Sport, History and Culture

ISSN: 1664-1906

This series publishes monographs, edited collections and reprints of classic studies on the history and the contemporary role of sport, primarily in Britain and Europe but including other parts of the world. The editors wish to make available the very best of recent doctoral and post-doctoral work in the subject area whilst also looking to established scholars for major new books or collections of articles. Although the focus of the series is historical, it also embraces more contemporary interdisciplinary studies of the role of sport as a local, national and global phenomenon. The series includes both new and established areas of research into the class, age and gender dimensions of sport as well as its political and ideological aspects, including nationalism, imperialism and post-colonialism. The editors wish to encourage economic and transnational studies of sport as well as new work on ethnicity, sports literature and material culture. The series will also reflect on the significance for the writing of sports history of new cultural and theoretical debates. Genuinely international in approach, the series also seeks to publish English translations of some of the most outstanding scholarship on the history and culture of sport in Europe, South America and beyond. The series aims to act as a focus for the historical study of sport internationally and facilitate interdisciplinary debate on the subject.

20 publications

China, Europa und die Welt – Literaturen und Kulturen im Dialog / China, Europe and the World – Literatures and Cultures in Dialogue

ISSN: 2569-1961

In times of globalization and cultural contemporaneity, the series China, Europe and the World – Literatures and Cultures in Dialogue, is an intercultural forum for the communication of academic voices regarding the "China dialogue". It builds a world-wide bridge between scholars and varied academic traditions, continuing the dialogic research between and among Chinese, European, and those scholars from other parts of the world. As a research network, the series also serves as a platform for academic exchange in fields of cultural, literary, linguistic, translational and historical studies. Manuscripts within the series’ range of topics are welcome and will be published after peer review. Vol. 1 and 2 have been published in the series Chinesisch-deutsche Jahres- und Tageszeiten. Übersetzung – Vermittlung – Rezeption. In Zeiten der Globalisierung, aber auch der Erfahrung kultureller Identitäten versteht sich die Reihe China, Europa und die Welt – Literaturen und Kulturen im Dialog als ein interkulturelles Forum für die Vermittlung und den Austausch von Primärliteratur, Übersetzungen, Forschungsergebnissen, Rezeptionen und Kommentaren zum „China-Dialog". Sie schlägt eine Brücke zwischen interessierten Wissenschaftler/inne/n und einschlägigen Wissenschaftstraditionen in Fortführung des dialogischen Forschungsauftrags zwischen China, Europa und anderen Ländern auf der Welt. Schließlich präsentiert sie als Wissenschaftsnetzwerk eine Plattform für den akademischen Kulturaustausch mit Beiträgen aus den Bereichen der Kultur-, Literatur-, Sprach-, Übersetzungs- und Geschichtswissenschaft. Manuskriptvorschläge sind willkommen und können bei den Herausgebern eingereicht werden. Band 1 und 2 sind in der Reihe Chinesisch-deutsche Jahres- und Tageszeiten. Übersetzung – Vermittlung – Rezeption erschienen.

4 publications

Documentary Film Cultures

ISSN: 2504-4834

This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)

8 publications

Schriftenreihe zum Recht der iberischen und lateinamerikanischen Staaten

2 publications

Printing History and Culture

This series unites the allied fields of global, national and local printing history and print culture, and is therefore concerned not only with the design, production and distribution of printed material but also its consumption, reception, and impact. It includes the histories of the machinery and equipment, of the industry and its personnel, of the printing processes, the design of its artefacts (books, newspapers, journals, fine prints, and ephemera) and with the related arts and crafts, including calligraphy, type-founding, typography and global scripts, papermaking, bookbinding, illustration, and publishing. It also covers the cultural context and environment in which print was produced and consumed. It is with great regret that we announce the death of Dr John Hinks (1946–2024), Series Editor of Printing History and Culture at Peter Lang. John had been ill for a while and was admitted for surgery at the start of April from which he did not recover. John was a sympathetic and conscientious editor as well as an erudite scholar in his own right with a wide-ranging interest in print culture in the eighteenth century, about which he published widely. He was also a popular figure amongst students to whom he was a compassionate and knowledgeable advisor. John possessed that rare skill of wearing his wisdom lightly and sharing it with generosity. More than that he was a kind friend and mentor who provoked affection and will be greatly missed.

