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  • Repenser le cinéma / Rethinking Cinema

    The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles.

    13 publications

  • Title: The National and Beyond

    The National and Beyond

    The Globalisation of Finnish Cinema in the Films of Aki and Mika Kaurismäki
    by Pietari Kääpä (Author) 2011
    ©2010 Monographs
  • Title: Defeated Masculinity

    Defeated Masculinity

    Post-Traumatic Cinema in the Aftermath of War
    by Raya Morag (Author)
    ©2009 Monographs
  • Title: Gesture in French Post-New Wave Cinema

    Gesture in French Post-New Wave Cinema

    by François Giraud (Author) 2023
    ©2023 Monographs
  • Title: Canada: Images of a Post/National Society

    Canada: Images of a Post/National Society

    by Gunilla Florby (Volume editor) Mark Shackleton (Volume editor) Katri Suhonen (Volume editor)
    ©2009 Edited Collection
  • Title: L’Office national du film et le cinéma canadien (1939-2003)

    L’Office national du film et le cinéma canadien (1939-2003)

    Éloge de la frugalité
    by Caroline Zéau (Author)
    ©2006 Monographs
  • Title: National Production Regimes in Post-Socialist Countries

    National Production Regimes in Post-Socialist Countries

    The Case of the Czech Republic
    by Mirka C. Wilderer (Author)
    ©2002 Thesis
  • Title: Reel Schools

    Reel Schools

    Schooling and the Nation in Australian Cinema
    by Josephine May (Author) 2013
    ©2013 Monographs
  • Title: Postcolonial Nation and Narrative III: Literature & Cinema

    Postcolonial Nation and Narrative III: Literature & Cinema

    Cape Verde, Guinea-Bissau and São Tomé e Príncipe
    by Ana Mafalda Leite (Volume editor) Hilary Owen (Volume editor) Ellen Sapega (Volume editor) Carmen Secco (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Migrant Memories

    Migrant Memories

    Cultural History, Cinema and the Italian Post-War Diaspora in Britain
    by Margherita Sprio (Author) 2013
    ©2014 Monographs
  • Title: Legal and Political Theory in the Post-National Age

    Legal and Political Theory in the Post-National Age

    Selected papers presented at the Second Central and Eastern European Forum for Legal, Political and Social Theorists (Budapest, 21-22 May 2010)
    by Péter Cserne (Volume editor) Miklós Könczöl (Volume editor)
    ©2011 Thesis
  • Title: Nation-Building in the Context of Post-Communist Transformation and Globalization

    Nation-Building in the Context of Post-Communist Transformation and Globalization

    The Case of Estonia
    by Raivo Vetik (Volume editor) 2012
    ©2012 Edited Collection
  • Title: Shame and Desire

    Shame and Desire

    Emotion, Intersubjectivity, Cinema
    by Tarja Laine (Author)
    ©2007 Monographs
  • Title: Changing Polish Identities

    Changing Polish Identities

    Post-War and Post-Accession Polish Migrants in Manchester
    by Agniezka Bielewska-Mensah (Author) 2012
    ©2013 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2014
    ©2014 Monographs
  • Title: Italy On Screen

    Italy On Screen

    National Identity and Italian Imaginary
    by Lucy Bolton (Volume editor) Christina Siggers Manson (Volume editor) 2011
    ©2010 Conference proceedings
  • Title: Italian Cinema

    Italian Cinema

    New Directions
    by William Hope (Volume editor)
    ©2005 Edited Collection
  • Title: A Nation of Nations

    A Nation of Nations

    Nationalities’ Policies in Spain
    by Franz Valandro (Author)
    ©2002 Monographs
  • Title: Re-Building a Nation-State

    Re-Building a Nation-State

    Iraq After Saddam (Post 2003)
    by Ghalib Al-Abadi (Author) 2022
    ©2022 Monographs
  • Title: Questions of Colour in Cinema

    Questions of Colour in Cinema

    From Paintbrush to Pixel
    by Wendy Everett (Volume editor) 2012
    ©2008 Conference proceedings
  • Title: Le cinéma de Wojciech J. Has au miroir de la littérature

    Le cinéma de Wojciech J. Has au miroir de la littérature

    by Jessy Neau (Author) 2023
    ©2023 Monographs
  • Title: Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    by Christian Janssens (Author) 2016
    ©2016 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2023
    ©2023 Monographs
  • Title: Arab Modernities

    Arab Modernities

    Islamism, Nationalism, and Liberalism in the Post-Colonial Arab World
    by Jaafar Aksikas (Author)
    ©2009 Monographs
  • Title: Reimagining Kenyan Cinema

    Reimagining Kenyan Cinema

    by Charles Kebaya (Volume editor) Christopher Joseph Odhiambo (Volume editor) 2022
    ©2022 Monographs
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