité consultatif: Thomas Oliver Beebee, Penn State University, USA / César Dominguez, Universidade de Santiago de Compostela, España / Massimo Fusillo, Università degli studi dell’Aquila, Italia / Scott Miller, Brigham Young University, USA / E.V. Ramakrishnan, Central University of Gujarat, India / Monica Spiridon, Universitatea din Bucureşti, România / Jüri Talvet, University of Tartu, Estonia / Hein Viljoen, North-West University, Potchesfstroom, South Africa * * * Submission Guidelines Reviews and essays are written in French or English, the two official languages of the ICLA. Book reviews should be between 1500 and 2000 words. Edited volumes and journal issues will also be considered for review. Review essays about the state of the art, about several related books, or about a work of major significance for the field will be allowed to exceed 3500 words, excluding works cited and footnotes. Scholarly essays should count between 6000 and 8000 words (excluding works cited and footnotes). Scholarly essays should also be preceded by an abstract in English of approximately 250 words and by 6 to 7 keywords for indexation purposes. The stylesheet for all types of submissions can be downloaded here: https://www.peterlang.com/app/uploads/2026/01/Style_Guidelines_British_English_Peter_Lang-JAN-2026.pdf For inquiries and submissions, please contact the editors: Alice Duhan, Editor, Email: alice.duhan@gu.se Department of Languages and Literatures University of Gothenburg Box 200 40530 Gothenburg Sweden Shuangyi Li, Book Review Editor, Email: shuangyi.li@bristol.ac.uk School of Modern Languages 17 Woodland Road Clifton Bristol, BS8 1TE UK * * * Instructions aux auteur·e·s Les comptes rendus ainsi que les articles de recherche peuvent être écrits en français ou en anglais, les deux langues officielles de l’AILC. Un compte rendu comptera entre 1500 et 2000 mots. Des ouvrages collectifs et des numéros de revues pourront également faire l’objet d’un compte rendu. Un essai critique sur l’état de l’art, sur un ensemble d’ouvrages, ou sur un livre ambitieux pourra dépasser 3500 mots, hormis bibliographie et notes en bas de page. Les articles de recherche compteront entre 6000 et 8000 mots (hormis bibliographie et notes en bas de page). Ces articles de recherche doivent également être précédés d’un résumé en anglais d’environ 250 mots et de 6 à 7 mots-clés à des fins d’indexation. Une traduction en anglais du titre de l’article est également demandée. Les normes de présentation pour tous les types de soumissions peuvent être téléchargées ici: https://help.peterlang.com/hubfs/Author_Package/Guide_stylistique_fran%C3%A7ais_Peter_Lang.pdf Renseignements et soumissions: Alice Duhan, Rédactrice en chef, Email: alice.duhan@gu.se Department of Languages and Literatures University of Gothenburg Box 200 40530 Gothenburg Sweden Shuangyi Li, Rédacteur chargé des comptes rendus, Email: shuangyi.li@bristol.ac.uk School of Modern Languages 17 Woodland Road Clifton Bristol, BS8 1TE UK *** Statement of Publication Ethics AUTHORS: Submissions should be original and free from any plagiarism. Authors should not offer their submissions concurrently elsewhere. The submitted work should not have been previously published in any language. Authors are fully responsible for the contents of their essays. They should secure permission for the reprinting of any copyrighted material. LR/RL does not charge any fees for the submission of manuscripts and their publication. REVIEWERS: All scholarly articles are rigorously assessed through anonymous peer review (authorship will not be divulged and readers will remain unidentified). Submissions are assessed by at least two international experts in the relevant fields. A third reader will be consulted, if necessary. Peer reviews will last approximately 3 months. The journal and its editorial team adhere to Peter Lang’s code of ethics regarding peer review: reviewers are asked to abide by the COPE Ethical Guidelines for Peer Reviewers (https://www.peterlang.com/app/uploads/2021/07/COPE-Ethical-Guidelines_2016.pdf), which ensures the integrity of the academic research we publish. More information on Peter Lang’s commitment to academic excellence can be found here: https://www.peterlang.com/for-authors/. In case of conflict, the journal will follow the steps outlined by COPE here: https://publicationethics.org/files/Full%20set%20of%20flowcharts.pdf. EDITORS: LR/RL is committed to the impartiality of the editorial process. The journal will pay particular attention to any conflict of interests. The journal will promote good editorial practice, such as the adherence to clear instructions. LR/RL does not endorse the opinions of authors once their work is published. The journal is published in Gold Open Access, under the copyright license Creative Commons CC-BY-ND-NC 4.0 International. Each issue will be immediately available in its entirety on Peter Lang’s website upon publication. *** Déclaration d’éthique de publication AUTEUR·E·S: Les soumissions doivent être originales et exemptes de tout plagiat. Les auteur·e·s ne doivent pas proposer leurs soumissions simultanément ailleurs. Le travail soumis ne doit avoir été publié auparavant dans aucune langue. Les auteur·e·s sont entièrement responsables du contenu de leurs essais. Il·Elle·s doivent obtenir l’autorisation de réimprimer tout matériel protégé par le droit d’auteur. LR/RL ne facture aucun frais pour la soumission des manuscrits et leur publication. ÉVALUATEUR·RICE·S: Tous les articles scientifiques sont rigoureusement évalués par un examen anonyme par des pairs (la paternité des auteur·e·s ne sera pas divulguée et les lecteur·rice·s resteront non identifié·e·s). Les soumissions sont évaluées par au moins deux expert·e·s internationaux·ales dans les domaines concernés. Une troisième personne sera consultée, si nécessaire. Les évaluations par les pairs dureront environ 3 mois. La revue et son équipe éditoriale adhèrent au code de déontologie de Peter Lang concernant l’évaluation par les pairs: les évaluateur·rice·s sont prié·e·s de respecter les Directives éthiques du COPE pour l'évaluation par les pairs (https://www.peterlang.com/app/uploads/2021/07/COPE-Ethical-Guidelines_2016.pdf), qui garantissent l’intégrité de la recherche scientifique que nous publions. Pour plus d’informations sur l’engagement de Peter Lang en faveur de l’excellence académique, cliquez ici: https://www.peterlang.com/for-authors/. En cas de conflit, la revue suivra les étapes décrites par COPE ici: https://publicationethics.org/files/Full%20set%20of%20flowcharts.pdf. ÉDITEUR·RICE·S: LR/RL s’engage à respecter l’impartialité du processus éditorial. La revue portera une attention particulière à tout conflit d’intérêts. Elle encouragera les bonnes pratiques éditoriales, telles que le respect d’instructions claires. LR/RL ne cautionne pas l’opinion des auteur·e·s une fois leur travail publié. La revue est publiée en Open Access voie dorée, sous la licence de copyright Creative Commons CC-BY-ND-NC 4.0 International. Chaque numéro sera immédiatement disponible dans son intégralité sur le site web de Peter Lang dès sa publication. *** Abstracting and Indexing / Indexation EBSCO, MLA Directory of Periodicals, OAPEN

