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Repenser le cinéma / Rethinking Cinema
The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles.
13 publications
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Framing Film
The History and Art of CinemaFraming Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.
20 publications
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The National and Beyond
The Globalisation of Finnish Cinema in the Films of Aki and Mika Kaurismäki©2010 Monographs -
Theories of Communication
©2011 Textbook -
Nightmares of Contemporary Horror Cinema
©2024 Edited Collection -
The Cinema of the Swimming Pool
©2014 Edited Collection -
Marvelous Rise of Superheroes in Cinema
Evolution of the Genre from Sequels to Universes©2022 Monographs -
Modern Theories of Politics
©2013 Monographs -
Le cinéma de Wojciech J. Has au miroir de la littérature
©2023 Monographs -
Weg der Theorie – Hodos Theorias
Ausgewählte Schriften zur philosophischen Ästhetik mit Bildbeispielen eigener Werke und einem Werkeverzeichnis©2010 Monographs -
Reimagining Kenyan Cinema
©2022 Monographs