13 publications

Lang Classical Studies

Lang Classical Studies includes topics in the history, literature, and culture of the ancient Greek and Roman world. Monographs that challenge currently accepted views or mark out new areas of investigation are especially welcome. Comparative studies that combine various aspects of religion, intellectual history, reception studies, political theory, archaeology, ancient medicine, and the history of science fall within the scope of this series whenever they address the larger concerns of modern Classical scholarship. Contributors to this series, however, need not feel they are confined to currently fashionable topics or approaches. Lang Classical Studies includes topics in the history, literature, and culture of the ancient Greek and Roman world. Monographs that challenge currently accepted views or mark out new areas of investigation are especially welcome. Comparative studies that combine various aspects of religion, intellectual history, reception studies, political theory, archaeology, ancient medicine, and the history of science fall within the scope of this series whenever they address the larger concerns of modern Classical scholarship. Contributors to this series, however, need not feel they are confined to currently fashionable topics or approaches. Lang Classical Studies includes topics in the history, literature, and culture of the ancient Greek and Roman world. Monographs that challenge currently accepted views or mark out new areas of investigation are especially welcome. Comparative studies that combine various aspects of religion, intellectual history, reception studies, political theory, archaeology, ancient medicine, and the history of science fall within the scope of this series whenever they address the larger concerns of modern Classical scholarship. Contributors to this series, however, need not feel they are confined to currently fashionable topics or approaches.

13 publications

Phenomenology and Literature

ISSN: 1524-0193

The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy. The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy. The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy.

5 publications

Studies in Nineteenth-Century British Literature

"Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages." "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages." "Books in this series examine the poetry and prose produced by British writers from the time of the French Revolution to the death of Queen Victoria. Historical events – rather than traditional literary categories or dates – define the scope of the series because they better convey a sense of the social consciousness that animates literary undertakings during this age. While the series includes a wide range of approaches to nineteenth-century British works, its special focus is on studies that relate this literature to its cultural context(s). Manuscripts addressing their subjects’ social, political, or historical situations, ideals, influences, or receptions are especially welcome; manuscripts analyzing the implications of classifying this literature as “Romantic” or “Victorian” or of separating it into genres are also encouraged. Authors should write in English, though they may appropriately compare British works with those in other languages."

25 publications

Studies in Classical Literature and Culture

ISSN: 2196-9779

The series explores a wide range of topics within classical studies concentrating on Greek and Latin language, ancient literature and culture as well as its reception. It includes monographs, collections of articles and critical editions presented by scholars from around the world and aims to bring together modern approaches like literary theory and cultural studies with traditional philology represented by textual criticism. Encouraging an interdisciplinary point of view it aims at giving a comprehensive picture of new trends and recent achievements in classics.

23 publications

Sprachkönnen und Sprachbewusstheit in Europa / Language Competence and Language Awareness in Europe

The series Language Competence and Language Awareness in Europe unites interdisciplinary linguistic research with a thematic focus on multilingualism, linguistic choices and linguistic variability, language contact processes in Europe – and beyond its boundaries – as well as situated speech practices and literacy skills in private and public spaces. The series editor Amei Koll-Stobbe welcomes manuscript proposals, especially data orientated analyses of language competence cum performance with a priority on basic research (without any restrictions regarding theoretical and methodological frameworks). Prior to publication, the quality of the works published in this series is reviewed by external referees appointed by the editor. In der Buchreihe Sprachkönnen und Sprachbewusstsein in Europa erscheinen vorwiegend Sammelbände aus Linguistik und Anglistik. Der thematische Fokus liegt auf der Sprachkontaktlinguistik, auf Aspekten von Sprachwahl und Sprachvariabilität in nationalen Sprachgrenzen – oder über diese hinweg – sowie auf situierten Sprachpraktiken (und literacy skills) in privaten und öffentlichen Räumen. Die Herausgeberin Amei Koll-Stobbe freut sich über Publikationsvorschläge v.a. aus dem Bereich der datenorientierten Analyse von sprachlicher Kompetenz cum Performanz mit einer grundlagenforschungsorientierten Ausrichtung (Beschränkungen auf bestimmte Untersuchungsmethoden oder Rahmentheorien gibt es nicht). Die Qualität der in dieser Reihe erscheinenden Arbeiten wird vor der Publikation durch externe, von der Herausgeberin benannte Gutachter geprüft.

