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Foreign Devils

Exile and Host Nation in Hollywood’s Golden Age

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Gábor Gergely

Foreign Devils investigates representations of exile in Hollywood cinema from 1930 to 1956 through the films of Peter Lorre, Béla Lugosi, and Conrad Veidt. This book dispels the assumption that by virtue of its hegemonic, reactionary, and exclusionary modes of representation, otherness is excluded from or only obliquely alluded to in classical Hollywood cinema. This book contends that Hollywood uses European émigré actors to speak of the experience of exile and the often-futile exilic attempts at integration into the host nation.
This original, cross-disciplinary study incorporates a number of research interests in film studies – specifically Hollywood cinema, exile and émigré filmmakers, the Golden Age of the studio system, the Universal Horror cycle, and Poverty Row filmmaking. Foreign Devils combines the close reading of key texts with a theoretical framework that encompasses body theory and theories of space and nation with historical accounts of immigration to the United States and American concepts of nationhood through the symbolism of blood and death studies.
Film studies students and academics, both undergraduate and postgraduate, as well as scholars in other disciplines, and anyone with an interest in Hollywood cinema, Central European culture in the 1930s-1950s, and European emigration to the United States will benefit from reading this book. Foreign Devils is also a valuable resource for courses in Hollywood filmmaking, émigré film, exile, Central European culture, nationalism studies, and Jewish studies.

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F  The Black Cat (Edgar G Ulmer, ): Dr Vitus Werdegast The Devil’s in Love (William Dieterle, ): Military Prosecutor (uncredited) International House (A Edward Sutherland, ): Gen. Nicholas Petronovich Night of Terror (Benjamin Stoloff, ): Degar The Whispering Shadow (Colbert Clark, Albert Herman, ): Prof. Anton Strang Island of Lost Souls (Erle C Kenton, ): Sayer of the Law The Death Kiss (Edwin L Marin, ): Joseph Steiner Chandu the Magician (William Cameron Menzies, Marcel Varnel, ): Roxor White Zombie (Victor Halperin, ): ’Murder’ Legendre Murders in the Rue Morgue (Robert Florey, ): Dr Mirakle Broadminded (Mervyn LeRoy, ): Pancho The Black Camel (Hamilton MacFadden, ): Tarneverro / Arthur Mayo Women of All Nations (Raoul Walsh, ): Prince Hassan  Million Frenchmen (Lloyd Bacon, ): Orizon /Magician (uncredited) Dracula (Tod Browning, ): Count Dracula Conrad Veidt, English-language films – Nazi Agent (Jules Dassin, ): Otto Becker / Baron Hugo von Detner Above Suspicion (Richard Thorpe, ): Hassert Seidel All Through the Night (Vincent Sherman, ) Franz Ebbing The Men in Her Life (Gregory Ratoff, ): Stanislas Rosing Whistling in the Dark (S Slyvan Simon, ): Joseph Jones A Woman’s Face (George Cukor, ): Torsten Barring The Thief of Bagdad (Ludwig Berger, Michael Powell, ): Jaffar Escape (Mervyn LeRoy, ): General Kurt von Kolb Contraband (Michael Powell, ): Captain Andersen  F The Spy in Black (Michael Powell, ): Captain Hardt Under the Red Robe (Victor Sjöström, ): Gil de Berault Dark Journey (Victor Saville, ): Baron Karl Von Marwitz King of the Damned (Walter Forde, ): Convict  The Passing of the Third Floor Back (Berthold Viertel, ): The Stranger Jew Süss (Lothar Mendes, ): Josef ’Jew Süss’ Oppenheimer...

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