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  • Repenser le cinéma / Rethinking Cinema

    The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles.

    13 publications

  • Spanish Golden Age Studies

    ISSN: 2297-5225

    This series publishes titles on the Golden Age, including but not limited to studies on the New World, the imperial wars, internal strife, visual arts, the popular theatre and prose fiction. Our remit is to provide an outlet for new socio-historical and cultural research on the Early-Modern period, a time when Spain could for the first and last time lay claim to being the world’s leading military, economic and political power. The series is particularly interested in reflections on how cultural production both reflected and shaped the age that ostensibly brought it forth. We welcome both monographs and edited collections in English or Spanish. Editorial Advisory Board: Dr Jonathan Bradbury (University of Exeter) Dr Maria Czepiel (University of Warwick) Professor Barbara Fuchs (UCLA) Professor Enrique García Santo-Tomás (University of Michigan) Dr Stuart Green (University of Leeds) Professor Javier Huerta Calvo (Universidad Complutense de Madrid) Dr Anne Holloway (Queen's University, Belfast) Professor Jeremy Lawrance (University of Oxford) Professor Rosa Navarro Durán (Universidad de Barcelona) Dr John Rutherford (The Queen's College, University of Oxford) Dr Guillermo Gómez Sánchez-Ferrer (Universidad Complutense de Madrid) Professor Elizabeth Wright (University of Georgia)

    3 publications

  • Title: Men on the Screen

    Men on the Screen

    Re-visions of Masculinity in Spanish Cinema (1939-2019)
    by Juan Rey (Volume editor) Francisco Uceda (Translation) 2020
    ©2020 Monographs
  • Title: La poscensura en el cine documental de la transición española

    La poscensura en el cine documental de la transición española

    Los casos de «El Proceso de Burgos» (1979), «Rocío» (1980) y «Después de…» (1981)
    by Alejandro Alvarado (Author) 2019
    ©2018 Monographs
  • Title: Spanish Perspectives on The American West in 21st-Century Literature, Cinema and Culture

    Spanish Perspectives on The American West in 21st-Century Literature, Cinema and Culture

    by Amaia Ibarraran Bigalondo (Author) 2024
    ©2025 Edited Collection
  • Title: Shame and Desire

    Shame and Desire

    Emotion, Intersubjectivity, Cinema
    by Tarja Laine (Author)
    ©2007 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2014
    ©2014 Monographs
  • Title: Italian Cinema

    Italian Cinema

    New Directions
    by William Hope (Volume editor)
    ©2005 Edited Collection
  • Title: Molière’s Spanish Connection

    Molière’s Spanish Connection

    Seventeenth-Century Spanish Theatrical Influence on Imaginary Identity in Molière
    by Thomas P. Finn (Author)
    ©2001 Monographs
  • Title: Le cinéma de Wojciech J. Has au miroir de la littérature

    Le cinéma de Wojciech J. Has au miroir de la littérature

    by Jessy Neau (Author) 2023
    ©2023 Monographs
  • Title: Aspects of Spanish Pragmatics

    Aspects of Spanish Pragmatics

    by Domnita Dumitrescu (Author) 2011
    ©2011 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2023
    ©2023 Monographs
  • Title: Questions of Colour in Cinema

    Questions of Colour in Cinema

    From Paintbrush to Pixel
    by Wendy Everett (Volume editor) 2012
    ©2008 Conference proceedings
  • Title: Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    by Christian Janssens (Author) 2016
    ©2016 Monographs
  • Title: Cinema & Culture

    Cinema & Culture

    Independent Film in the United States, 1980-2001
    by E. Deidre Pribram (Author)
    ©2002 Textbook
  • Title: Cinema Derrida

    Cinema Derrida

    The Law of Inspection in the Age of Global Spectral Media
    by Tyson Stewart (Author) 2021
    ©2020 Monographs
  • Title: Defeated Masculinity

    Defeated Masculinity

    Post-Traumatic Cinema in the Aftermath of War
    by Raya Morag (Author)
    ©2009 Monographs
  • Title: The Cinema of Iceland

    The Cinema of Iceland

    Between Tradition and Liquid Modernity
    by Sebastian Jakub Konefał (Author) 2019
    ©2019 Monographs
  • Title: L’Image hantée

    L’Image hantée

    Horreur et épouvante dans le cinéma et les séries américaines contemporaines
    by Jean-Baptiste Carobolante (Volume editor) Philippe Ortoli (Volume editor) 2024
    ©2023 Edited Collection
  • Title: Polish Postcommunist Cinema

    Polish Postcommunist Cinema

    From Pavement Level
    by Ewa Mazierska (Author)
    ©2007 Monographs
  • Title: Reimagining Kenyan Cinema

    Reimagining Kenyan Cinema

    by Charles Kebaya (Volume editor) Christopher Joseph Odhiambo (Volume editor) 2022
    ©2022 Monographs
  • Title: The Cinema of the Swimming Pool

    The Cinema of the Swimming Pool

    by Christopher Brown (Volume editor) Pam Hirsch (Volume editor) 2014
    ©2014 Edited Collection
  • Title: The armouries of the Spanish nobility

    The armouries of the Spanish nobility

    Studies on a powerful signal of social distinction and inequality
    by Roberto González Ramos (Volume editor) Jesús Ruiz Carrasco (Volume editor) Carlos Ramírez Raya (Volume editor) 2024
    ©2024 Edited Collection
  • Title: Semantics of Spanish Verbal Categories

    Semantics of Spanish Verbal Categories

    by Ian E. Mackenzie (Author)
    ©1999 Monographs
  • Title: Italian Political Cinema

    Italian Political Cinema

    Public Life, Imaginary, and Identity in Contemporary Italian Film
    by Giancarlo Lombardi (Volume editor) Christian Uva (Volume editor) 2016
    ©2016 Monographs
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