11 publications

Travel Writing Across the Disciplines

The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice. The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice. The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice.

14 publications

Angewandte Genderforschung / Gender Research Applied

ISSN: 1861-1915

The Series Angewandte Genderforschung.Gender Research Applied provides German and English monographs on gender and diversity research in organizations. The series has a transdisciplinary approach, and it focuses on gender and diversity issues in organizations. It incorporates findings from sociology, psychology, business administration and medicine, and provides input on how theoretical and empirical findings can be applied successfully to organizational change processes. Editor of the series is Professor Ingelore Welpe, an expert on human resource management and cross cultural gender and diversity management. Die Reihe Angewandte Genderforschung. Gender Research Applied enthält deutsch- und englischsprachige Monographien aus dem Fachbereich Gender- und Diversity-Forschung in Organisationen. Sie ist transdiziplinär ausgerichtet und setzt aktuelle Schwerpunkte mit anwendungsbezogenen Gender-Diversity-Aspekten in der Soziologie, Psychologie, Betriebswirtschaftlehre und in der Medizin. Die Reihe liefert Beiträge dazu, wie theoretische und empirische Befunde praktikabel und erfolgreich in organisationalen Veränderungsprozessen umgesetzt werden. Herausgegeben wird die Reihe von Frau Professor Ingelore Welpe, Expertin für Human Resource Management und interkulturelles Gender- und Diversity-Management.

10 publications

Research in Religion and Family

ISSN: 1055-1158

This series aims to provide a framework and opportunity for original research that explores both the ground and the goals of family and religion in the black tradition. Monographs in the series will examine the ways in which kinship networks wert forrned and maintained, how the community raised and socialized children, how they carved out a religion and fashioned a rieh and expressive culture that refleeted their uninhibited imagination and provided a means to articulate their hopes and Kurts, their dreams and doubts. Research will not only focus an the pass and present, but will also look at the adequacy of current modeln of family and religion to take the black community into the twenty-first century. This series aims to provide a framework and opportunity for original research that explores both the ground and the goals of family and religion in the black tradition. Monographs in the series will examine the ways in which kinship networks wert forrned and maintained, how the community raised and socialized children, how they carved out a religion and fashioned a rieh and expressive culture that refleeted their uninhibited imagination and provided a means to articulate their hopes and Kurts, their dreams and doubts. Research will not only focus an the pass and present, but will also look at the adequacy of current modeln of family and religion to take the black community into the twenty-first century. This series aims to provide a framework and opportunity for original research that explores both the ground and the goals of family and religion in the black tradition. Monographs in the series will examine the ways in which kinship networks wert forrned and maintained, how the community raised and socialized children, how they carved out a religion and fashioned a rieh and expressive culture that refleeted their uninhibited imagination and provided a means to articulate their hopes and Kurts, their dreams and doubts. Research will not only focus an the pass and present, but will also look at the adequacy of current modeln of family and religion to take the black community into the twenty-first century.