11 publications

Dis/Continuities

ISSN: 2193-4207

«Dis/Continuities» is a series dedicated to publishing collected volumes and monographs on English Language and Literature, Comparative Literature as well as on Linguistics and History. The authors reflect various aspects of contemporary English culture. The series’ editor is Professor Miroslawa Buchholtz. Her research focus includes Canadian and American literature, the reception of Anglophone literature in Poland, and literary translation.

22 publications

Frankfurter öffentlich-rechtliche Studien

This series focuses on the life and work of the internationally celebrated German writer Lion Feuchtwanger (1884-1958). Of particular interest are topics such as Feuchtwanger's role as a critic of Weimar Germany and the rise of Nazism, his years of exile in France (1933-40) and in the USA (1940-58), his achievements as a proponent of the historical novel, and his reception both in post-war Germany and in the wider world. Besides offering fresh analyses of major novels such as Jud Süß, Erfolg, and Goya and the often controversial films which some of them inspired, the series presents Feuchtwanger in the context of his times, paying special attention to his years in Southern California and his relationships with other leading cultural figures of the era such as Bertolt Brecht, Charles Chaplin, Thomas Mann, and Arnold Zweig. Volumes in the series include selections of refereed papers from the biennial conferences of the International Feuchtwanger Society as well as specially commissioned monographs. This series focuses on the life and work of the internationally celebrated German writer Lion Feuchtwanger (1884-1958). Of particular interest are topics such as Feuchtwanger's role as a critic of Weimar Germany and the rise of Nazism, his years of exile in France (1933-40) and in the USA (1940-58), his achievements as a proponent of the historical novel, and his reception both in post-war Germany and in the wider world. Besides offering fresh analyses of major novels such as Jud Süß, Erfolg, and Goya and the often controversial films which some of them inspired, the series presents Feuchtwanger in the context of his times, paying special attention to his years in Southern California and his relationships with other leading cultural figures of the era such as Bertolt Brecht, Charles Chaplin, Thomas Mann, and Arnold Zweig. Volumes in the series include selections of refereed papers from the biennial conferences of the International Feuchtwanger Society as well as specially commissioned monographs. This series focuses on the life and work of the internationally celebrated German writer Lion Feuchtwanger (1884-1958). Of particular interest are topics such as Feuchtwanger's role as a critic of Weimar Germany and the rise of Nazism, his years of exile in France (1933-40) and in the USA (1940-58), his achievements as a proponent of the historical novel, and his reception both in post-war Germany and in the wider world. Besides offering fresh analyses of major novels such as Jud Süß, Erfolg, and Goya and the often controversial films which some of them inspired, the series presents Feuchtwanger in the context of his times, paying special attention to his years in Southern California and his relationships with other leading cultural figures of the era such as Bertolt Brecht, Charles Chaplin, Thomas Mann, and Arnold Zweig. Volumes in the series include selections of refereed papers from the biennial conferences of the International Feuchtwanger Society as well as specially commissioned monographs.

10 publications

Inclusion and Teacher Education

Historically, inclusive education developed as a reaction to the exclusion of students of minoritized identity groups marked by race, language, sexual orientation, disability, etc. Our position in this series is that inclusion can and should be more. It can be understood as embracing and planning for difference, building relationships across difference, teaching and learning that acknowledges and supports difference while also minimizing the use of identity categories as the foundation for arguments about inclusion. In other words, the silos of educational discourse based on identity categories need to be broken down, little by little, to reconceptualize inclusion as just, compassionate, and creative ways of living, teaching, and learning in a complex and diverse world. Inclusive teaching depends on deeply respectful relationships between teachers, students, and community members. Books in the series must make clear connections between theory and practice. Both are necessary ingredients for inclusion. This series will help teacher educators prepare teachers to be knowledgeable and skillful in teaching all students, regardless of their differences. Historically, inclusive education developed as a reaction to the exclusion of students of minoritized identity groups marked by race, language, sexual orientation, disability, etc. Our position in this series is that inclusion can and should be more. It can be understood as embracing and planning for difference, building relationships across difference, teaching and learning that acknowledges and supports difference while also minimizing the use of identity categories as the foundation for arguments about inclusion. In other words, the silos of educational discourse based on identity categories need to be broken down, little by little, to reconceptualize inclusion as just, compassionate, and creative ways of living, teaching, and learning in a complex and diverse world. Inclusive teaching depends on deeply respectful relationships between teachers, students, and community members. Books in the series must make clear connections between theory and practice. Both are necessary ingredients for inclusion. This series will help teacher educators prepare teachers to be knowledgeable and skillful in teaching all students, regardless of their differences. Historically, inclusive education developed as a reaction to the exclusion of students of minoritized identity groups marked by race, language, sexual orientation, disability, etc. Our position in this series is that inclusion can and should be more. It can be understood as embracing and planning for difference, building relationships across difference, teaching and learning that acknowledges and supports difference while also minimizing the use of identity categories as the foundation for arguments about inclusion. In other words, the silos of educational discourse based on identity categories need to be broken down, little by little, to reconceptualize inclusion as just, compassionate, and creative ways of living, teaching, and learning in a complex and diverse world. Inclusive teaching depends on deeply respectful relationships between teachers, students, and community members. Books in the series must make clear connections between theory and practice. Both are necessary ingredients for inclusion. This series will help teacher educators prepare teachers to be knowledgeable and skillful in teaching all students, regardless of their differences.

