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  • Repenser le cinéma / Rethinking Cinema

    The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles.

    13 publications

  • Framing Film

    The History and Art of Cinema

    Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

    20 publications

  • Title: The National and Beyond

    The National and Beyond

    The Globalisation of Finnish Cinema in the Films of Aki and Mika Kaurismäki
    by Pietari Kääpä (Author) 2011
    ©2010 Monographs
  • Title: Questions of Colour in Cinema

    Questions of Colour in Cinema

    From Paintbrush to Pixel
    by Wendy Everett (Volume editor) 2012
    ©2008 Conference proceedings
  • Title: Defeated Masculinity

    Defeated Masculinity

    Post-Traumatic Cinema in the Aftermath of War
    by Raya Morag (Author)
    ©2009 Monographs
  • Title: The Cinema of Iceland

    The Cinema of Iceland

    Between Tradition and Liquid Modernity
    by Sebastian Jakub Konefał (Author) 2019
    ©2019 Monographs
  • Title: Shame and Desire

    Shame and Desire

    Emotion, Intersubjectivity, Cinema
    by Tarja Laine (Author)
    ©2007 Monographs
  • Title: Theories of Communication

    Theories of Communication

    by Eric McLuhan (Author) Marshall McLuhan (Author)
    ©2011 Textbook
  • Title: Between the Eye and the World

    Between the Eye and the World

    The Emergence of the Point-of-View Shot
    by Elena Dagrada (Author) 2015
    ©2014 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2014
    ©2014 Monographs
  • Title: Nightmares of Contemporary Horror Cinema

    Nightmares of Contemporary Horror Cinema

    by Tuna Tetik (Volume editor) Dilay Özgüven Tetik (Volume editor) 2024
    ©2024 Edited Collection
  • Title: Representations of Palestine in Egyptian Cinema

    Representations of Palestine in Egyptian Cinema

    Politics of (In)visibility
    by Claire Begbie (Author) 2023
    ©2023 Monographs
  • Title: The Cinema of the Swimming Pool

    The Cinema of the Swimming Pool

    by Christopher Brown (Volume editor) Pam Hirsch (Volume editor) 2014
    ©2014 Edited Collection
  • Title: Marvelous Rise of Superheroes in Cinema

    Marvelous Rise of Superheroes in Cinema

    Evolution of the Genre from Sequels to Universes
    by Tuna Tetik (Author) 2022
    ©2022 Monographs
  • Title: Italian Cinema

    Italian Cinema

    New Directions
    by William Hope (Volume editor)
    ©2005 Edited Collection
  • Title: Cinema Derrida

    Cinema Derrida

    The Law of Inspection in the Age of Global Spectral Media
    by Tyson Stewart (Author) 2021
    ©2020 Monographs
  • Title: Modern Theories of Politics

    Modern Theories of Politics

    by Evangelia Sembou (Author) 2013
    ©2013 Monographs
  • Title: Of Empire and the City

    Of Empire and the City

    Remapping Early British Cinema
    by Maurizio Cinquegrani (Author) 2014
    ©2014 Monographs
  • Title: Cross-Channel Perspectives

    Cross-Channel Perspectives

    The French Reception of British Cinema
    by Leila Wimmer (Author)
    ©2009 Monographs
  • Title: Le cinéma de Wojciech J. Has au miroir de la littérature

    Le cinéma de Wojciech J. Has au miroir de la littérature

    by Jessy Neau (Author) 2023
    ©2023 Monographs
  • Title: Weg der Theorie – Hodos Theorias

    Weg der Theorie – Hodos Theorias

    Ausgewählte Schriften zur philosophischen Ästhetik mit Bildbeispielen eigener Werke und einem Werkeverzeichnis
    by Evelin Klein (Author)
    ©2010 Monographs
  • Title: Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    by Christian Janssens (Author) 2016
    ©2016 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2023
    ©2023 Monographs
  • Title: Major Theories of Media Effects

    Major Theories of Media Effects

    Analysis and Evaluation
    by W. James Potter (Author) 2020
    ©2019 Textbook
  • Title: Reimagining Kenyan Cinema

    Reimagining Kenyan Cinema

    by Charles Kebaya (Volume editor) Christopher Joseph Odhiambo (Volume editor) 2022
    ©2022 Monographs
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