Show Less
Restricted access

Here’s Looking at You

Hollywood, Film & Politics

Series:

Ernest Giglio

Here’s Looking at You: Hollywood, Film & Politics examines the tangled relationship between politics and Hollywood, which manifests itself in celebrity involvement in political campaigns and elections, and in the overt and covert political messages conveyed by Hollywood films. The book’s findings contradict the film industry’s assertion that it is simply in the entertainment business, and examines how, while the majority of Hollywood films are strictly commercial ventures, hundreds of movies – ranging from Birth of a Nation to Fahrenheit 9/11 – do indeed contain political messages. Here’s Looking at You serves as a basic text for political film courses and as a supplement in American government and film studies courses, and will also appeal to film buffs and people in the film industry.
Show Summary Details
Restricted access

About the Book

Extract



Now in its updated and expanded fourth edition, Here’s Looking at You: Hollywood, Film & Politics examines how the tangled relationship between Hollywood’s global film industry and the politics of federal and state governments manifests itself in the real world of political campaigns and in the fictional world of Hollywood films.

The book contradicts the film industry’s assertion that it produces nothing but entertainment. While it is true that the vast majority of Hollywood films are strictly commercial ventures, hundreds of movies– from Birth of a Nation to The Help, recreated stories like Argo and Zero Dark Thirty and historical pieces such as Lincoln and The Conspirator–contain political messages, both overt and covert.

This new edition begins with President Obama’s re-election and includes new photos and statistical data, three new chapters and eight case studies that provide in-depth analysis of special films that are certain to challenge existing views and stimulate classroom discussion. Here’s Looking at You serves as a basic text for courses in film and politics and as a supplement in American government and film studies courses. Film buffs and general readers will also find it of interest.

You are not authenticated to view the full text of this chapter or article.

This site requires a subscription or purchase to access the full text of books or journals.

Do you have any questions? Contact us.

Or login to access all content.