Edited By Liana De Girolami Cheney
This collection celebrates the 450th year anniversary of the publication of Giorgio Vasari’s Vite (The Lives of the Most Excellent Painters, Sculptors and Architects [Florence: Giunti, 1568]), in which, in the prolegomenon, architects were highly praised along with the principles and technology of architecture. To honor this significant event, the selected articles in this book contain some published excerpts, some revised and expanded, some never published. These articles demonstrate the extraordinary influence of the classical tradition in Renaissance and Mannerist architecture and its role in the education of architectural students. In particular, these essays discuss the materials employed and their functions as well as the architect’s role in society. These articles also address the impact of Mannerist architecture and art theory in sixteenth-century European architecture and culture.
B. The Fundamental Principles of Architecture (Vitruvius)
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THE FUNDAMENTAL PRINCIPLES OF ARCHITECTURE
1. ARCHITECTURE depends on Order (in Greek τάξις), Arrangement (in Greek διάθεσις), Eurythmy, Symmetry, Propriety, and Economy (in Greek οἰκονομία).
2. Order gives due measure to the members of a work considered separately, and symmetrical agreement to the proportions of the whole. It is an adjustment according to quantity (in Greek ποσότης). By this I mean the selection of modules from the members of the work itself and, starting from these individual parts of members, constructing the whole work to correspond. Arrangement includes the putting of things in their proper places and the elegance of effect which is due to adjustments appropriate to the character of the work. Its forms of expression (in Greek ἰδέαι) are these: groundplan, elevation, and perspective. A groundplan is made by the proper successive use of compasses and rule, through which we get outlines for the plane surfaces of buildings. An elevation is a picture of the front of a building, set upright and properly drawn in the proportions of the contemplated work. Perspective is the method of sketching a front with the sides withdrawing into the background, the lines all meeting in the centre of a circle. All three come of reflexion and invention. Reflexion is careful and laborious thought, and watchful attention directed to the agreeable effect of one’s plan. ← 45 | 46 → Invention, on the other hand, is the solving of intricate problems and the discovery of new principles by...
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