Unthought of Empty
The purpose of Chinese Philosophy and Contemporary Aesthetics is simple and straightforward: to discuss empty, nothing, opening, white, nature color, blankness, and different delicate senses, in ink-water painting and calligraphy, around discourses of poetics, philosophy ideas, and art critics.
Because xu has inner plasticity and re-generation, which are crucial for its aesthetic discourse, the relation between "nature" or "naturalness" and "emptiness" approaches a fundamental question of modernity—the relation between event revolution and "silent transformation."
List of Figures
Chapter 1: Introduction: Infra-White—An Impossible Beginning
Chapter 2: Color and White, the Blank Canvas: The Reverse Reconstruction of Non-Dimension
Chapter 3: Remnant and White, Color and Blankness, Qi and White
Chapter 4: Empty and White, Empty—Empty—Substance—Substance, the Empty Room Filled with Light
Chapter 5: The White Layout of the “Woodcutters Fighting for the Path”: The Ethics of Remnant Yielding
Chapter 6: Jade and White, Snow and White, Light and White
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