Hybrid Media Practices and Narratives of Conflict
Edited By Mervi Pantti
How are media and communications transforming armed conflicts? How are conflicts made visible in the media in different national and transnational settings? How does the media serve as a means by which
various actors manage and communicate conflict?
These are some of the questions addressed in this book. Using a variety of disciplinary perspectives and analytical approaches, contributors discuss the complex, multi-level Ukraine conflict as it is imagined and enacted in and through various media. Covering a wide range of media forms and content, including television news, newspapers, PR campaigns, and social media content, they offer new, empirically grounded insight into the ways in which traditional mass media and new media forms are involved in narrating and shaping conflict.
This book is suitable for students of conflict and media courses in journalism, media and communication, politics, security, and Russian and Eastern European studies.
We live in a global age. We inhabit a world that has become radically interconnected, interdependent and communicated in the formations and flows of the media. This same world also spawns proliferating, often interpenetrating, “global crises.”
From climate change to the war on terror, financial meltdowns to forced migrations, energy shortages to world poverty and humanitarian disasters to the denial of human rights, these and other crises represent the dark side of our globalized planet. Their origins and outcomes are not confined behind national borders and they are not best conceived through national prisms of understanding. The impacts of global crises often register across “sovereign” national territories, surrounding regions and beyond, and they can also become subject to systems of governance and forms of civil society response that are no less encompassing or transnational in scope. In today’s interdependent world, global crises cannot be regarded as exceptional or aberrant events only, erupting without rhyme or reason or dislocated from the contemporary world (dis)order. They are endemic to the contemporary global world, deeply enmeshed within it. And so too are they highly dependent on the world’s media and communication networks.
The series Global Crises and the Media sets out to examine not only the media’s role in the communication of global threats and crises but also how they can variously enter into their constitution, enacting them on the public stage and helping to shape their future trajectory around the world....
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