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The Revelations of Asher

Toward Supreme Love in Self – (This Is an Endarkened, Feminist, New Literacies Event)

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Jeanine M. Staples

The Revelations of Asher: Toward Supreme Love in Self is an endarkened, feminist, new literacies event. It critically and creatively explores Black women’s terror in love. With poetry, prose, and analytic memos, Jeanine Staples shows how a group of Black women’s talk and writings about relationships revealed epistemological and ontological revelations, after 9/11. These revelations are presented in the context of a third wave new literacies framework. They are voiced and storied dynamically by the women’s seven fragmented selves. Through the selves, we learn the five ways the women lived as lovers: Main Chick, Side Chick, Bonnie, Bitch, and Victim. As an alternative-response to these identities in love, the author presents a new way. She introduces the Supreme Lover Identity and illuminates its integral connection to social and emotional justice for and through Black women’s wisdom.
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Get ready. In this magnificent new literacies event, Jeanine Staples will take you on a very challenging, exciting, and provocative journey. In The Revelations of Asher, Jeanine examines Black women’s terror in love and life by explicitly and necessarily focusing on talk and writing. In this delectable magnum opus, Jeanine powerfully presents these women’s voices and stories by pushing readers to conceptualize a deeper understanding of love as central to the work of social and emotional justice. Jeanine does not write only about the act of loving. She also writes about the responsibility of being and becoming a lover. She writes about what it means to develop a lover identity and how this mindful development is an integral part of consciousness raising for the individual and liberation for all. She does this by examining relational terror and its impetuses.

Her nuancing of the data-rich stories of a group of Black women reveals how emotional, psychological, and physical terrors get reinscribed onto our bodies and into our hearts and minds. Jeanine goes further and shows also how such terrors, lodged in these places of our Personhood, are reproduced socially, politically, and culturally. Her focus on romantic love and terror, then, may push us into a place of fear—a place where we fear naming how supremacist patriarchal ideologies and enactments cripple our existence, relegating us to worlds of violence and oppression, hatred and abuse; provoking us to confront the fact that such worlds are often generally directed...

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