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World War I from Local Perspectives: History, Literature and Visual Arts
Austria, Britain, Croatia, France, Germany, Ireland, Israel, Italy, Poland and the United States©2015 Edited Collection -
The Continuum of Consciousness
Aesthetic Experience and Visual Art in Henry James’s Novels©2013 Monographs -
Women Making Art
Women in the Visual, Literary, and Performing Arts Since 1960, Second Edition©2020 Textbook -
The New York School Poets as Playwrights
O'Hara, Ashbery, Koch, Schuyler and the Visual Arts©1989 Others -
(e)Pedagogy – Visual Knowledge Building
Rethinking Art and New Media in Education©2005 Edited Collection -
Artful Deceptions- Les Supercheries littéraires et visuelles
Verbal and Visual Trickery in French Culture- La Tromperie dans la culture française©2006 Conference proceedings -
(Re)imagining African Independence
Film, Visual Arts and the Fall of the Portuguese Empire©2017 Edited Collection -
Visual Art as Theology
©1994 Monographs -
Encounters. The Warsaw Studies in English Language Culture, Literature, and Visual Arts
ISSN: 2191-4060
This series offers a platform that welcomes publications dealing with culture, literature and visual arts developed in English speaking countries. We invite academic works (both essays and volume-length texts) on a wide range of topics, including historical and recent developments in literary and cultural studies. As the title "encounters" indicates, we wish this series to be a meeting point for a variety of academic approaches. Hence we encourage diverse, interdisciplinary, comparative and multi-faceted takes that may blend sophisticated, theoretical analyses with pragmatic discussions, enabling new ways of thinking and interpreting human experience.
7 publications
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Literature and the Visual Arts
New FoundationsOffering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all.
15 publications
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