7 publications

Researching with GEMMA

ISSN: 2813-0766

The main purpose of the series "Researching with GEMMA" is to present innovative, in-depth, and culturally provocative research on critical issues in Gender and Women’s Studies produced within the GEMMA Erasmus Mundus community. GEMMA is an interdisciplinary programme that provides high quality academic education and professional skills for people who are working or intend to work in the areas of Women's Studies, Gender Studies and Equal Opportunities across Europe and beyond. The main objective of GEMMA is to train experts in gender equality, taking into account the intersections of ethnicity, class and sexuality and contributing to the construction of a caring and responsible citizenship. GEMMA brings together the teaching and research work in Women's and Gender Studies in the fields of Humanities and Social Sciences of the participating universities and leading to a programme that provides a wide range of options, taught by lecturers of great prestige in the aforementioned fields in each of the institutions and centers.

4 publications

Russian Transformations: Literature, Culture and Ideas

ISSN: 1662-2545

Russian Transformations publishes studies across the entire extent of Russian literature, thought and culture from the medieval period to the present. The series gives special emphasis to the kinds of transformation that characterise Russian, Soviet and post-Soviet writing. Transformation has often been under the stimulus of (and resistance to) foreign traditions. Acts of cross-cultural and cross-literary reception mark Russia's sense of creative development and national identity. Transformation has often been the result of the on-going dialogues between writers working within the Russian literary tradition through polemic and subtle use of intertextuality. Similarly, the stunning political and social changes that have been characteristic of Russian history generated radical transformation in the institutions of literature and in forms of literature from Modernism to post-Perestroika as writers react to official policy on freedom of expression.

7 publications

New Comparative Criticism

ISSN: 2235-1809

New Comparative Criticism is dedicated to innovative research in literary and cultural studies. It invites contributions with a comparative, cross-cultural, and interdisciplinary focus, including comparative studies of themes, genres, and periods, and research in the following fields: world literature, environmental humanities, literary and cultural theory, material and visual cultures, speculative fiction, reception studies, cultural history, comparative gender studies and performance studies, diasporas and migration studies, and transmediality. The series is especially interested in research that articulates and examines new developments in comparative literature, in the English-speaking world and beyond. It seeks to advance methodological reflection on comparative literature and aims to encourage critical dialogue between scholars of comparative literature at an international level. Editorial Board: Gillian Beer (University of Cambridge), Helena Buescu (University of Lisbon), Laura Caretti (University of Siena), Djelal Kadir (Penn State University), Timothy Mathews (University College London), Rosa Mucignat (King’s College London), Danielle Sands (Royal Holloway, University of London), Galin Tihanov (Queen Mary, University of London), Marina Warner (Birkbeck, University of London).