6 publications

Studies in Adolescence and Family Research

ISSN: 1860-790X

2 publications

Dramaturgies

ISSN: 1376-3199

This series presents innovative research work in the dramaturgies of the twentieth and twenty-first centuries. Its main purpose is to re-assess the complex relationship between textual studies, cultural and/or performance aspects at the dawn of this new multicultural millennium. The series offers discussions of the link between drama and multiculturalism (studies of “minority” playwrights –– ethnic, Aboriginal, gay, and lesbian), reconsiderations of established playwrights in the light of contemporary critical theories, studies of the interface between theatre practice and textual analysis, studies of marginalized theatrical practices (circus, vaudeville, etc.), explorations of emerging postcolonial drama, research into new modes of dramatic expressions and comparative or theoretical drama studies. Cette série présente des travaux de recherche innovateurs dans le domaine de la dramaturgie des XXe et XXIe siècles. Son objectif essentiel est de ré-examiner la relation complexe entre études de textes, aspects culturels et/ou performatifs à l’aube d’un millénaire multiculturel. La collection offre des analyses du lien entre textes dramatiques et multiculturalisme (études de dramaturges issus de « minorités » diverses, ethniques, aborigènes et sexuelles), de nouvelles approches de dramaturges confirmés à la lumière des théories critiques contemporaines, des études de l’interface entre pratique théâtrale et analyse textuelle, des études de formes théâtrales marginales (cirque, vaudeville, etc.), des monographies relatives au théâtre postcolonial ainsi qu’aux nouveaux modes d’expression dramatique. Elle aborde également le domaine du théâtre comparé et de la théorie théâtrale.

46 publications

Studies for Military Pedagogy, Military Science & Security Policy

Die Buchreihe Studies for Military Pedagogy, Military Science & Security Policy präsentiert Studien aus dem Fachgebiet der Pädagogik mit interdisziplinärem Bezug zur Politikwissenschaft. Die Monographien und Sammelbände der Reihe erscheinen in englischer oder deutscher Sprache und behandeln unter anderem Forschungsschwerpunkte wie Militärpädagogik, Militärethik oder auch die Gewaltproblematik im philosophischen Kontext. Die Reihe wird ab Band 13 unter dem Titel Studies for Military Psychology and Military Pedagogy fortgesetzt. Die Buchreihe Studies for Military Pedagogy, Military Science & Security Policy präsentiert Studien aus dem Fachgebiet der Pädagogik mit interdisziplinärem Bezug zur Politikwissenschaft. Die Monographien und Sammelbände der Reihe erscheinen in englischer oder deutscher Sprache und behandeln unter anderem Forschungsschwerpunkte wie Militärpädagogik, Militärethik oder auch die Gewaltproblematik im philosophischen Kontext. Die Reihe wird ab Band 13 unter dem Titel Studies for Military Psychology and Military Pedagogy fortgesetzt.

12 publications

Higher Education Research and Policy

ISSN: 2193-7613

The Higher Education Research and Policy (HERP) series is intended to present both research-oriented and policy-oriented studies of higher education systems in transition, especially from international comparative perspectives. Higher education systems worldwide are currently under multi-layered pressures to transform their funding and governance structures in rapidly changing environments. The series intends to explore the impact of such wider social and economic processes as globalization, internationalization and Europeanization on higher education institutions and it is focused on such issues as changing relationships between the university and the state, the changing academic profession, changes in public funding and university governance, the emergent public/private dynamics in higher education, the consequences of educational expansion, education and public/private goods, and the impact of changing demographics on national systems. Its audience includes higher education researchers and higher education policy analysts, university managers and administrators, as well as national policymakers and staff of international organizations involved in higher education policymaking. Board Members Daniel C. Levy, Department of Educational Administration and Policy Studies, State University of New York, Albany, USA Peter Maassen, Department of Edcational Research, University of Oslo, Norway Paul Temple, Centre for Higher Education Studies (CHES), Institute of Education, London, United Kingdom Pavel Zgaga, Centre for Educational Policy Studies (CEPS), Faculty of Education, University of Ljubljana, Slovenia

14 publications