Show Less

A History of Installation Art and the Development of New Art Forms

Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation

Faye Ran

Art mirrors life; life returns the favor. How could nineteenth and twentieth century technologies foster both the change in the world view generally called «postmodernism» and the development of new art forms? Scholar and curator Faye Ran shows how interactions of art and technology led to cultural changes and the evolution of Installation art as a genre unto itself – a fascinating hybrid of expanded sculpture in terms of context, site, and environment, and expanded theatre in terms of performer, performance, and public.

Prices

Show Summary Details
Restricted access

Bibliography 237

Extract

~ B I B L I O G R A P H Y ~ Adcock, Craig. James Turrell—The Art of Light and Space. CA: University of California Press, 1990. Akhundov, Murad. Conceptions of Space and Time: Sources, Evolution, Direction. Trans. Charles Rougle. MA: MIT Press, 1986. Alexandrian, Sarane. Surrealist Art. New York: Thames and Hudson, 1970. Alquie, F. The Philosophy of Surrealism. Michigan: Ann Arbor Books, 1969. Appignanesi, Lisa, ed. Postmodernism: ICA Documents. London: Free Association Books, 1989. Apollonio, Umbro, ed. The Documents of Twentieth Century Futurist Manifestos. New York: Viking Press, 1970. Arnason, H. H. History of Modern Art. New Jersey: Prentice Hall, l986. Artaud, Antonin. The Theater and its Double. Translated by Mary Richards. New York: Grove Press, 1958. Ashton, Dore. Artists on Art. New York: Pantheon Books, 1985. Atkins, Robert. Artspeak. New York: Abbeville Press, 1990. Auping, Michael. Jenny Holzer. New York: Universe Publishing, 1992. Bachelard, Gaston. The Poetics of Space. Translated by M. Jolas. MA: Beacon Press, 1964. Baker, Kenneth. Minimalism. New York: Abbeville Press, 1988. Baigell, Matthew. A Concise History of American Painting and Sculpture. New York: Harper and Row, 1984. Balakian, Anna. Surrealism: The Road to the Absolute. New York: Dutton, 1959. Barker, Francis, et al. Postmodernism and the Re-reading of Modernity. Manchester: Manchester University Press, 1992. Barthes, Roland. Critical Essays. Translated by R. Howard. IL: Northwestern UP, 1982. ———. Camera Lucida: Reflections on Photography. New York: Hill and Wang. 1981. ———. Mythologies. London: Paladin, 1973. ———. Responsibility of Forms: Critical Essays on Music, Art and Representation. Trans....

You are not authenticated to view the full text of this chapter or article.

This site requires a subscription or purchase to access the full text of books or journals.

Do you have any questions? Contact us.

Or login to access all content.