18 publications

Romantic Studies

ISSN: 2504-1932

This series is mainly focused on English literature produced in Britain and Europe between the 1750s and the 1830s. It aims to explore the key concepts regarding Romantic texts and aesthetics, such as the relationship between the writer and the natural world; context and history; sensibility and the sublime; gender roles; language and the power of the imagination; studies of genre; slavery and abolition; migration literature, consumer literature; social transformation; critical reception; and transnational relations. The series welcomes studies on major as well as less well-known authors and literary genres, and on historical and cultural contexts of the period. Within this framework, volumes included in this series will not only expand the canon beyond traditional authors and genres, but also provide opportunities for exploring texts and contexts from new perspectives, including those of gender, cultural and translation studies. The series includes monographs, collection of essays, conference proceedings, critical editions and translations, and aims to address an international community. Book proposals for the series are welcome. Those interested in contributing to the series should send a detailed project outline either to the series editors or to the publisher. Lilla Maria Crisafulli: lilla.crisafulli@unibo.it Serena Baiesi: serena.baiesi@unibo.it

6 publications

Feuchtwanger Studies

This series focuses on the life and work of the internationally celebrated German writer Lion Feuchtwanger (1884–1958), whose works have been translated into many languages. Of particular interest are topics such as Feuchtwanger’s role as a critic of Weimar Germany and the rise of Nazism, his years of exile in France (1933–40) and in the United States (1940–58), his achievements as a proponent of the historical novel, and his reception both in Germany and in the wider world. The series presents Feuchtwanger in the context of his times, paying special attention to his years in Southern California and his relationships with other leading cultural figures of the era. With Feuchtwanger at its core, the series explores the multinational literary and intellectual network that resulted from German and Austrian exile under Nationalism Socialism: from Paris to Vienna, Los Angeles to London, Buenos Aires to Tel Aviv, and New York to Moscow. Contributions present cutting-edge research elaborating on the intricate relations of literary locations, emotional spaces and biographies characteristic of these important writers, artists and filmmakers. Books in the series will be of interest to those working in German studies, exile studies, Jewish studies, gender studies and film studies. Volumes in the series include selections of refereed and reworked papers from the biennial conferences of the International Feuchtwanger Society as well as specially commissioned monographs relating to Marta and Lion Feuchtwanger, their circle and contemporaries.

11 publications

Studien zur Geschichte europäischer Periodika / Studies in the History of European Periodicals

ISSN: 2570-0510

These "Studies" explore the periodical in its many forms, dating back to the beginning of printing. In addition to magazines and newspapers, we investigate broadsheets, folk calendars, almanacs, and other forms of the periodical. In this international and interdisciplinary series, local, regional, national and trans-European communication spaces and forms are also examined. The series considers historical developments (of a specific genre or an ensemble of several periodicals, etc.) and offers synchronous investigations into the media and communications of a given period. The "Studies" aim to contribute to the understanding of the emergence, establishment and diversification of the European print media reception and literary and media formats and techniques. Die „Studien" erforschen die vielfältigen Formen der periodisch publizierten Kommunikation seit Beginn des Buchdrucks. Neben Zeitschriften, Magazinen oder Zeitungen gehören hierzu auch ältere Formen wie Flugblätter, Volkskalender, Almanache etc. In der internationalen und interdisziplinären Reihe werden lokale, regionale, nationale oder transeuropäische Kommunikationsräume und -formen untersucht. Sie interessiert sich für historische Entwicklungen (einer spezifischen Gattung oder eines Ensembles mehrerer Periodika etc.) und bietet synchrone Untersuchungen zur medialen Kommunikation einer Epoche. Damit leisten die Studien einen Beitrag zur Erforschung der Entstehung, Etablierung und Diversifizierung der europäischen Printmedienrezeption sowie medialer und literarischer Formate und Techniken.

6 publications

Destini incrociati / Destins croisés

ISSN: 2031-1311

The series «　Destini incrociati / Criss-crossed fates　» was born out of the encounter of italianist teachers and researchers working in the various francophone universities in Belgium. Multilingual, it offers both studies of a general nature and more specific contributions within the areas of Italian language, culture and literature. With no predetermined methodology, and open to the plurality of voices and skills, the series «　Destini incrociati / Criss-crossed fates　» sets out to combine academic rigour with the pleasure of reading, in publishing alternatively works with multiple authors, monographs, critical and linguistic essays, and academic books. The series has thus been conceived of as a cultural library, an ideal point of convergence for a variety of themes, projects, perspectives and new approaches. All volumes in this series passed a selection process that included double blind peer-review. Nata dallincontro di docenti e ricercatori di italianistica attivi nelle università francofone del Belgio, la collana «　Destini incrociati / Destins croisés　» raccoglie, in più lingue, studi d’insieme e interventi specifici su argomenti che pertengono alla lingua, alla cultura e alla letteratura italiana. Senza preclusioni metodologiche, aperta a voci e competenze diverse, «　Destini incrociati / Destins croisés　» si propone di coniugare rigore scientifico e piacere della lettura, alternando la pubblicazione di volumi miscellanei a monografie, di saggi critici e linguistici a edizioni di testi. La collana si presenta dunque come una biblioteca di cultura, in cui varietà di temi e progetti, novità di prospettive e approcci trovino un punto ideale di convergenza. Ogni volume della collana è stato sottoposto a una doppia revisione paritaria anonima.

