4 Summarizing the Doctrines of Film Realism
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Summarizing the Doctrines of Film Realism
To prepare the way for the improved version of film realism that I shall subsequently present, I will now summarize the strengths and weaknesses I find in the three doctrines of film realism that I have previously discussed. An improved theory should be able to retain what is acceptable about each doctrine, abandon what is unacceptable, and formulate a position that is otherwise consistent with our film-viewing experience. The theory I shall present in the next chapter has these virtues.
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