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Readings in Italian Mannerism

with a Foreword by Craig Hugh Smyth- Second Printing

by Liana De Girolami Cheney (Volume editor)
©2004 Monographs XXXIII, 348 Pages
Series: American University Studies , Volume 24

Summary

The aim of this book is to focus on the origin of the historiography of the terms Mannerism and Maniera in paintings and drawings of the sixteenth-century in Italy. The articles herewith presented fall into two categories. The first group explains the definition of the terms Mannerism and Maniera, their periodicity, and their sources as illustrated by Giorogio Vasari, John Shearman, Craig Hugh Smyth, and Sydney Freedberg. The second deals with the polemic associated with the usage of the term and historiography and its application as voiced by Walter Friedlaender, Max Dvorak, Ernst Gombrich, Henri Zerner, David Summers, Malcolm Campbell, and Iris Cheney.

Details

Pages
XXXIII, 348
Year
2004
ISBN (PDF)
9781453910139
DOI
10.3726/978-1-4539-1013-9
Language
English
Publication date
1997 (September)
Keywords
art italy mannerism
Published
New York, Bern, Berlin, Bruxelles, Frankfurt/M., Oxford, Wien, 1997, 2004. XXXIII, 348 pp., num. ill.

Biographical notes

Liana De Girolami Cheney (Volume editor)

The Editor: Liana De Girolami Cheney, Professor of Art History at the University of Massachusetts Lowell, is the author and editor of Botticelli’s Neoplatonic Images; The Paintings of the Casa Vasari; Readings in Italian Mannerism; The Symbolism of Vanitas in the Arts; Literature and Music; Pre-Raphaelitism and Medievalism in the Arts; Essays on Women Artists: The most Excellent and Giorgio Vasari: The Painter of the «Lives». Her major articles include studies on Giorgio Vasari and Mannerist female painters (Sofonisba Anguissola, Lavinia Fontana and Barbara Longhi). Her forthcoming books are on Edward Burne-Jones’ Mythological Paintings, Giorgio Vasari’s Classical Art and Mythology and Neoplatonic Aesthetics: Music, Literature, and the Visual Arts, co-edited with John Hendrix.

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384 pages