19 publications

Teaching Critical Themes in American History

ISSN: 2576-0718

In the United States, the Common Core Standards, the C3 Frame-work for Social Studies Standards (NCSS), and the 10 themes of the National Curriculum Standards (NCS/NCSS) each pose challenges for teachers preparing to teach skills, content, and critical issues of American history. The problem for many middle and secondary teachers is that textbooks do not contain sufficient primary source documents and varied secondary literature linked to these stand-ards. The volumes in the Teaching Critical Themes in American His-tory fill this need by providing teachers with history content, peda-gogical strategies, and teaching resources. The series is organized around key problems/issues in American history so that teachers can select which critical topics upon which they might want to con-centrate. Middle and Secondary pre-and in-service educators will find the books in this series essential for developing and implementing American history and social studies curriculum in diverse and com-plex classrooms. Teachers will find the books in this series valuable as they search for methodologies and material that will help them address the Common Core Standards in the social sciences and his-tory. Community College history instructors can also find the books in this series helpful as supplementary texts in their U.S. history survey courses. The practical—not to mention exciting—implementation of perspectives offered in each title is a key fea-ture of this series. This series will address topics such as the formation of the Ameri-can Republic, the problem of slavery in America, causes of the Civil War, emancipation and reconstruction, America’s response to in-dustrialization, the New Deal, the fight for Civil Rights, and more. The Series Editors invite proposals for edited volumes in American history and social studies, along with articles and lesson plans for both the topics above, and other topics of the series.

16 publications

Leeds Studies on Dante

The book series Leeds Studies on Dante is a collaboration between Peter Lang Oxford and the Leeds Centre for Dante Studies. Based at the University of Leeds, the Centre promotes the study of Dante from a variety of disciplinary and methodological perspectives, through support for individual and collaborative research and through work with students at all levels and with a broader public. In support of this remit, the series will publish innovative new research of the highest quality on any aspect of Dante studies. It is open to a wide range of different methodologies, including comparative and interdisciplinary approaches, studies of Dante's reception from the Middle Ages to the present, and research which engages with the poet's broader cultural context, as well as analysis of Dante's works. Proposals are welcomed for monographs or collections of essays in either English or Italian. Editions, commentaries and translations of exceptional scholarly value will also be considered. Potential contributors should send a detailed outline of their proposed volume, including a statement of the aims and remit of the volume and the critical methodology adopted, a chapter breakdown, and a sample chapter. In the case of edited volumes, editors are asked to send a paragraph outlining the cohesiveness of the volume and the rationale for the collection of essays. Complete manuscripts should not be sent unless invited. The series is supported by an international advisory board, including Zygmunt G. Baraski (University of Notre Dame), Simon Gilson (University of Warwick), Sona Haroutyunian (Ca' Foscari University of Venice), Kristina Landa (University of Bologna), Ronald Martinez (Brown University), Christine Ott (Goethe University), Sangjin Park (Busan University of Foreign Studies), and Lucia Battaglia Ricci (University of Pisa). For further information, please contact the series editors, Matthew Treherne (m.treherne@leeds.ac.uk) or Jacob Blakesley (jacob.blakesley@uniroma1.it).

