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The Epistolary Muse

Women of Letters in England and France, 1652–1802


Adrian Kempton

Epistolary fiction was in full flower during the period from 1652 to 1802, featuring the masterworks of Guilleragues, Richardson, Rousseau and Laclos. This study traces the development of the art of letter-writing and familiar correspondence and its adaptation by women writers into a remarkable range of literary genres, both fictional and non-fictional. In addition to the better known categories of the monodic love-letter sequence and the polyphonic epistolary novel, these sub-genres include letter miscellanies, essays, travelogues, educational novels and verse epistles. To all these, women writers made a valuable, and sometimes totally original, contribution. Indeed, it could be said that it was essentially through letter-writing that women achieved literary recognition.

This volume examines each of these epistolary categories in turn, revealing how women writers from either country excelled in a particular genre: the French, for example, in the epistolary monody and fictional foreign correspondence, the English in the miscellany and verse epistle, and both in the polyphonic letter-novel. Finally, the study notes how, despite the rapid decline of epistolary fiction in the nineteenth century, a select number of letter-novels by American, English and French women writers still continue to be published.

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Chapter 10: The multiple-voice letter-novel in England


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The multiple-voice letter-novel in England

Before Richardson: Aphra Behn, Eliza Haywood and Mary Davys

Although Aphra Behn has been wrongly represented in several histories of English literature as the first noteworthy woman writer of prose fiction – she was preceded by Mary Wroth and Margaret Cavendish – she was certainly the first to write an epistolary novel.

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