7 publications

WGS Pathbreakers

WGS Pathbreakers is a subseries of Women, Gender and Sexuality in German Literature and Culture (https://www.peterlang.com/series/wgl), edited by Helen Finch and Katherine Stone, that seeks to showcase the cultural contribution of women, queer, non-binary, trans and gender non-conforming writers and artists to German studies, making important aesthetic, scholarly and political developments accessible to a wider audience. We welcome new proposals for both: Critical editions, which may include single works, selections from the corpus of an individual author, or multi-author anthologies by, or that offer fresh perspectives on, pathbreaking female, queer and trans culture. Critical editions should have the potential to initiate novel scholarly conversations and include a substantive introductory essay, glossary and contextualising annotations, where appropriate. Translations into English, which may include single works, selections from the corpus of an individual author, or extracts from the output of multiple authors that will serve to illuminate significant issues in the representation of gender and/or sexuality in German-language culture. Each submission should include a rigorous scholarly introduction, as well as a translator’s note or essay, glossary and explanatory annotations, where appropriate. Parallel texts will be considered. In the case of new translations of works with existing English-language editions, proposals should make a cogent case for the shortcomings of previous translations and the added value of the new translation. We welcome enquiries from translators. The series editors are primarily interested in works that merit intensified scholarly attention, but which have been overlooked by conventional publishers, censored or fallen out of print. The subseries therefore reflects our desire for a more diverse understanding of German-language culture for the purposes of research, teaching and performance. Please note that all proposals should provide detail about the intended audience for the proposed volume, including potential non-academic readers and courses where these texts are currently taught or would be taught. Proposals should also clearly articulate the value of the translation or critical edition for contemporary feminist and queer German Studies, taking into account any ethical and pedagogical issues that could impact reception by contemporary audiences. We ask that the volume editor or translator take responsibility for securing the rights to all primary material and covering any costs required for reprinting or translating the work.

1 publications

German Visual Culture

This series invites research on all aspects of German visual culture – including art, architecture, film and media – across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual creators, movements, educational systems, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German visual culture on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which visual culture has been perceived and defined as well as the ways in which modern and contemporary German creators have undertaken visual dialogues with their predecessors or contemporaries. The series welcomes cross-disciplinary approaches from art history, anthropology, material culture; the histories of science, perception, medicine, and technology; and the history of ideas. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, the art market, pioneering publishing houses, and the mass media, including film and illustrated magazines. All proposals for monographs and edited collections in the history of German visual culture will be considered. Contributions in English and German are welcome. Submissions are subject to rigorous peer review. Professor Christian Weikop served as series editor from 2018 to 2025, with forthcoming titles still to publish in 2026. During this time as editor, he connected his Research Forum for German Visual Culture at the University of Edinburgh with the series. Editorial Board: Sarah James (Manchester School of Art, Manchester Metropolitan University) Daniel H. Magilow (University of Tennessee, Knoxville ) Ervin Malakaj (University of British Columbia) Leila Mukhida (University of Cambridge) Robin Schuldenfrei (Courtauld Institute of Art, University of London) Aya Soika (Bard College Berlin) Ilka Voermann (Berlinische Galerie) Christian Weikop (Edinburgh College of Art, University of Edinburgh)　

20 publications

Musicology and Culture / Musicología y Cultura

The "Musicology and Culture" series promotes innovative research exploring the evolution of music and its role in various historical and cultural contexts. The series considers different facets, including the diversification of source material and document conservation, the diversity of genres, styles and musical institutions, musical and rhetorical analyses, music theory and thought, coetaneous responses and receptions, organology and music iconography, musico-literary relations, gender studies within a musical context, and paleographic transcriptions. Designed for both a general audience and scholars in the field, the series will comprise works (including essays, monographs, conference proceedings, and critical editions) that represent substantial scientific developments in musicology. The editors and editorial board will collaborate with international scholars and support the research of young musicologists. La serie "Musicología y Cultura" promueve obras innovadoras de investigación relacionadas con la evolución de la música y su papel histórico en las distintas culturas y épocas en las que se inscribe. En este sentido se tendrán en cuenta diferentes aspectos que permitan una mejor comprensión de dicho papel: la contextualización histórica, la consideración de las fuentes y la conservación de la documentación, el estudio de los géneros, estilos e instituciones, el análisis musical y retórico, la teoría y el pensamiento musical, cuestiones de recepción, la organología y la iconografía musical, las relaciones de la música con la literatura, los estudios de género o la transcripción paleográfica (en el caso de la música antigua), etc. La serie, pensada para un amplio público pero también para los especialistas en la matreria, ofrecerá distintos formatos (colecciones de ensayos, monografías, actas de congresos y ediciones musicales críticas) que signifiquen un sustancial avance en el conocimiento científico. Los editores y el comité editorial colaborarán con académicos internacionales de prestigio y al mismo tiempo apoyará la investigación de jóvenes musicólogos.

4 publications